John Baldessari (American, 1931)

1

JOHN BALDESSARI

BIOGRAPHY

One-Person and Two-Person Exhibitions ……………………………………………………… 3

2000 ………………………………………………………………………………………. …..

3

1990 ……………………………………………………….……………………………………

6

1980 ……………………………………………………….……………………………………

9

1970 ……………………………………………………….…………………………………… 12

Selected Group Exhibitions ………………………………………………………………………12

2000 …………………………………………………………………………………………… 19

1990 ……………………………………………………….…………………………………… 29

1980 ……………………………………………………….…………………………………… 39

1970 ……………………………………………………….…………………………………… 47

Selected Articles and Reviews ………………………………………………………………… 50

2000 …………………………………………………………………………………………. 62

1990 ……………………………………………………….……………………………………

1980 ……………………………………………………….…………………………………… 69

1970 ……………………………………………………….…………………………………… 75

Other Publications Including John …………………………………………………………… 76

One-Person Catalogues ………………………………………………………………………… 77

Group Show Catalogues …………………………………………………………………………78

Lectures and Panel Discussions …………………………………………………………………84

Interviews with the Artist ………………………………………………………………………… 85

Special Projects …………………………………………………………………………………… 89

Films by the Artist ………………………………………………………………………………… 91

Videos by the Artist ……………………………………………………………………………… 92

Books by the Artist …………………………………………………………………..…………..…93

Published Projects / Writings by the Artist …………………………………………………… 94

Curatorial Exhibitions …………………………………………………………………..………… 98

Teaching …………………………………………………………………..…………..………….. 98

Awards …………………………………………………………………..…………..…………..… 98

2

Scholarly and Professional Societies ………………………………………………………… 98

Education ……………………………………………………………………………………………99

Honorary Degrees …………………………………………………………………………………99

3

Born: 1931 June 17, National City, California.

One-Person and Two–Person Exhibitions

[back to table of contents]

2006 “John Baldessari: Works 1982 – 1991” Galerie Marian Goodman, Paris, France, March 18 –

April 22, 2006

“John Baldessari: Raw Prints & Others, Estampes 1976 – 2005, Florence Loewy, Paris France,

March 18 – April 5, 2006

2005 “John Baldessari: Prima Facie (Fourth State)” Galerie Meert Rihoux, Brussels, Belgium,

December 16 – January 28, 2005

“John Baldessari: Guitars” Richard Levy Gallery, Albuquerque, New Mexico, November 4 –

December 9, 2005.

“John Baldessari: Prima Facie (Third State)” Galeria Pepe Cobo, Madrid Spain, September 14

– November 10, 2005

“John Baldessari: From Life” Carré d’Art Musee Contemporain de Nimes, France, October

19, 2005 – January 8, 2006

“John Baldessari: Prima Facie (Second State),” Mai 36 Galerie, Zurich, Switzerland, June 11-

July 30, 2005.

“John Baldessari: Person with Guitar Series,” Gemini G.E.L., Los Angeles, California, opening

May 17, 2005 thru June 2005.

“John Baldessari: Prima Facie,” Margo Leavin Gallery, April 9 – May 14, 2005.

“John Baldessari: The Blockage Series,” Galerie Marian Goodman, Paris, France, March 11 –

April 23, 2005.

“John Baldessari: Life’s Balance, (Works 1984-2004),” March 5 – May 16, 2005, Space 02,

curated by Peter Pakesch and Adam Budak, Kunsthaus Graz am Landesmuseum Joanneum,

Graz, Austria. Catalogue.

“John Baldessari: A Different Kind of Order (Works 1962-1984),” March 4 – July 3, 2005, curated

by Rainer Fuchs, Museum Moderner Kunst Stiftung Ludwig Wien, Wien, Austria, Catalogue.

“John Baldessari: I will not make any more boring art,” curated by Lee Plested, PLAySPACE

Gallery, California College of the Arts, San Francisco, California, January 28 – February 11,

2005.

2004 “John Baldessari” Marian Goodman Gallery, New York, New York, November 17, 2004 –

January 8, 2005.

“John Baldessari and Jonathan Monk” Galleri Nicolai Wallner, Copenhagen, Denmark, May

21 - July 17, 2004.

4

“Drift (A Work by John Baldessari, Juliao Sarmento, and Lawrence Weiner),” Centro Cultural

de Belem, Lisbon, Portugal, March 19 - May 30, 2004. Catalogue.

“John Baldessari: Somewhere Between Almost Right and Not Quite (With Orange), Deutsche

Guggenheim, October 30, 2004 – January 16, 2005, organized by Tracey Bashkoff, catalogue

by The Solomon R. Guggenheim Foundation, New York, 2004, traveling to Neues Museum

Weserburg Bremen, Bremen, Germany, February 22 – March 27, 2005.

“John Baldessari: Recent Maquettes & Prints,” Art Affairs, Amsterdam, The Netherlands,

February 7 – March 13, 2004.

2003 “John Baldessari: Vertical/Horizontal Series” Bernier/Elaides, Athens, Greece, December 4,

2003 – January 31, 2004.

“John Baldessari: The Duress Series”, Mai 36 Galerie, Zurich Switzerland, June 7 – July 19, 2003.

“John Baldessari: Editionen,” Einladung zur Eroffnung, Hamburg, Germany, January 31 – April

5, 2003.

2002 “John Baldessari: Junctions and Intersections,” Monika Spruth Philomene Magers, Cologne,

Germany, October 31, 2002 – February 28, 2003.

“John Baldessari: Junctions and Intersections,” Margo Leavin Gallery, Los Angeles, October

26 – December 7, 2002.

“John Baldessari: The Intersection Series,” Primo Piano, Rome, Italy, May 7- August 7, 2002.

“John Baldessari,” Galerie Marian Goodman, Paris, France, May 3 – June 15, 2002.

“John Baldessari,” Marian Goodman Gallery, New York, New York, February 14 – March 30,

2002.

2001 “John Baldessari,” Philomene Magers, Munich, Germany, June 2 – July 31, 2001.

“John Baldessari: The Overlap Series,” Mai 36 Galerie, Zurich, Switzerland, June 2 - July 14,

2001.

“While Something Is Happening Here, Something Else Is Happening There: Works 1965-

2001,” Reykjavik Art Museum, Reykjavik, Iceland, March 31-June 17, 2001. Catalogue.

“John Baldessari,” Museo d’Arte Moderna Contemporanea di Trento e Rovereto, Trento,

Italy, December 15, 2000 - March 11, 2001.

2000 “John Baldessari,” Gallerie Brandstrup, Oslo, Norway, August 24 – September 10, 2000.

“John Baldessari Selections from: The Goya Series-The Tetrad Series-The Elbow Series,” Meert

Rihoux, Brussels, Belgium, May 2000.

“Baldessari, While Something Is Happening Here, Something Else Is Happening There: Works

1988-1999,” Sprengel Museum, Hannover, Germany, September 26, 1999 - January 2, 2000,

traveling to Staatlich Kunstammlungen Dresden, Germany, January 16 - April 2, 2000.

5

1999 “The Elbow Series 1999,” Massimo Martino Fine Art & Projects, Mendrisio, Switzerland, June 1-

October 8, 1999.

“John Baldessari: Tetrad Series,” Marian Goodman Gallery, New York, New York, April 18 -

May 21, 1999. Catalogue.

“Baldessari und Goya,” Albertina im Akademiehof, Vienna, Austria, February 18 - March 28,

1999.

1998 “John Baldessari: Commissioned Paintings,” Sonnabend Gallery, New York, New York,

November 14 - December 9, 1999.

“John Baldessari: Recent Works,” Charim Klocker, Vienna, Austria, September 11 -

November 7, 1998.

“Tele Dolça Llar & Baldessari 4 HAB a/VETS.: paper pintat, llums I plantes. Nou,” Museu D’Art

Contemporani, Barcelona, Spain, July 16 - September 27, 1998.

“Baldessari, 4 RMS W VU: WALLPAPER, LAMPS, AND PLANTS, NEW,” Museum fur

Gegenwartskunst, Zurich, Switzerland, January 31 - March 22, 1998.

“John Baldessari,” Mai 36 Gallery, Zurich, Switzerland, January 30 - March 14, 1998.

"Baldessari, 4 RMS W VU: WALLPAPER, LAMPS AND PLANTS, NEW,” Witte de With, Rotterdam,

Holland, The Netherlands, January 24 - March 22, 1998.

“John Baldessari: The Goya Series,” Sonnabend Gallery, New York, New York, January 10 -

February 14, 1998.

1997 "John Baldessari," Theoretical Events, Napoli, Italy, June 5 - July 31, 1997.

"John Baldessari: National City Paintings from 1967 and 1996,” Galerie Philomene Magers,

Köln, Germany, May 23 - July 31, 1997.

"John Baldessari," Margo Leavin Gallery, Los Angeles, California, April 19 - May 24, 1997.

"John Baldessari," Marian Goodman Gallery, Paris, France, April 4 – May 31, 1997.

"John Baldessari: 1990-1996,” Galerie Laage-Salomon, Paris, France, April 4 - May 17, 1997.

1996 "John Baldessari," Galleria Pedro Oliveira, Portugal, June 1 –July 13, 1996.

“John Baldessari,” PYO Gallery, Seoul, Korea, June 4 -June 25, 1996.

"John Baldessari Recent Works," Galerie Meert Rihoux, Brussels, Belgium, April 23 - June 1,

1996.

"John Baldessari: National City," Museum of Contemporary Art, San Diego, March 9 - June

19, 1996.

“John Baldessari,” Hochschule fur Angewandte Kunst in Wien, Vienna, Austria, March 5 -

April 27, 1996.

6

“John Baldessari,” Mai 36, Zurich, Switzerland.

1995 "John Baldessari," Jurgen Becker Gallery, Hamburg, Germany, November 24, 1995 –

February, 1996.

"John Baldessari: Prints From Cirrus Editions," Lowinsky Gallery, New York, New York,

November 2 – 30, 1995.

"This Not That," Cornerhouse, Manchester, England, May 6 -June 25, 1995, traveling to

Serpentine, Kensington Gardens, London, England, July 12 - August 28, 1995,

Wurttembergischer Kunstverein Stuttgart, Stuttgart, Germany, September 21 - November

19, 1995, Moderna Galleria Ljubljana, Ljubljana, Slovenia, December 14, 1995 - January 27,

1996, Museet For Samtidskunst, Oslo, Norway, February 17 - May 5, 1996, Fundaciao

Calouste Gulbenkian, Lisbon, Portugal, June 4 – September 1, 1996. Catalogue.

"John Baldessari: New Work," Margo Leavin Gallery, Los Angeles, California, April 22-May 20.

“John Baldessari: Books and Ephemera, 1971-1995,” Printed Matter, New York, New York,

March 9 – April 28, 1995.

"John Baldessari, Gallery Inauguration," Eli Broad Gallery at Pitzer College, Claremont,

California, February 24, 1995.

“John Baldessari,” Blancpain Stepcynaski, Geneva, Switzerland.

“John Baldessari,” Monica Spruth Galerie, Köln, Germany.

1994 “John Baldessari,” Nichols Gallery at Pitzer College, Claremont, California, November 14,

1994 – May 14, 1995.

Sonnabend, New York, September 17 - October 15, 1994.

"Monoprints: Six Table Lamps and Their Shadows Thirty-Six Variations," The Remba Gallery,

Los Angeles, September 10 - October 22, 1994.

"Los Angeles Mind Quakes: John Baldessari and 35 Artists from Los Angeles," De Beyerd

Center for Contemporary Art, Breda, Holland, The Netherlands, July 19 - September 11,

1994.

"Project 2: John Baldessari, Four Directional Pieces," Newark Museum, Contemporary Artists

Gallery, Newark, New Jersey, April 13 - August 28, 1994.

“John Baldessari at Gemini G.E.L.,” Joni Moisant Weyl, New York, New York.

1993 Klemens Gasser, Bolzano, December 13, 1993.

“John Baldessari.” Primo Piano, Rome, Italy, December 10, 1993.

"John Baldessari: Working Materials," Brooke Alexander Editions, New York, New York,

October 16, 1993.

Mai 36 Galerie, Zurich, Switzerland, June 8 - July 31, 1993.

7

1992 "John Baldessari: Working Materials,” Chinati Foundation, Marfa, Texas, October 17 -

December 20, 1992.

“John Baldessari/Claes Oldenburg (Scale/ Selection/ Narration),” The Richard F. Bush

Gallery, St. Lawrence University, October 6 – November 6, 1992, curated by David Platzker.

Casa de Compostela, Santiago de Compostela, September – October 1992.

Sonnabend Gallery, New York, New York, September 19 –October 10, 1992.

Casa da Parra, Santiago, Spain, September 10 - October 10, 1992. Catalogue.

Margo Leavin Gallery, Los Angeles, California, May 21 – June 27, 1992.

Meert Rihoux, Brussels, Belgium, April – May, 1992.

"Prints," Mai 36 Galerie, Luzerne, Switzerland.

Texas Gallery, Houston, Texas.

1991 Galerie Crousel Robelin-BAMA, Paris, France, November 28 - January 11.

Galerie Weber, Alexander Y Cobo, Madrid, Spain, November 21 - January 25.

“John Baldessari,” Donald Young Gallery, Chicago, Illinois, opened January 11.

Mai 36 Galerie, Luzerne, Switzerland.

“John Baldessari,” Walker Art Center, Minneapolis, Minnesota.

1990

"John Baldessari: New Editions," Cirrus, Los Angeles, California, September 8 - November 10,

1990.

Sonnabend Gallery, New York, New York, September 22 – October 13, 1990.

"John Baldessari, Composition for Violin and Voices (Male)," Musee D’Art Contemporain,

Lyon, France, May 17 - June 14, 1990.

Photographic Resource Center, Boston, Massachusetts, May 4 - June 24, 1990.

"Prints 1986 – 1990," Brooke Alexander, New York, New York, April 24 - June 6, 1990.

"John Baldessari," Margo Leavin Gallery, Los Angeles, California, April 21 - May 26, 1990.

"Behind-The-Scenes Tour: John Baldessari," The Museum of Contemporary Art, Los Angeles,

California, March 20, 1990.

“John Baldessari,” The Museum of Contemporary Art, Los Angeles, California, March 25 -

June 17, 1990, traveling to The San Francisco Museum of Modern Art, San Francisco,

California, July 12 - September 9, 1990, The Hirshhorn Museum and Sculpture Garden,

Washington D.C., October 16, 1990 - January 6, 1991; Walker Art Center, Minneapolis,

Minnesota, February 3 - April 28, 1991; The Whitney Museum of American Art, New York,

8

New York, July 10 - October 13, 1991; Musee d'art contemporain de Montreal, Montreal,

Canada, November 21, 1991 - February 13, 1992.

"Survey of Graphic Works," Christopher Grimes Gallery, Santa Monica, California.

C. Grimaldis Gallery, Baltimore, Maryland, December 5, – January 12.

1989 "Artschwager/Baldessari," Grossman Gallery, School of the Museum of Fine Art, Boston,

Massachusetts, October 27 - November 29, 1989.

"John Baldessari: Recent Works," Galerie Meert Rihoux, Brussels, Belgium, May 20 – June 30,

1989.

"John Baldessari," Lawrence Oliver Gallery, Philadelphia, February 3 – March 4, 1989.

Brochure with text by Rosetta Brooks.

"Ni por Esas / Not Even So: John Baldessari," Centro de Arte Reina Sofia, Madrid, Spain,

January 11 – February 20, 1989, catalogue (Spanish and French editions), texts by Jean–

Louis Froment (French only), Gaudalupe Echevarri, Vicente Todol1, John Miller, Thomas

Lawson, artist, exhibition and catalogue by Centro de Arte Reina Sof1a, Madrid and

Centre Julio Gonzalez, IVAM, Instituto Valenciano de Arte Moderno, Valencia, Spain,

traveled to capc Muse d'art contemporain, Bordeaux, France, as "John Baldessari: Oeuvres

de 1966 - 1988," March 10 – April 23, 1989, Centre Julio Gonzalez, IVAM, Instituto Valenciano

de Arte Moderno, Valencia, Spain, May 15 – July 15, 1989, artist's book, Lamb, collaboration

with Meg Cranston, with exhibition, Valencia, 1989.

"John Baldessari: Laurence Sterne's The Life and Opinions of Tristram Shandy, Gentleman,"

Sonnabend Gallery, New York, New York, January 7 – 28, 1989.

"John Baldessari: Recent Editions," Stephen Wirtz Gallery, San Francisco, California, January

5 – 28, 1989.

1988 "John Baldessari: Laurence Sterne's The Life and Opinions of Tristram Shandy, Gentleman,"

Margo Leavin Gallery, Los Angeles, California, November 19 – December 23, 1988.

"John Baldessari: Oeuvres Recentes," Palais des Beaux–Arts, Brussels, Belgium,

September 18 - November 6, 1988.

"John Baldessari: Opere Recenti," Primo Piano, Rome, Italy, May – July 1988.

Lisson Gallery, London, England, May 16 - June 11, 1988.

“John Baldessari Oeuvres Recentes,” Galerie Laage-Salomon, Paris, France, May 27 - June

30, 1988.

“John Baldessari Recent Works,” Margo Leavin Gallery, Los Angeles, California, April 9 - May

14, 1988.

"John Baldessari: Photoarbeiten," Kestner–Gesellschaft, Hannover, West Germany,

December 9, 1988 –January 29, 1989. Catalogue with texts by Carl Haenlein and Germano

Celant.

9

"John Baldessari: A Print Retrospective, " Cirrus Gallery, Los Angeles, California, December

11-January 21.

1987 Sonnabend Gallery, New York, New York, November 7 – 28, 1987.

Museo d'Arte Contemporanea, Castello di Rivoli, Rivoli, Italy, May – June 1987.

"Composition for Violin and Voices (Males)," Magasin, Centre National D'Art Contemporain

de Grenoble, Grenoble, France, May 3 - June 28, 1987. Catalogue.

"John Baldessari: Recent Work," Dart Gallery Alternative Space, Chicago, Illinois, May 8 -

June 9, 1987.

Fotogaleria Im Forum Stadtpark, Graz, Austria, February 28 -March 22, 1987.

1986

"John Baldessari: Hegel's Cellar," Multiples, Inc., New York, December 9, 1986 - January 3,

1987. Also exhibited at Site 311, Pacific Grove, California, October 16 - November 28, 1987.

Galerie Peter Pakesch, Vienna, Austria, November 18 - December 12, 1986.

Margo Leavin Gallery, Los Angeles, California, September 13 -October 18, 1986.

"John Baldessari: California Viewpoints," Santa Barbara Museum of Art, Santa Barbara,

California, August 23 - October 12, 1986. Catalogue with text by Hunter Drohojowska.

"John Baldessari," Sonnabend Gallery, New York, New York, April 5 – 26, 1986.

"John Baldessari: Matrix/Berkeley 94," University Art Museum, University of California at

Berkeley, Berkeley, California, March 29 - May 25, 1986. Brochure with text by Constance

Lewallen.

1985 "Space Between," De Vleeshal Middelburg, Middelburg, the Netherlands, July 12 - August 4,

1985. Brochure with text by Anton van Gemert.

"John Baldessari," organized by Le Coin du miroir, Dijon, France, Centre d'Art

Contemporain, Le Consortium, Dijon, France, March 11 - April 18, 1985.

1984 “John Baldessari,” Galerie Gillespie-Laage-Salomon, Paris, France, October 12 - November

21, 1984.

“John Baldessari,” Margo Leavin Gallery, Los Angeles, California, September 15 – October

13, 1984.

“John Baldessari,” Galerie Peter Pakesch, Vienna, Austria, June 5 - July 28. 1984.

"John Baldessari: Selected Works from 1974-1984," Douglas Drake Gallery, Kansas City,

Missouri, April 6 – 28, 1984.

"John Baldessari," Sonnabend Gallery, New York, New York, April 7 – 28, 1984.

1983 "John Baldessari/Robert Cumming," Northlight Gallery, Arizona State University, Tempe,

Arizona, October 16 - November 10, 1983.

10

"John Baldessari: Vanitas Series: Balanced Bowling Ball, Cockroach/Cool (Short Depth of

Field) Bubbles/Dandelion, Cockroach, Wire (Close Up)," Stampa, Basel, Switzerland, June 7 -

July 2, 1983.

"Baldessari/Richter," Marianne Deson Gallery, Chicago, Illinois, May 19 - June 23, 1983.

Arte Viva, Basel, Switzerland.

1982 “John Baldessari: Art as Riddle,” organized by Robert Pincus-Witten, University Art Galleries,

Wright State University, Dayton, Ohio. Traveled to the Long Beach Museum of Art, Long

Beach, California, May 16 – June 29, 1982; Anderson Gallery, Virginia Commonwealth

University, Richmond, Virginia, September 2 – 26, 1982.

1981 "John Baldessari: Work 1966 – 1980," The New Museum of Contemporary Art, New York, Part

I: March 14 - April 4, 1981; Part II: April 8 – 28, 1981; traveled to Contemporary Arts Center,

Cincinnati, Ohio, January 14 - February 21, 1982; Contemporary Arts Museum, Houston,

March 6 -April 18, 1982. Catalogue, The New Museum of Contemporary Art, New York,

New York and University Art Galleries, Wright State University, Dayton, Ohio, 1982, with texts

by Marcia Tucker, Robert Pincus–Witten and interview by Nancy Drew.

"John Baldessari: Shape Derived from Subject (Snake): Used as a Framing Device to

Produce New Photographs," CEPA Gallery, Buffalo, New York, April 3 - May 17, 1981. Artist's

book, Close Cropped Tales, with exhibition and Albright-Knox Art Gallery, Buffalo, New York,

1981. Traveled to Galerie Rudiger Schottle, Munich, West Germany, June 11-July 11, 1981,

Sonnabend Gallery, New York, New York, September 19 - October 10, 1981.

"John Baldessari: Selected Works," Albright-Knox Art Gallery, Buffalo, New York, April 5 - May

17. Artist's book, Close Cropped Tales, with exhibition and CEPA Gal ery, Buffalo, New York,

1981.

"John Baldessari: Films," Hallwalls, Buffalo, New York, April 13, 1981.

"John Baldessari: Werken 1966-1981," Municipal Van Abbemuseum, Eindhoven, the

Netherlands, May 22 - June 21. Traveled to Museum Folkwang, West Germany, September

4 -October 18. Catalogue with texts by Rudi H. Fuchs and John Baldessari.

Samangallery, Genoa, Italy.

Sonnabend Gallery, New York, New York.

1980 Galleria Locus Solus, Genova, Italy, April 29 - May 20.

"Oasis: John Baldessari, Title," Los Angeles Institute of Contemporary Art Downtown, Los

Angeles, California, September 28.

"John Baldessari: Fugitive Essays," Sonnabend Gallery, New York, New York, October 18 -

November 8.

Stedelijk van Abbemuseum, Eindhoven, The Netherlands.

1979 "John Baldessari," Ink. Halle fur Internationale Neue Kunst, Zurich, Switzerland, August 14–

September 21. Catalogue Dokumentation 4 with texts by Christel Sauer, Patrick Frey, Peter

Blum and John Baldessari.

11

1978 "John Baldessari: Blasted Allegories,” Portland Center for the Visual Arts, Portland, Oregon,

January 20 - February 19.

"John Baldessari: Films," Artists Space, New York, New York, March 22 – 23.

"Recent Films by John Baldessari," Theatre Vanguard, Los Angeles, California, March 28.

"John Baldessari: Blasted Allegories," Sonnabend Gallery, New York, New York, September

23-October 14.

"John Baldessari: Three Films," Pacific Film Archives, Berkeley, California, September 14.

"Baldessari: New Films," Whitney Museum of American Art, New York, New York.

Institute of Contemporary Art, Boston, Massachusetts.

1977 "CLOSE Radio: John Baldessari," KPFK, 90.7 FM, Los Angeles, California, February 14, 11:45

a.m.- 12:00 noon.

"John Baldessari: Photographic Works," Robert Self, London, February – March.

Julian Pretto Gallery, New York, New York, April - May.

"John Baldessari: Six Colorful Inside Jobs" October 10 - 15, in conjunction with "John

Baldessari/Films: Six Colorful Inside Jobs, and Script,” Fox Venice Theatre, 1493 West

Washington Boulevard, Venice, California, October 29. Exhibitions organized by Foundation

for Art Resources, Santa Monica, California.

"John Baldessari/Matrix 32," Wadsworth Atheneum, Hartford, Connecticut, June 7 –

September 18. Brochure with text by Andrea Miller–Keller.

"New American Filmmakers Series/Baldessari: New Films," Whitney Museum of American Art,

New York, New York, December 27, 1977 - January 1, 1978.

Galeria Massimo Valsecchi, Milan, Italy.

1976 "John Baldessari: Recent Work,” Gallery of Fine Art, Ohio State University, Columbus, Ohio,

February 2 – 14. Traveled to Emily H. Davis Art Gallery, University of Akron, Akron, Ohio.

February 23 - March 1. Artist's book, Brutus Killed Caesar, published by Gallery of Fine Art,

Ohio State University; Emily H. Davis Art Gallery, University of Akron and Sonnabend Gallery,

New York, New York, 1976.

"New American Filmmakers Series: Baldessari/Wegman," Whitney Museum of American Art,

New York, New York, June 1 – 6.

"John Baldessari," George Paton Gallery, Melbourne University Union, University of

Melbourne, Parkville, Victoria, Australia, June 1 – 8. Traveled to Experimental Art

Foundation, St. Peters, Adelaide, Australia, June 28 – July 16; Undercroft Gallery, University

of Western Australia, Perth, Australia, July 26 – August 20; Institute of Modern Art, Brisbane,

Australia, September 5 – October 3; Institute of Contemporary Art, Sydney, Australia,

October 11 – 29. (Also exhibited at Auckland City Art Gallery, Auckland, New Zealand in

12

"1st Pan Pacific Biennale 1976: Colour Photography and It's Derivatives” (see Selected

Group Exhibitions, 1976). Brochure.

"John Baldessari: Recent Work," James Corcoran Gallery, Los Angeles, California,

September 23 – October 23.

"Bruce Boice/John Baldessari," South Campus Art Gallery, Miami Dade Community College,

Miami, Florida, December 6, 1976 - January 19, 1977.

Cirrus Editions, Los Angeles, California.

1975 "John Baldessari: Songs (1973)," Fine Art Gallery, University of California at Irvine, Irvine,

California, January 7 – February 9. Artist's book, Throwing a Ball to Get Three Melodies and

Fifteen Chords, published in conjunction with exhibition.

Saman Gallery, Genoa, Italy, March 21 - April 8.

Felix Handschin, Basel, Switzerland, April.

"John Baldessari: The Italian Tape," The Kitchen, New York, New York, April 8 –12.

Southwestern College, Chula Vista, California, October 10-31.

Sonnabend Gallery, New York, New York, October 4 - November 12.

"John Baldessari: Recent Work," Stedelijk Museum, Amsterdam, November 22-January

4,1976. Artist's book, Four Events and Reactions, by Centro Di, Florence, Italy; and Galerie

Sonnabend, Paris, 1975.

Galerie Sonnabend, Paris, France, November – December.

"John Baldessari: Affectionate Yellow/Giallo, Affezionato, Morbid Red/Rosso Morboso,

Vindictive Blue/Azzurro Vendicativo," Lucio Amelio, Naples, Italy, December.

Galerie MTL, Brussels, Belgium.

Modern Art Agency, Naples, Italy.

Felix Handschin Gallery, Basel, Switzerland.

1974 Galeria Franco Toselli, Milan, Italy, April - May.

Jack Wendler Gallery, London, England, May 3 - 24.

Galerie MTL, Brussels, Belgium, September 2 - 26.

Art & Project/MTL, Antwerp, Belgium, September 17 - Oct 19.

Galerie Skulima, Berlin, West Germany.

1973 Sonnabend Gallery, New York, New York, April 28 - May 12

Galerie Sonnabend, Paris, France, May – June

13

Galeria Schema, Florence, Italy, May 30 - July 30

Konrad Fischer, Dusseldorf, West Germany, August.

1972 "John Baldessari: 1. Choosing: Mushrooms. 2. Xylophone (videotape)," Galerie MTL, Brussels,

Belgium, April 4 - May 15.

"John Baldessari: Video Tapes," Jack Wendler Gallery, London, April 7 – 21.

"John Baldessari: Choosing, Aligning, Floating," Galeria Franco Toselli, Milan, April.

"John Baldessari: Choosing: Carrots, Asparagus," Art & Project, Amsterdam, The

Netherlands, July 8 -22.

Galerie MTL, Brussels, Belgium, September.

Sperone/Fischer Gallery, Rome, October 10 – November 7.

1971 "John Baldessari: I Will Not Make Any More Boring Art," Nova Scotia College of Art and

Design, Halifax, Nova Scotia, Canada, April 1 - 10.

"John Baldessari: Art Disasters," Art & Project, Amsterdam, July 3 - 15. Artist's project, Bulletin

41: Art Disasters, John Baldessari, 1971, with exhibition.

"John Baldessari: Ingres and Other Parables." Konrad Fischer, Dusseldorf, West Germany,

October 8 – 22.

1970 Eugenia Butler Gallery, Los Angeles, California, February 17 - March 7.

"John Baldessari: Recent Paintings," Richard Feigen Gallery, New York, New York, March 1-

April 8.

1968 "Wholes & A Sum of Parts," Purcell Art Gallery, Chapman College, Santa Ana, California,

February 21 - March 16 (Two–person exhibit).

"John Baldessari: Pure Beauty," Molly Barnes Gallery, Los Angeles, California, October 6 - 28.

1966 "John Baldessari: Fragments," La Jolla Museum of Art, La Jolla, California, March 30 - April

24.

1964 "John Baldessari and Richard Allen Morris," Extension Office, University of California at San

Diego, La Jolla, California, June 22 - August 14.

Southwestern College, Chula Vista, California.

1962 "John Baldessari: X Exhibition," Art Works Galleries, San Diego, California, June 29 -July 19.

"Jazz at the Art Center #5," Art Center in La Jolla, La Jolla, California, October 13, Brochure.

Southwestern College, Chula Vista, California.

1960 Art Center in La Jolla, La Jolla, California, March 23 – April 24.

14

Selected Group Exhibitions

[back to table of contents]

2006 “Whitney Biennial 2006: Day for Night” Whitney Museum of American Art, New York, New

York, One night screening of Ice Cube Sliding, March 4, 2006

“Contemporary Art Collection, Sigmund Freud Museum, Vienna” Presented at the Austrian

Cultural Forum, New York, NY, April 25 – July 8, 2006

“Le Mouvement des images” Curated by Alain Michaud, Centre Pompidou, Paris, France,

April 5, 2006 – January 29, 2007

“Full House: Faces of a Collection”, Kunsthalle Mannheim, Manneheim, Germany

April 2 – September 4, 2006

“Singular Multiples: The Peter Blum Edition Archive 1980 – 1994” Museum of Fine Arts,

Houston, Three part installation April 23 – October 15

“Los Angeles 1955 – 1985”, Centre Pompidou, Paris France, March 7 – July 26, 2006

“L.A. Art Scene: Selections of California Artists from the Frederick R. Weisman Art Foundation”

Beverly Hills Municipal Gallery, Los Angeles, March 6 – June 4, 2006

“Draft Deceit” Curated by Marta Kuzma, The Office for Contemporary Art Norway, Oslo,

Norway, Opening February 18, 2006

“Wrong” Curated by Jens Hoffman, Klosterfeld Gallerie, Berlin, Germany, March 25 – June 19,

2006

“Broken Surface” Galerie Sabine Knust, Munich, Germany, February 2 – March 18, 2006

“Stories: Narrative / Story Art from the 70ties” Konrad fischer Gallery, Düsseldorf, Germany,

January 28 – March 11, 2006

“The Flip Book Show,” Kunsthalle Düsseldorf, Düsseldorf, Germany, (Postponed), exhibition

continued to Belgium, Foto Museum Provincie Antwerpen, Belgium, June 15 - September 10,

2006

“Art Los Angeles” Richard Levy Gallery, Albuquerque, New Mexico, January 26 – 29, 2006

2005 “Conceptual Paradise: There is a Place for Sophistaication”, a Film by Stefan Römer”

Blackbox Kino, Filmmuseum Düsseldorf, Germany, Opening Sat. 10 December 2005, 8 pm

“The Fluidity of Time: Selections from the MCA Collection”, Museum of Contemporary Art,

Chicago, Illinois, November 25, 2005 – February 25, 2006

“Speaking with Hands: Photographs from The Buhl Collection” Solomon R. Guggenheim
Museum, New York, New York, June 4 – September 8, 2004. Exhibition Continued to Spain

“Hablando

Con Las Manos”, Museo Guggenheim Bilbao, Bilboa, Spain, November 25,

2005 – February 26, 2006

15

“Thank You For The Music”, Sprüth Magers, Munich, Germany, November 24, 2005 – February

11, 2006

“Atto Secondo La Collezione” Musueo D’Arte Contemoranea Donna Regina Napoli, Napoli,

Italy, Opening December 10, 2005

“Zoo Story: An exhibition of animals in art – For the young and the young at heart” Fisher

Landau Center for Art, Long Island City, NY, December 3 – Mach 27, 2005

“Greater than the Sum” University Gallery, University of Florida, Gainesville, FL, October 18 –

December 9, 2005

“Los Angeles Printmaking Society 18th National Exhibition” Armory Center for the Arts,

Pasadena, CA, September 25 – November 20, 2005

“Scrabble: Video, Lenguaje Y Abstracción” Centro Atlántico de Arte Moderno CAAM, Las

Palmas de Gran Canaria, Spain, September 22 – October 30, 2005

“Drawing from the Modern 1975 – 2005”, September 14, 2005 – January 9, 2006, Museum of

Modern Art, New York, NY

“Ex Libris: Artists’ Boooks from the Arthur and Mata Jaffe Collection” Lafayette College,

Easton, Pennsylvania, September 2 – October 23, 2005

“Big Bang” Centre Pompidou, Paris, France, June 15, 2005 – Februrary 27, 2006

“Politics of Belief” Badischer Kunstverein, Karlsruhe, Germany, September 10 – November 20,

2005.

“Dialogue: Baldessari, Prince, Ruscha, Wool” Perry Rubenstein Gallery, New York, NY,

September 15 – October 22, 2005.

“Open Systems: Rethinking Art c.1970,” Tate Modern, London, England, June 1 – September

18, 2005.

“The Blake Byrne Collection,” Museum of Contemporary Art, Los Angeles , July 3 - October

10, 2005.

“Post No Bills,” White Columns, New York, New York, June 17 – July 23, 2005.

“Counting the Ways: Word as Image,” Fisher Landau Center for Art, Long Island City, New

York, April 14, 2005 – March 27, 2006.

“Une Journée Particulière: Extrait de la Collection du Fonds d’Art Contemporian de la

Genève,”, Villa du Parc Centre d’Art Contemporain, Annemasse. April 2 – June 4, 2005

“Kritische Gesellscaften,” March 25 – November 22, 2005, Badischer Kunstverein, Karlsruhe,

Germany. John Baldessari, Wallpaper Installation with Lamp and Plant, 1997-1998.

“Logical Conclusions: 40 Years of Rule-Based Art,” PaceWildenstein, New York, New York,

Catalogue, February 18 – March 26, 2005.

16

“Recent Acquisitions from the Athenaeum’s Artists’ Books and Artworks Collection,” includes

John Baldessari, Allan Kaprow, Barbara Kruger, Bruce Nauman, Ed Ruscha, Lawrence Weiner,

etc., Athenaeum Music & Arts Library, Library Association of La Jolla, La Jolla, California,

February 19-March 26, 2005.

“A Walk to Remember,” Los Angeles Contemporary Exhibitions, Los Angeles, includes John

Baldessari, Jennifer Bornstein, Meg Cranston, Morgan Fisher, Evan Holloway, Paul McCarthy,

Ruben Ortiz Torres, Allen Ruppersberg, and Eric Wesley, February 9 – May 8, 2005.

“Feminae: Baldessari, Munoz, Picabia, Polke, Sarmento, Warhol,” Galeria Pepe Cobo,

Madrid, Spain, Inauguration Friday January 28, 2005.

2004 “What’s Modern?” Gagosian Gallery, New York, November 5 – December 18, 2004.

“Small: the Object in Film, Video, and Slide Installation,” Whitney Museum of American Art,

New York, includes John Baldessari, Matthew Higgs, Sol LeWitt, Jonathan Monk, Alan Phelan,

Michael Snow, and Rirkrit Tiravanija, November 18, 2004 – February 6, 2005.

“Reflecting the Mirror,” curated by Karina Daskalov, Marian Goodman Gallery, New York,

June 14 – August 27, 2004.

“Ready to Shoot, Fernsehgalerie Gerry Schum/videogalerie schum,” Kunsthalle Dusseldorf,

Dusseldorf, Germany, April 2004. Traveling to Museu de Arte Contemporanea de Serralves,

Porto, Portugal; Musee d’Art Moderne de la Ville de Paris, France; Casino Luxembourg Forum

d’art contemporian, Luxembourg, Norwich Gallery, Norwich and Centro Andaluz de Arte

Contemoraneo, Sevilla, Spain. English edition catalogue.

“California Dreaming,” films by Kenneth Anger, John Baldessari, Will Handle, David Lamelas,

and Ed Ruscha, Whitney Museum of Art, New York, July 1 – August 22, 2004.

“That bodies speak has been known for a long time, *” curated by Hemma Schmutz, Tanja

Widmann, Generali Foundation, Vienna, Austria, January 22 – April 25, 2004.

“ Beyond Geometry: Experiments in Form, 1940s – 70s,” Los Angeles County Museum of Art,

Los Angeles, CA, June 13 – October 3, 2004. Traveling to Miami Art Museum, Miami, Florida,

November 18, 2004 – May 1, 2005. Catalogue.

“Summer Show,” Margo Leavin Gallery, Los Angeles, CA, June 5 – July 31, 2004.

“Not Done! (The Artist’s Book).” Museum van Hedendaagse Kunst Antwerpen. Antwerpen,

Belgium. June 19 – August 29, 2004.

“American Artists’ Books in Europe, 1960 – 2000,” Musee d Art Americain Giverny/ Terra

Foundation for the Arts. Giverny, France. July 11 - October 31 2004. Catalogue.

“Artists’ Favorites,” ICA Galleries, London. June 5-July 23, 2004.

“QSL 107.1 FM,” A temporary radio project and audio publication. Broadcast May 30-31 2004.

Middlesbrough, Victoria Square. A project by Kelly Large hosted by Middlesbrough Institute of

Modern Art (mima). Catalogue.

17

“From House to Home,” The Museum of Contemporary Art, Los Angeles. February 08 – May

17, 2004.

“Topographies,” San Francisco Art Institute. March 19 - May 8, 2004. Traveled to Pasadena

Museum of California Art, Pasadena, CA, July 10 – September 26, 2004. Catalogue.

“Funny Business,” Laguna Art Museum. March 14 – May 23, 2004.

“Telefonica’s Contemporary Photography Collection (Telefonica Foundation and ARCO

present)” ARCO, Madrid, Spain. February 2004

“H2O (x) + 6” Margo Leavin Gallery, Los Angeles, CA. February 28, - March 13, 2004.

“Behind the Facts. Interfunktionen 1968-1975” Joan Miro Foundation. Parc de Montjuic,

Barcelona, Spain. February 19 – May 2, 2004. traveling to Kunsthalle Fridericianum Kassel,

January 30 – April 3, 2005.

“Specific Objects: the Minimalist Influence,” curated by Stephanie Hanor, The Museum of

Contemporary Art, San Diego, September 26, 2004 – January 30, 2005.

“Funky Lessons,” curated by Jorg Heiser, including artists John Baldessari, Andrea Fraser,

Martin Gostner, Andrian Piper, Franz West and others, at BuroFriedrich, Berlin Germany,

September 14 – November 13, 2004.

2003 “Jede Fotographie Ein Bild Seimens Fotosammlung.” Pinakothek der Moderne, Sammlung

Moderne Kunst, Munich, Germany. December 18, 2003 – March 7, 2004. (catalogue)

“Selections of Prints from El Nopal Press from 1992 – 2003.” Los Angeles, California. December

6, 2003 – January, 2004

“Only Skin Deep: Changing Visions of the American Self,” International Center of

Photography, New York. December 12, 2003 – February 29, 2004. Traveled to Seattle Art

Museum, Seattle, WA, opening on March 25, 2004. Catalogue edited by Coco Fusco and

Brian Wallis.

“Disembodied Spirit” Bowdoin Col ege Museum of Art Brunswick, Maine. September 25 –

December 7, 2003. (catalogue) Traveling to Kemper Museum of Contemporary Art, Kansas

City, MO. March 5 - May 23, 2004 and to Austin Museum of Art, Austin, TX. September 11 –

November 28, 2004

“The Last Picture Show: Artists Using Photography, 1960 – 1982,” Walker Art Center in

Minneapolis, Minnesota, October 2003 – January 2004. Traveling to UCLA Hammer Museum.

February 7 – May 2004 (catalogue)

“Matisse and Beyond: The Painting and Sculpture Collection. San Francisco MOMA.

October 2003 – January 2004.

“Through American Eyes: Two Centuries of American Art from the Huntington Museum of

Art.” Huntington Museum of Art, Huntington, West Virginia. April 12 – August 31, 2004.

(catalogue)

“Selections from the Lewitt Col ection,” New Britain Museum of American Art, New Britain,

Connecticut. Closing on August 26, 2003

18

“Shadow and Light,” Spruth Magers Lee, Salzburg, July 26 - August 31, 2003.

“Recaptured Nature,” Marian Goodman Gallery, New York, July 7 – August 29, 2003.

“Projection: Video, Film, Dia, Skulptur, Malerei, Zeichnung und Dokuments von 1967-1974,”

Konrad Fischer Galerie, Dusseldorf, Germany, March 29 – June 21, 2003.

“Beyond the Catwalk: The Fashion Show as Performance Art,” Bellevue Art Museum,

Bellevue, Washington, April 27, 2003 – August 31, 2003. Travels through April 2006.

“On the Wal : Wal paper and Tableau,” The Fabric Workshop and Museum, Philadelphia, PA,

May 9 – September 13, 2003.

“Work Ethic,” Baltimore Museum of Art, Baltimore, Maryland, October 12, 2003 – January 11,

2004; Des Moines Art Center, May 15 – August 1, 2004.

“Utopia Station,” Venice Biennale, Venice, Italy, June 15 – November 2, 2003. http://www.e-

flux.com/projects/utopia/artists.html

“20th Anniversary Show,” Monika Spruth – Philomene Magers, Koln, Germany, April 25 –

November 18, 2003.

“The Cat Show,” curated by Ross McLain, Acme, Los Angeles, February 15 – March 15, 2003.

“Raid The Icebox: From the Backroom: Artists Select,” Margo Leavin Gallery, Los Angeles,

March 22 – April 26, 2003.

“On General Release,” curated by David Curtis and Lynda Morris, assisted by Matthew

Noel-Tod, Institute of Visual Culture, Cambridge, England, February 8 – March 23, 2003.

“Video Acts: Single Channel Works From the Collections of Pamela and Richard Kramlich

and New Art Trust,” P.S. 1 Contemporary Art Center, Long Island City, NY, November 4, 2002

– May 9, 2003. Catalogue.

“Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections,”

Guggenheim Bilbao, February 15 – September 7, 2003.

“The Real McCoy,” Fransiz Kultur Merkezi Institut Francais D’Istanbul, Paris, January 20 – 26,

2003.

“On the Wall: Wallpaper by Contemporary Artists,” Museum of Art, Rhode Island School of

Design, Providence, RI, February 7 – April 20, 2003. Accompanying essay in pamphlet by

Judith Tannenbaum, curator of contemporary art, RISD Museum.

“Imperfect Innocence: The Debra and Dennis Scholl Collection,” The Contemporary

Museum, Baltimore, Maryland, January 11 – March 11, 2003, traveling to Palm Beach

Institute of Contemporary Art, Lake Worth, Florida, April 12 – June 15, 2003. Catalogue.

2002 “On General Release: Artists and Film in Britain 1968 to 1972,” curated by David Curtis and

Lynda Morris, Norwich Gallery, Norwich, Norfolk, November 13 – December 20, 2002.

Traveled to different sites in England until February 7, 2003.

19

“Comer o no Comer (To Eat or Not to Eat),” Salamanca 2002, Centro de Arts de

Salamanca, Spain, November 23, 2002 – January 19, 2003. Catalogue.

“Life, Death, Love, Hate, Pleasure, Pain: Selected Works from the MCA Collection,” Museum

of Contemporary Art, Chicago, November 16, 2002 – April 20, 2003. Catalogue.

“The Complete Run: Highlights from the Chaplick Collection,” Roth Horowitz, New York,

November 14 - December 24, 2002.

“From Pop to Now: Selections from the Sonnabend Collection,” The Tang Teaching Museum

and Art Gallery, Saratoga Springs, New York. Opening Gala: June 21 – September, 2002.

Traveled to: Wexner Center for the Arts, Columbus, OH, November 1, 2002 – January 2003,

http://www.wexarts.org; Milwaukee Art Museum, Milwaukee, Wisconsin, February – May

2003. Catalogue.

“The Image Regained: Painting and Photography from the Eighties to Today,” an exhibition

by Marco Franciolli and Bettina Della Casa, Museo Cantonale d’Arte, Lugano, Switzerland,

October 4, 2002 – January 12, 2003. Catalogue.

“Some Assembly Required: Collage Culture in Post-War America,” Everson Museum of Art,

Syracuse, NY, September 28, 2002 – January 26, 2003. Catalogue.

“Retrospectacle: 25 Years of Collecting Modern and Contemporary Art,” Denver Art

Museum, Denver Colorado, November 16, 2002 – August 3, 2003.

“The 1970s: Art in Question”, CapcMusee d’art contemporain de Bordeaux, Bordeaux,

France, October 17, 2002 – January 19, 2003.

“Contacts.” Auditorium Saint-Germain-des-Pres, Paris, October 16, 2002. Screening of new

“Contacts” artist-interview series: including interview tapes with Bernd and Hilla Becher,

Thomas Struth, and Christian Boltanski.

“Some Assembly Required: Collage Culture in Post-war America,” Everson Museum of Art,

Syracuse, NY, October 2002 – January 2003. Catalogue.

“Sans Commune Mesure: Image et Texte dans l’Art Actuel,” Centre national de la

photographie, Paris, September 11 – November 18, 2002. Traveled to: Musee d’Art Moderne

de Lille Metropole Violleneuve d’Ascq, France, September 22, 2002 – January 19, 2003, and

Fresnoy, studio national des arts contemporains, September 21 – December 1, 2002.

Catalogue.

“Capturing Light: Masterpieces of California Photography, 1850-2000,” Oakland Museum of

California, Oakland, CA, September 21 - November, 2002.

“Something We Talked About,” Brooke Alexander and Leo Castelli (2 locations), New York,

September 19 – November 23. 2002.

“Limits de la Percepcio,” Fundacio Joan Miro, Barcelona, Spain, September 17 – November

3, 2002. Catalogue in Spanish.

“California Art from the Frederick R. Weisman Art Foundation”, curated by Billie Milam

Weisman, Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, California,

August 31 – November 24, 2002. Traveled as “Made in California: Selections from the

20

Frederick R. Weisman Art Foundation Collection,” Contemporary Art Center, New Orleans,

Louisiana, January 11 – March 23, 2003.

“Kunst Nach Kunst (Art After Art),” curated by Pete Friese, Neues Museum Weserburg

Bremen, Bremen, Germany, August 18 – November 3, 2002. Catalogue.

“Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections,” Museum of

Fine Arts, Boston, July 28 – October 20, 2002.

“Visions From America: Photographs From The Whitney Museum Of American Art, 1940-

2001,” The Whitney Museum of American Art, New York, New York, June 27- September 22,

2002. Catalogue.

“Art Downtown,” curated by Richard D. Marshall, 5 different locations in lower Manhattan,

New York, June 14 – September 15, 2002.

“Kunst und Schock Der 11. September und das Geheimnis des Anderen (Art and Shock –

September 11 and the Mystery of the Other), “ Haus am Lutzowplatz, Berlin, Germany, June

10 – July 21, 2002. Catalogue.

“A Show That Will Show That a Show is Not Only a Show,” curated by Jens Hoffman. The

Project, Los Angeles, June 1-August 17, 2002. Catalogue.

“The Flag Show,” Pasadena Armory, Pasadena, California, May 11 – June 16, 2002.

“Conceptual Art in the Netherlands and Belgium 1965-1975 from Dutch and Belgian

Collections,” Stedelijk Museum Amsterdam. April 20 – June 23, 2002.

“Pulcherrimae Strade: Contemporary Art in Art Historical Spaces,” various sites in Friuli

Venezia Giulia, March 23-April 30, 2002. Installation at Venzone. Catalogue.

http://www.pulcherrimaestrade.it

“Videokiosque .01: Programmation Avant-Première,” Le Parvis, Centre d’Art Contemporain,

Pau, France, March 27, 2002, 7pm.

“Reflexions,” Monika Spruth Philomene Magers, Munchen, Germany, January 24, 2002 –

March 1, 2002.

“Snapshot: An Exhibition of 1,000 Artists,” The Aldrich Museum of Contemporary Art,

Ridgefield, Connecticut, January 20 – May 1, 2002.

“Museum Unserer Wunsche (Museum of Our Wishes),” Museum Ludwig, Koln, Germany,

January 11 – April 28, 2002. Exhibition of art in permanent collection. Catalogue.

“Self-Medicated: A Group Show About Drugs, Alcohol, and Highly Altered States of Mind,”

Michael Kohn Gallery, Los Angeles, California, January 11 – February 23, 2002.

2001 “Lateral Thinking: Art of the 1990s,” Museum of Contemporary San Diego, La Jolla, CA,

September 16, 2001 – January 13, 2002. Traveled to: Colorado Springs Fine Arts Center,

September 16, 2002 – January 4, 2003; Hood Museum, Hanover, New Hampshire, January 3,

2002 - March 14, 2003; Dayton Art Institute, Dayton, Ohio, July 17 – October 17, 2004.

Catalogue.

21

“Notorious: Alfred Hitchcock En Actuele Kunst,” Provincaal Centrum Voor Beeldende

Kunsten, Hasselt, Belgium, December 8, 2001 – January 20, 2002.

“Wish You Were Here. (And Bring Cash): Visual AIDS’ Postcards from the Edge Benefit,” Sara

Meltzer Gallery, New York, NY, November 18, 2001.

“Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections,” Los Angeles

County Museum of Art, Los Angeles, California, October 7, 2001 – January 6, 2002. Traveling

to: Corcoran Gallery of Art, Washington, DC, March 16 – June 3, 2002; Museum of Fine Arts,

Boston, July 21 – October 20, 2002; Guggenheim Bilbao, February 15 – September 7, 2003.

“Cross References: Celebrating the Stuart Collection,” Museum of Contemporary Art, San

Diego, La Jolla, California, September 16, 2001 – January 8, 2002.

“Athenaeum Artists’ Books by Stuart Collection Artists,” Athenaeum Music and Arts Library,

La Jolla, California, November 2, 2001 – January 12, 2002.

“Ubersicht der Ausstellungsebenen,” Museum fur Moderne Kunst, Frankfurt, Germany, March

30 – September 2, 2001.

“Peter Kneubuhler: Gut zum Druck,” Helmhaus Zurich, Zurich, Switzerland, April 6 – May 20,

2001. Traveled to the National Gallery, Prague, Summer 2002. Catalogue.

“Best Impressions: 35 Years of Prints and Sculpture from Gemini G.E.L.,” National Gallery of

Art, Washington D.C., November 4, 2001 – January 21, 2002.

“Seeing,” Boone Children’s Gallery, LACMA West, Los Angeles County Museum of Art, Los

Angeles, California, November 16, 2001 – September 2, 2002.

“Postcards From the Edge: Visual AIDS Annual Benefit Show and Sale,” Sara Meltzer Gallery,

New York, New York, November 18, 2001.

“Extra Art: A Survey of Artists’ Ephemera, 1960-1999,” California College of Arts and Crafts,

San Francisco, CA. October 11 – December 8, 2001.

“El Nopal Press: Mechanical Reproductions by Mexico City and L.A. Artists,” Peppers Art

Gallery, University of Redlands, Redlands, California, October 24 – December 9.

“Female Sensibility,” Charim Gallery, Salzburg, Austria, July 21 – August 31.

“24th International Biennial of Graphic Arts,” Museum of Modern Art, Ljubljana, Slovenia,

June 10 – September 16, 2001.

“Superphat: Big Time Innovation at Mixografia Workshop and Remba Gallery”, Cypress

College Fine Art Gallery, Cypress, California, March 22 – April 24.

“Change of Scene XIX,” Museum für Moderne Kunst, Frankfurt, Germany, March 30 –

September 2.

“John Baldessari, Jeff Koons, Tom Wesselman,” Sonnabend Gallery, New York, New York,

May 12 – August 2.

“Summer Show,” Marian Goodman Gallery, New York, New York, July – August.

22

“Beyond Boundaries,” The Friends of Photography at the Ansel Adams Center, San

Francisco, California, January 7 – March 25.

“Making Time,” UCLA Hammer Museum, Los Angeles, California, February 4 – April 29.

“Counter-Narratives,” The Whitney Museum of American Art, New York, New York, March 11.

Part of Film Program- December 10-March 11.

“Big As Life: American History of 8mm Film,” curated by Steve Anker and Jyette Jensen, The

Museum of Modern Art and San Francisco Cinematheque, San Francisco, California,

February 6 – April 26. Three of John’s films screened (Black Out, Ice Cubes Sliding, and New

York City Postcard Painting) during “Season Four: Moving Out, Part Two”, on December 9,

1999. Catalogue.

“Digital Printmaking Now,” Brooklyn Museum of Art, Brooklyn, New York, June 21 –

September 2.

“Tele[visions]: Kunst Sieht Fern,” curated by Joshua Decter, guest curator, Kunsthalle Wein,

Wein, Austria, October 18, 2001 – January 6, 2002. Catalogue

“Subject Plural: Crowds in Contemporary Art,” Contemporary Arts Museum, Houston,

Houston, Texas, March 10 – April 29. Catalogue published by Contemporary Arts Museum,

Houston with text by Marti Mayo, Peter Wollen and Paola Morsiani.

“Conception: Conceptual Documents 1968-1972,” Norwich Gallery, Norwich School of Art

and Design, Norwich, England, January 24 – March 3. Traveled to the Library, Henry Moore

Institute, Leeds, England, March 10 – April 22, Morris and Helen Belkin Art Gallery, University of

British Columbia, Vancouver British Columbia, Canada, October 12 – December 2001.

Catalogue.

“Mutations” Rumor City project organized by Hans Ulrich Obrist, Arc en Réve d’Architecture,

Bordeaux, France, November 24, 2000 – March 25, 2001,

Exhibition also shown in Brussels, Belgium, organized by Charleroi/ Danses & De Singel,

October 25, 2001 – January 6, 2002, and TN Probe Gallery, Tokyo, Japan, November

9, 2001 – January 26, 2002

“Wallpapers: An Installation and Installation of Wallpaper Work,” curated by Richard

Mueller, Gallery of Nova Scotia, Canada, June 17 –January 14, 2001.

2000

“Open Ends: 11 Exhibitions of Contemporary Art from 1960 to Now,” Museum of

Modern Art, New York, September 28, 2000 – January 2, 2001.

“Made in California: Art, Image, and Identity, 1900-2000,” Los Angeles County Museum of

Art, LA, CA, October 22, 2000 – February 25, 2001. Catalogue.

“Departures: 11 Artists at the Getty,” curated by Lisa Lyons, The J. Paul Getty Museum, Los

Angeles, California, February 29 – May 7, 2000. Catalogue.

23

“Dreams 1900-2000: Science, Art and the Unconscious Mind,” Curated by Lynn Gamwell,

The Equitable Gallery, New York, New York, November 4 – February 26. Traveled to

Historisches Museum der Stadt Wien, Vienna, March 22 – June 25; Binghamton University Art

Museum, Binghamton, New York, July 28 – October 20; Passage de Retz, Paris, November 22

– January 12, 2001. Catalogue published by Cornell University Press.

“Retrospective,” Sonnabend Gallery, New York, New York, May 6.

“Lux et Tenebrae,” Peter Blum, New York, New York, June 17 – September 9.

“The Soul of the Image,” Jiangsu Province Art Gallery, Nanjing, China, May 26 - May 31.

“Summerstage,” Charim Klocker, Salzburg, Austria, July 24 – September 1.

“Beyond boundaries: Contemporary Photography in California,” University Art Museum,

California State University, Long Beach, Long Beach, California, June 20 – August 6.

“Drawings 2000,” Barbara Gladstone, New York, New York, July 6 – August 31. Catalogue.

“Diary,” Cornerhouse, Manchester, England, January 15 – March 12.

“Rewind/Teil 4,” Kunstverein, Hamburg, Germany, February 18.

“The Standard Projection: 24/7,” The Standard Hotel, Los Angeles, California, February 15 –

August 15.

“Seascape,” Christopher Grimes Gallery, Los Angeles, California, March 30 –April 29.

“La Collection: Installations, l’exotisme sans partage,” Musee Contemporain, Lyon, France,

June – September.

“Quartett: August 1968 September 2000 Baldessari, Kabakov, Kosuth, Pistoletto,” Kunsthalle,

Basel, Switzerland, September 9 – November 12. Catalogue.

“Proposals from Halifax,” National Gal ery of Canada, Ottawa, Canada, September 6 –

December 29.

“Snapshot,” Contemporary Museum, Maryland Institute, College of Art, Baltimore, Maryland,

November 2 – January 14, 2001.

“Raconter des histories: John Baldessari, Fariba Jahamadi, Annette Messanger, Tracey

Moffatt,” Galerie Laage-Salomon, Paris, France, October 26 – December 30.

“Beyond Boundaries,” University Art Museum, California State University, Long Beach,

California, June 20 – August 6. Traveling to: Santa Barbara Contemporary Arts Forum, Santa

Barbara, California, November 11 – December 24; The Friends of Photography at the Ansel

Adams Center, San Francisco, California, January 9 – April 29, 2001. Catalogue.

“Contar Historias,” Centro Cultural El Monte, Seville, Spain, October.

“Juvenilia,” Yerba Buena Center for the Arts, San Francisco, California, November 3 –

January 28.

24

1999 “Sight Gags, Grotesque, Charicature, and Wit in Modern and Contemporary Drawing,” The

Museum of Modern Art, New York, New York, January 21 – May 5.

“Century of the Body Photoworks 1900 – 2000,” Culturgest, Lisbon, Portugal, October 1, 1998

– December 19, 1999. Traveling to Muse de I’Elysee, Lausanne, France, February –

November 2000.

“Notorious: Alfred Hitchcock and Contemporary Art,” Museum of Modern Art, Oxford,

England, July 11 – October 3, 1999. Traveling to Museum of Contemporary Art Sydney,

Sydney, Australia, December 15, 1999 – April 24, 2000, Art Gallery Tokyo Opera City, Tokyo,

Japan, April 4 – June 17 2000, Art Gallery of Hamilton, Canada, May 2000. Catalogue.

“Painter Editions,” Patrick Painter, Inc., Santa Monica, California, December 11 –January 22.

“Rattling the Frame: The Photographic Space,” SF Camerawork, San Francisco, California,

October 15 – November 20.

“8th Biennial of Moving Images,” Centre for Contemporary Images, Saint-Gervals Geneva,

Switzerland, November 5 – 13.

“Patrick Painter Editions,” Portland Art Museum, Portland, Oregon, February 4 - April 25.

“The American Century: Art & Culture 1900-2000: Part II, 1950-2000,” Whitney Museum of

American Art, New York, New York, September 26 – February 13, 2000. Catalogue.

“Video-Aus Der Sammlung,” Kunsthaus, Zurich, Switzerland, July 30 – October 24.

“Billboard Art on the Road,” Mass MOCA, North Adams, Massachusetts, May -September.

Catalogue published by MIT Press.

“Veronicca’s Revenge, Photographies de la collection LAC-Suisse,” Casino Luxembourg

and Musee National d’Histoire et d’Art, Luxembourg, March 13 – April 18.

“Scripta Manent,” Esso Gallery, New York, New York, April 28 – June 19.

“Das Versprechen der Fotografie,” Kestner Gesellschaft, Hannover, Germany, March 27 –

May 24.

“Screenings,” Iconoscope, Monpellier, France, March 1 – 6.

“Tomorrow For Ever: Photographie als Ruine,” Kunsthalle Krems. Basel, Switzerland, March 21

– May 16 1999. Traveled to Museum Kuppersmuhle Sammlung Grother, Duisburg, as

“Tomorrow For Ever: Photographie in der Kuppersmuhle,” October 1999 – January 30, 2000.

Catalogue.

“Global Conceptualism: Points of Origin 1950s – 1980s” Queens Museum of Art, Queens,

New York. April 27 – August 29. Catalogue. Traveling to Walker Art Center, Minneapolis,

Minnesota. December 19 – March 5, 2000. Catalogue.

“Circa 1968,” Museu Serralves, Museu De Arte Contemporanea, Porto, Portugal, June -

September. Catalogue.

25

“Examining Pictures/ Exhibiting paintings,” The White Chapel Gallery, London, Great Britain,

May 6 – June 27. Traveling to MCA Chicago, July 24 – September 19. Catalogue.

“Summer Group Show” Chac – Mool Contemporary Fine Art, West Hollywood, California,

opened June 11.

“Trouble Spot. Painting,” MUHKA Antwerp, Belgium, May 8 – August 22. Catalogue.

“Regarding Beauty: A View Of The Late Twentieth Century,” Hirschhorn Museum and

Sculpture Garden, Washington, D.C., October 7, 1999 – January 17, 2000.

1998 “Artificial Figuracions Contemporanies,” Museu d’Art Contemporani de Barcelona,

Barcelona, Spain, January 21- March 15. Catalogue with Texts by Francesco Bonami, Jose

Lebrero Stals.

“Amnesty International Benefit Drawing Show,” Paula Cooper Gal ery, New York, N.Y.,

December 10 – 23.

“Fuck You: We Paint,” New Image Art, Los Angeles, California,” November 14 – January 2,

1999.

“Shared Vision,” Fisher Landau Center, New York, New York, October.

“Ghost Story – Afterimages of Film,” Kunstlerhaus, Vienna, Austria, August 28 - September 27,

1998.

“Mixografia in LA,” Remba Gallery, Los Angeles, California, November 7 – December 30.

“Abstract Painting, Once Removed,” Contemporary Arts Museum Texas, Houston, Texas,

October 3 – December 4. Catalogue with Texts by Dana Frus-Hansen, David Pagel, Raphael

Rubinstein, Peter Schjldahl.

“Body Check Fast Forward/Body Check,” Kunstverein, Hamburg, Germany, August 10 –

December 29.

“Corpos Em Transito,” Galeria Pedro Oliveria, Porto, Portugal, December 19 - January 23,

1999.

“Cleveland Collects Contemporary Art,” The Cleveland Museum of Art, Ohio.

November 8, 1998 – January 10, 1999. Catalogue.

“Breaking Ground,” Marian Goodman Gallery, New York, New York, September 25 –

November 7.

“Edition Artelier: Originalserigraphien in limitierten Auflagen von [Art Without the Unique],

1985-1998,” Kunstlerhaus, Graz, Austria, September 26 – October 26. Catalogue with texts by

Friedrich Tietjen.

“The Lure of Language,” Lopdell House Gallery, Aukland, New Zealand, October 2 –

November 1.

“Conceptual Photography,” David Zwirner, New York, New York, April 25 – May 30.

26

“Konzeptuelle Arbeiten der 1960er bis 1980er Jahre,” Galerie Rudiger Schottle, Munich,

Germany, December 5 – January 16, 1999.

“The Information Age: Baldessari, Berry, Heubler, Weiner, 1969-1971,” Curated by David

Platzker, Susan Inglett, New York, New York, May 14 – June 27.

“Travel & Leisure,” Paula Cooper Gallery, New York, New York, May 2 – June 26.

“A Sense of Place,” Angles Gallery, Santa Monica, California, July 29 – September 5 1998.

“Artistes et Photographes,” Galerie Laage-Salomon, Paris, France, April 25 – May 30.

“Thirty-five years at Crown Point Press: Making Prints, Doing Art,” University Art Gallery, San

Diego, California, June 27.

“Double Trouble, The Patchett Collection,” The Museum of Contemporary Art, San Diego,

California, June 27 – September 5.

“Freeze Frame,” curated by Grita Insam, University of South Florida, Contemporary Art

Museum, Tampa, FL, August 24 – October 3, 1998, catalogue.

1997 “La Biennale di Venezia: 47th International Art Exhibition,” Exhibition curator Germano

Celant, Venice, Italy, June 15 – November 9. Catalogue with texts by Germano Celant and

Antonella Soldaini.

“Exclusively Etchings,” Lankershim Arts Center Gallery, Los Angles, California, October 4 -

November 8.

“Foundation for the Arts,” curated by Joseph Kosuth, Sigmund Freud Museum, Wien, Austria,

November 11 – January 18, 1998.

“Public Notice Art and Activist Posters 1951-1997,” Exit Art/ The First World, New York, New

York, October 4 – November 30.

“Some Lust,” Patricia Faure Gal ery, Santa Monica, California, October 25 – November 29.

“The Pleasure of Reading,” John Gibson Gallery, New York, New York, November 7 –

December 31.

“Patrick Painter Editions,” Lehmann Maupin, New York, New York, October 18 – November

29.

“Gemini G.E.L. 2 John Baldessari, Richard Diebenkorn, David Hockney, Ellsworth Kelly,

Kenneth Price, Richard Serra,” Manne Gallery, Santa Barbara, California, August 6 –

September 21.

“Water,” Curated by Madoka Takagi. Cirrus Gallery, Los Angeles, California. August 23 –

September 13.

“Finders/Keepers,” Contemporary Arts Museum, Houston, Texas, May 10 – August 3.

Catalogue.

27

“Scene of the Crime,” UCLA at the Armand Hammer Museum, Los Angeles, California, July

21 – October 5. Catalogue.

“Do It,” a traveling exhibition, curated by Hans-Ulrich Obrist, organized by Independent

Curators Incorporated (ICI), New York, June 1997 – December 2000. Catalogue.

http://www.e-flux.com/projects/do_it/manuals/artists/b/B001/B001A_text.html

“Altering Currents: American Art in the Age of Technology, Selections from the Permanent

Collection of the Whitney Museum of American Art,” San Jose Museum, Silicon Valley,

California, October 1997 – October 1998. Web Component.

“Luces, Cámera, acción (…) !Corten! (videoacción: el cuerpo y sus fronteras),” Ivam Centre

Julio González, Valencia, Spain. May 8 – 30.

“The 22nd International Biennial of Graphic Design,” Modern Gallery, National Museum of

Slovenia Tivoli Gallery, Lubljiana Slovania, Juried exhibition: Jorge Glusberg, Walter

Koschatzky, Zoran Krzisnik, Yong Woo Lee, Eva Trojanova, June 27 – September 30.

Catalogue with text by various contributors. Honorable mention prize given to John

Baldessari.

“Foto text Text foto,” Frankfurter Kunstverein, Germany, January 21.

“Small Wonders,” Curated by Gerald Mead Anderson Gallery, Buffalo, New York, April 19 –

June 29.

“Finders/Keepers,” Contemporary Arts Museum, Houston, Texas, May 10 – August 3.

“Sunshine & Noir: Art in L.A. 1960-1997,” Louisiana Museum of Modern Art, Denmark, May 16

– September 7. Traveled to Kunstmuseum Wolfsburg, Germany, November 15 –February 1,

1998; Castello di Rivoli, Museo d’Arte Contemporanea, Italy, May 8 – Aug 23, 1998; UCLA

Armand Hammer Museum of Art, Los Angeles, California, September 16, 1998 – January 3,

1999. Catalogue with texts by Anne Ayres, Laura Cottingham, Mike Davis, Russell Ferguson,

William R. Hackman, Timothy Martin, Terry Myers, Lars Nittve, and Peter Schjeldahl.

“Livers D’Artistes,” Bibliotheque nationale de France, Lyon, France, May 29 – October 12.

“With A Different Camera,” Aspen Art Museum, Aspen, Colorado, June 5 – July 27.

1996 “Work in Progress,” Stampa, Basel, November – March 1, 1997.

“Hall of Mirrors: Art and Film since 1945,” Curated by Kerry Brougher, MOCA Los Angeles,

California, March 17 – July 28. Catalogue.

“100 Photographs,” American Fine Arts, Co., Colin De Land Fine Art, New York, New York,

December 14 – January 4 1997.

“Painting into Photography Photography into Painting,” Museum of Contemporary Art,

Miami, Florida, December 19 – February 16, 1997.

“Nature Redux: Photographs by Ten Artists,” curated by Eve Rappoport, Channing Peake

Gallery, Santa Barbara, California, November 13 – January 31, 1997.

“Tangles,” Otis Gallery, Los Angeles, California, November 2 – December 21.

28

“Landscape Reclaimed,” Aldrich Museum of Contemporary Art, Ridgefield, Connecticut,

September 15,1996 – January 5, 1997. Catalogue with text by Nancy Princenthal.

“Views from Abroad: European Perspectives on American Art 2,” The Whitney Museum of

American Art, New York, and Museum Für Moderne Kunst, Frankfurt, Germany, The Whitney

Museum, October 17, 1996 – January 5, 1997; the Museum Für Moderne Kunst Frankfurt,

January 31 – May 4, 1997.

“American Video,” Serpentine Gallery, London, England, September 23 – October 20.

“Photogravure: A Survey 1903-1996,” Marlborough Graphics, New York, New York, June 26-

August 2.

“Im Kunstlicht,” Kunsthaus Zürich, Germany. August 23 – November 10.

“Thinking Print: Books to Billboards, 1980-95,” The Museum of Modern Art, New York, June 19 –

September.

“Prospect ‘96,” curated by Peter Weiermair, Eine Internationale Ausstellung aktueller Kunst,

Germany, March 9 – May 12 1996.

“The Dakis Jannou Collection,” Athens School of Fine Arts, “the factory,” Greece, January 20

– April 20 1996. Catalogue published by DESTE Foundation for Contemporary Art and Cantz

Verlag with text by Jeffrey Deitch, Dakis Joannou and Jeff Koons and Stuart Morgan.

“Les Oiseaux,” Foundation Cartier Pour l’Art Contemporain, Paris, France,

14 June – September 15.

“Ink, Paper, Metal, Wood,” List Art Center, Brown University, Providence, Rhode Island, April

23 – June 5.

“California Art from the Frederick R. Weisman Col ections,” Frederick R. Weisman Museum of

Art at Pepperdine University, Malibu, California, July 17 – September 29.

“Wheel of Fortune,

Artists Interpret the Tarot,” curated by Amy Lipton, Lombard-Freid Fine

Arts, New York, 1996.

1995 “Altered And Irrational: Selections from the Permanent Collection,” Whitney Museum of

American Art, New York. Venal Tongue exhibited.

"Critiques of Pure Abstraction," a traveling exhibition organized by Independent Curators

International, New York, January 1995 – June 1997. Curated by Mark Rosenthal. Sarah

Campbell Blaffer Gallery, University of Houston, Texas, Jan. 28-March 26, 1995. Illingworth Kerr

Gallery, Alberta College of Art, Calgary, Alberta, Canada, August 17-October 14, 1995

Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, Nebraska, Nov. 7-Jan 7, 1996.

UCLA at the Armand Hammer Museum of Art and Cultural Center, Los Angeles, California,

January 30-March 10, 1996. Crocker Art Museum, Sacramento, CA, March 29-May 5, 1996.

The Lowe Art Museum, Coral Gables, Florida, Sept.19-Nov. 17, 1996. Polk Museum of Art,

Lakeland, Florida, Dec. 7-Feb. 2, 1996. Frederick R. Weisman Museum, University of

Minnesota, Minneapolis, Minnesota, April 3-June 15,1997

29

“Something Else,” University of Derby, Green Lane, Derby, London, December 1995 -January

1996. Travels to Camden Arts Centre, London, March 22 – May 5 1996.

“Traveling Eye,” Museum in Progress, Wien, Austria, as seen in Profil Magazine 12/4, 12/11,

12/19, 12/30. Catalogue with texts by Horst Christoph, Hubertus Czernin, Hans-Ulrich Obrist

and Stella Rollig.

“The Paine Webber Art Collection,” Paine Webber, New York, November 13, 1995.

Catalogue published by Rizzoli International Publications.

“Artists’ Books,” Tate Gallery, Lower Galleries, Millbank, London, August 15 – November 26,

1995.

“Reconsidering the Object of Art,” Museum of Contemporary Art, Los Angeles, California,

October 13, 1995 – February 4, 1996. Catalogue published by MOCA Los Angeles and The

M.I.T. Press with text by Richard Koshalek, Ann Goldstein, Anne Rorimer, Lucy R. Lippard,

Stephen Melville, Jeff Wall and Susan Jenkins.

“On the Line (1973),” Wadsworth Athenaeum, Hartford, Connecticut, from the LeWitt

Collection, September 3 – November 12, 1995.

John Baldessari, “Blasted Allegories,” Lawrence Weiner, “Drapeau for a Community,” Vito

Acconci, “Home Entertainment Centers,” Les Levine, “Media Boards,” Mai 36 Galerie,

Zurich, Switzerland, October 12 – November 26, 1995.

“Smells Like Vinyl,” a group exhibit with about 200 artists, Roger Merians Gallery, New York,

July 6 –August 18, 1995.

“Views from Abroad: European Perspectives on American Art I,” Whitney Permanent

Collection, June 29 – October 1, 1995.

“Recent Acquisitions on Paper: A Selection of More than Thirty Drawings and Prints by

Various Artists,” National Museum of American Art, Smithsonian Institute, Washington D.C.,

June 2 – October 29. Black Dice exhibited.

“Articulations: Forms of Language in Contemporary Art,” Whitney Museum of American Art,

1995 Helena Rubinstein Curatorial Fellows of the Whitney Independent Study Program,

drawn from the collections of the Whitney Museum and Emily

Fisher Landau, May 13 –

June 30, a traveling exhibition. What This Painting Aims To Do, Baldessari Sings Lewitt, and

Two Languages exhibited.

“Mohology-Nagy and Present Company Exhibition,” April 29 – September 17, 1995. Yellow

(with Onlookers), 1985 exhibited.

“The Reflected Image: A Selection of Contemporary Photography from the LAC Collection,

Switzerland,” Luigi Pecci Centre for Contemporary Art, Prato, Italy, April 1 – May 28, 1995.

“Go Figure,” Patricia Faure Gallery, Santa Monica, California, March 15 – April 12.

“Books and Ephemera,” Printed Matter, New York, N.Y., March 9 – April 28.

“Blind Spot,” DARE at the MAC, Dallas, Texas, March 3 – March 26.

30

“Print Portfolio: The Print and the Photographic Image,” The Richard Stockton College of

New Jersey, New Jersey, February 20 – March 9.

“On Target,” Horodner Romley Gallery, New York, N.Y., January 21 – February 21.

1994 “Jonathan Hammer The Books: Read ‘em and Weep,” Matthew Marks Gallery, New York,

September 27 – November 26.

“Talking Pictures: People Speak About The Photographs That Speak To Them,” International

Center of Photography Midtown, New York, September 21.

“Southern California: The Conceptual Landscape,” Madison Art Center, Madison,

Wisconsin, September 10.

“When Attitudes Become Form: Selections From A Contemporary New Jersey Collection,”

The Montclair Art Museum, Montclair, New Jersey, September 10.

“Where Is Home?” Kent, New York, September 10.

“Special Collections: The Photographic Order From Pop To Now,” The Museums at Stony

Brook, Stony Brook, New York, January 9-March 6; Ansel Adams Center for Photography,

San Francisco, California, June 21 – August 21; Sheldon Memorial Art Gallery, University of

Nebraska, Lincoln, Nebraska, September 13-November 6.

“Gemini G.E.L.: Recent Prints and Drawings,” National Gal ery of Art, Washington, June 5 –

October 2.

“From Minimal to Conceptual Art: Works from The Dorothy and Herbert Vogel Collection,”

National Gallery of Art, Washington, May 29 – November 27.

“L.A. Video: Scratching The Surface,” Hollywood Moguls, Los Angeles, California, March 14.

“Love in the Ruins: Art and the Inspiration of L.A.,” Long Beach Museum of Art, Long Beach,

California, March 4 – May 22.

“For 25 Years: Brooke Alexander Editions.” The Museum of Modern Art, The Tatyana

Grosman Gallery, New York, New York, Brooke Alexander Editions, New York, New York, Jan

27 – May 17. Brochure with text by Wendy Weitman, Associate Curator, Department of

prints and illustrated books, MOMA, New York.

1993 “The Return of the Cadavre Exquis,” The Drawing Center, New York, November 6-

December 1.

“Spheres of Influence: Artists and Their Students in the Permanent Collection of the Whitney

Museum of American Art,” Whitney Museum of American Art at Champion, Stamford,

Connecticut, October 1 – November 20.

“Construction Quotation: Collective images in Photography,” Sprengel Museum, Hannover,

August 29 – October 31.

“Moving,” Foundation de Appel, Amsterdam, the Netherlands, June 3 – July 18.

31

“WAR. Austrian Triennial on Photography 1993,” Neue Galerie am Landesmuseum

Joanneum und Forum Stadtpark, Graz, Austria, September 17 – October 31, 1993.

“Konstruktion Zitat: Kollektive Bilder in der Fotografie,” Sprengel Museum, Hannover,

Germany, August 29 – October 31, 1993.

“Paint And Painted: Paintings And Sculpture From The Collection,” Fisher Landau Center,

Long Island City, New York, May 2 – (open for approximately 9 – 12 months).

“The American Livre de Peintre,” curated by Elizabeth Phillips and Tony Zwicker, the Grolier

Club, New York, March 17 – May 15. Catalogue.

“Kunstler Bucher I,” Museen Haus Lange und Haus Esters, Krefeld, Germany, Feb 28 – April

12.

“Art in the Age of Information,” Wood Street Galleries, Pittsburgh, Philadelphia, February 26

– April 17.

“Out of Sight out of Mind,” Lisson Gallery, London, England, February 15 – April 3.

“Special Collections: The Photographic Order From Pop To Now”, Mary and Leigh Block

Gallery, Northwestern University, Evanston, Illinois, January 14 – March 5; Arizona State

University, University Art Museum Nelson Fine Art Center, Tempe, Arizona April 4 –May 22;

The Chrysler Museum, Norfolk, Virginia, June 26 – August 22; Bass Museum of Art, Miami

Beach, Florida October 15-December 5, 1993.

“Photoplay: Works from the Chase Collection,” Center for Fine Arts, Miami, Florida January

10 – February 21.

1992 “Proof: Los Angeles Art and the Photograph, 1960-1980,” Laguna Art Museum, Laguna

Beach, California, October 31- January 17.

“Hollywood, Hollywood,” Alyce de Roulet Williamson Gallery, Art Center College of Design,

Pasadena, California, October 20 – December 20. Catalogue.

“LUMO 92,” Alvar Aalto Museum, Jyaskyla, Finland, September 5- October 11.

“Both Art and Life: Gemini at 25,” Newport Harbor Art Museum, Newport Beach, California,

September 22- November 29.

“Kupfer Druck: Peter Kneubuler und die Kunstler Seines Druckateliers,” Graphik Sammlung

ETH Zurich, Zurich, Hauptebaude, August 28- October 20, 1992.

“Territorium Artis,” Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, Bonn,

Germany, June 17. Illustrated catalogue.

“Harry Shunk Projects: Pier 18,” Musée d’Art Moderne et d’Art Contemporain, Nice, France,

July 3 – September 6.

“Special Collections: The Photographic order from Pop to Now,” International Center of

Photography, New York, July 31 – October 16. Catalogue.

“Selected Passages,” Galerie Jousse Sguin, Paris, France, June 30 – July 31.

32

“Contemporary Masterworks,” Feigen, Chicago, Illinois May 15 – June 20.

“Moltplici Culture,” Convento di S. Egidio, Rome, Italy, May 19 – June 19. Compilation tape

(audio) and catalogue.

“Tattoo Collection,” Galerie Jennifer Flay, organized by Air de Paris & Urbi et Orbi, Paris,

June 3 – July 13; Daniel Buchholz, Cologne, Germany, September 4 – October 10; Andrea

Rosen, New York.

“More than One Photography: Works since 1980 from the Collection,” Museum of Modern

Art, New York, New York, May 14 – August 9.

“Open Mind: The LeWitt Collection,” Wadsworth Athenaeum, Hartford, Connecticut,

January –February 23.

“Knowledge: Aspects of Conceptual Art,” University Art Museum, Santa Barbara, January 8

– February 23; Santa Monica Museum of Art, Santa Monica, California; North Carolina

Museum of Art, Raleigh. Catalogue.

Julian Pretto Photography/Text 4, New York, New York, January 25.

1991 “Gemini GEL for 25 years,” Museum of Modern Art, New York, New York, November 26,

1991- March 24, 1992, Tatyana Grossman Gallery.

“Emanual Hoffmann-stiftung Basel,” Museum für Gegenwartskunst Basel, Basel, Switzerland,

September 13 – November 25. Catalogue.

Internationale Photoszene Köln 1991, Germany, October 17- November 20. Catalogue.

“Devil on the Stairs; Looking Back at the Eighties,” Institute of Contemporary Art,

Philadelphia curated by Robert Storr, October 5 – January 5; Newport Harbor Art Museum,

Newport, California, April 16 – June 21, 1992. Catalogue.

Inaugural Exhibit, Donald Young, Seattle, Washington.

“Departures: Photography 1923 – 1990,” curated by Edmund Yankov, Iris & B. Gerald

Cantor Art Gallery, College of the Holy Cross, Worcester, Massachusetts, September 12 –

October 20 1991; Denver Art Museum, Denver, Colorado, January 25 – March 22, 1992;

Joslyn Art Museum, Omaha, Nebraska, April 9 – May 31 1992; Pittsburgh Center for the Arts,

Pittsburgh, Pennsylvania, July 5 – August 23, 1992, Goldie Paley Gallery at Moore College of

Art and Design, Philadelphia, Pennsylvania, September 5 – October 11, 1992; Telfair

Academy of Arts and Sciences, Inc., Savannah, Georgia, January 5 – February 21, 1993.

Selections From the Norton Collection at Rand, Santa Monica, California, September.

Stampa Editionen, Basel, Switzerland, November 26 – January 11.

“Beyond The Frame: American Art 1960 - 1990,” curated by Lynn Gumpert, Setagaya Art

Museum, Tokyo, July 6 – August 18, 1991.

“Motion and Document Sequence and Time: Edward Muybridge and Contemporary

American Photography,” National Museum of American Art, Smithsonian Institution,

Washington D.C., June 28 – Sept 8; Addison Gallery of American Art, Phillips Academy,

33

Andover, Massachusetts, October 18 – December 15; Long Beach Museum of Art, Long

Beach, California, July 19 – September 6, 1992; Henry Art Gallery, University of Washington,

Seattle, Washington, January 14 – March 21, 1993; Wadsworth Athenaeum, Hartford,

Connecticut, May 9 - August 1993; International Museum of Photography at George

Eastman House and Visual Studies Workshop, Rochester, New York, Fall 1993. Catalogue.

“Group Show,” Galeria Weber, Alexander Y Cobo, Madrid, Spain, June 6 – July 25.

“Tre Opere 1965-1975, John Baldessari, Robert Barry, Lawrence Weiner,” Primo Piano, Rome,

Italy, May.

“Peter Blum Editions, NY,” Reynolds/Minor Gal ery, Richmond, Virginia, April 13 - May 11.

“La Revanche de l’Image,” Galerie Pierre Huber Genève, Switzerland, March 15 - April 13.

Catalogue.

“This Land…” Marian Goodman Gallery, New York, New York, May 4 – June 8.

“20th Century Collage,” Margo Leavin Gallery, Los Angeles, California, January 12 –

February 16.

“Visions/Revisions,” Denver Museum of Art, Denver, Colorado, April 27 – August 25.

“de-Persona,” Oakland Museum, Oakland, California, May 18 – September 22. Catalogue.

“El Sueño de Egipto,” La Fundación Cultural Televisa, A.C. Y El Centro Cultural, Arte

Contemporáneo, A.C., Mexico City, Mexico, February 22.

“Baldessari, Bernard, Fischl & Weiss, Pearlman,” Galerie Monika Spruth, Köln, Germany,

March 8 – April 6.

“Los Angeles 1970-75,” Christine Burgen, New York, February 2 – March 2; Richard

Kuhlenschmidt Gallery, Los Angeles, April 6 – May 11. Catalogue.

“Collage: New Applications,” organized by William Zimmer, Lehman College Art Gallery,

Bronx, New York.

1990 “Life Size: A Sense of the Real in Recent Art,” Israel Museum, Jerusalem, Israel, September.

Illustrated Catalogue.

“The Transparent Thread: Asian Philosophy in Recent American Art,” Hofstra Museum,

Hofstra University, New York, September 16 – November 11.

“John Baldessari,” Anthology Film Archives, New York, New York, December 14 – 15; Films

screened: Easel Painting, The Hollywood Film, Time Temperature, Water to Wine to Water,

Cremation, Title, Script, Six colorful inside Jobs.

“Contemporary Illustrated Books: Word and Image, 1967-1988,” a traveling exhibition

curated by Donna Stein, organized by ICI, January 1990-April 1991. Franklin Furnace

Archive, Inc., New York, New York, January 12 – February 28. Nelson-Atkins Museum of Art,

Kansas City, Missouri, April 5 – June 3; University of Iowa Museum of Art, Iowa City, Iowa,

February 8 – April 7.

34

“Art in Europe and America: The 1960s and 1970s,” Wexner Center for the Visual Arts, Ohio

State University, Columbus, Ohio, May 19 – August 5

“Art Conceptual,” Galerie 1900-2000, Paris, France, October 8 – November 3. Catalogue.

“John Baldessari, Lothar Baumgarten, Christian Boltanski, Jean Marc Bustamante, Richard

Long: ‘De acui para alla,’” Galeria Marga Paz, Madrid, Spain, September.

“John Baldessari, Donald Judd, Bruce Nauman,” Standard Graphik, Koln, Germany (Editions

Brooke Alexander), July 7 – July 28.

“The Last Laugh, Irony, Humor, Self-Mockery and Derision,” curated by Collins & Milazzo,

Massimo Audello, New York, New York, January 6 – 27.

“The Times, The Chronicle & The Observer,” Kent, New York, New York, curated by Douglas

Blau, December 19, 1990 – February 9, 1991. Catalogue.

“A Group Show,” Marian Goodman Gallery, New York, New York, Summer.

“Keys for a Building,” Galerie Crousel-Robelin BAMA, Paris, France, June 27 – August 4.

“Pharmacy,” Jan Kesner Gallery, Los Angeles, California, April 6 – May 12.

“Alternative Situations for Contemporary Printmaking,” Print Club, Philadelphia, December

15 – January 26, 1991.

1989 "Wittgenstein," Weiner Secession, Vienna, Austria, September 13 - October 29.

"Five Themes In Photography 1920's–1980's," Germans Van Eck, New York, New York,

January 14 – February 8.

"300 Years of Still Life," Michael Kohn Gallery, Los Angeles, California, January 20 –February

25.

"Words," Tony Shafrazi Gallery, New York, New York, January 21 – February 18.

"Photography Expanded," G.H. Dalsheimer Gallery, Baltimore, Maryland, January 24 –

February 23. Brochure with Text by George H. Dalsheimer.

"Richard Artschwager, John Baldessari, Jonathan Borofsky, Robert Gober, Peter Halley,

Nancy Shaver," Paula Cooper, New York, New York, January 28 - February 25.

"Sequence (con)Sequence: (sub)Versions of Photography in the 80s," Edith C. Blum Art

Institute, Bard College, Annandale-on-Hudson, New York, February 10 – Apr 15. Catalogue

with texts by Linda Weintraub, Julia Ballerini, William S. Wilson, Lori Zippay, New York:

Aperture Foundation, Inc., 1989.

"A Brave New World," Karsten Schubert Ltd, London, England, March 14 – April 15. Essay by

Colin Gardner.

"Forty Years of California Assemblage," Wight Art Gallery, University of California at Los

Angeles, Los Angeles, California, April 4 – May 21. Traveled to San Jose Museum of Art, San

Jose, California, June 9–August 13; Fresno Art Museum, Fresno, California, September 8 –

35

November 12; Joslyn Art Museum, Omaha, Nebraska, December 15 – February 4, 1990.

Catalogue with texts by Henry Hopkins, Anne Ayres, Peter Boswell, Phillip Brookman, Verni

Greenfield, Los Angeles: Regents of the University of California, 1989.

"Bilderstreit: Widerspruch, Einheit und Fragment in der Kunst seit 1960," Museums Ludwig in

den Rheinhallen der Kölner Messe, Cologne, West Germany, April 8 – June 28. Catalogue

with texts by Hans Belting, Michael Compton, Siegfried Gohr, Ren Denizot, Per Kirkeby, R. H.

Fuchs, Luciano Fabro, Wilfried Dickhoff, Kay Heymer, Piet de Jonge, Walter Seitter,

Christiane Meyer–Thoss, Dieter Schwarz, Antje von Graevenitz, Jole de Sanna, Johannes

Gachnang, Rudolf Schmitz, Andr) Berne– Joffroy, Emile Cioran, Mathias Schreiber, Georges

Teyssot, Walter Nikkels, Eduard Trier, Reiner Speck, Cologne: DuMont Buchverlag, 1989.

"L.A. Pop in the Sixties," Newport Harbor Art Museum, Newport Beach, California, April 20 –

July 9. Traveled to Henry Art Gal ery, University of Washington, Seattle, Washington,

September 20 – November 5; Palm Springs Desert Museum, Palm Springs, California, Nov 17

– Jan 14, 1990; Neuberger Museum, State University of New York at Purchase, Purchase,

New York, April 8 – June 17, 1990; Phoenix Art Museum, Phoenix, Arizona, July 9 – August 19.

Catalogue with text by Anne Ayres, Jay Belloli, Frances Colpitt, Judi Freeman, Marilu

Knode, Andrea Liss, Robert L. Pincus, Karen Tsujimoto.

"On the Art of Fixing a Shadow: 150 Years of Photography," National Gallery of Art,

Washington, D.C., May 7 – July 30. Traveled to The Art Institute of Chicago, Chicago,

September 16 – November 26; Los Angeles County Museum of Art, Los Angeles, December

21 – February 25, 1990. Catalogue with texts by Joel Snyder, Sarah Greenough, David Travis,

Colin Westerbeck, Washington, D. C., 1989.

"A Photo Show," Marian Goodman Gallery, New York, New York, May 16 – June 10.

"Magiciens de la Terre," Centre Georges Pompidou; and Grande Halle––La Villette, Paris,

May 18 – August 14. Catalogue with Texts by Jean–Hubert Martin, Aline Luque, Mark

Francis, Andre Magnin, Pierre Gaudibert, Thomas McEvilley, Homi Bhabha, Jacques

Soulillou, Bernard Marcad.

"Invention and Continuity in Contemporary Photographs," The Metropolitan Museum of Art,

New York, New York, June 13 – October, 8. Brochure.

"California Photography: Remaking Make–Believe," The Museum of Modern Art, New York,

New York, June 28 – August 22. Catalogue with text by Susan Kismaric.

"Symbolism," Cooper Union School of Art, Cooper Union for the Advancement of Science

and Art, New York, New York, October 30 – November 20.

"Departures: Photography 1924–1989," Hirschl & Adler Modern, New York, New York,

November 2 – December 2. Catalogue with texts by Donald McKinney, Simon Watney.

"Image World," Whitney Museum of American Art, New York, New York, November 8 – Feb

18, 1990. Catalogue with texts by Marvin Heiferman, Lisa Phillips, John G. Hanhardt.

"Alumni Invitational Exhibition," University Art Gallery, San Diego, California, March 1 - 29.

"Camera Culture," Thomas Segal Gallery, Boston, Massachusetts, September 16 - October

18.

36

"John Baldessari, Robert Rauschenberg, James Rosenquist, Tishan Hsu, Holt Quentel,"

Busche Galerie, Koln, West Germany, November 16 – January 20, 1990.

“Overture: Robert Barry, John Baldessari, Stanley Brouwn, Günter Tuzina, Lawrence Weiner,”

Castello Di Rivoli, Museo D’Arte Contemporanea, Torino, Italy.

1988 "As Far As the Eye Can See," Marian Goodman Gallery, New York, New York, January

13 – February 6.

"Presi per Incantamento," Padiglione d'Arte Contemporanea di Milano, Milan, Italy, June 1

– July 18. Daniela Salvioni, Giorgio Verzotti, Milan: Giancarlo Politi Editore, 1988. Texts by

Gregorio Magnani.

"WaterWorks," organized by Visual Arts Ontario, Toronto, R. C. Harris Water Filtration Plant,

Toronto, June 22 – September 30. Catalogue with texts by Fred Gaysek, Hennie L. Wolff,

George Baird, Patricia C. Phillips, published as ArtViews (Toronto) 14, no. 2/3

(Spring/Summer 1988).

"Life Stories: Myth, Fiction and History in Contemporary Art," Henry Art Gallery, University of

Washington, Seattle, Washington, September 16 – November. Catalogue with texts by

Richard Andrews and Chris Bruce.

"The Turning Point: Art and Politics in Nineteen Sixty – Eight," Cleveland Center for

Contemporary Art, Cleveland, Ohio, September 9 – October 26, traveled to Lehman

College Art Gallery, Lehman College, City University of New York, Bronx, New York,

November 10 – January 14, 1989. Catalogue with texts by Nina Castelli Sundell and

Marjorie Talalay, Anita D. Cosgrove, Leonard Lief, Nina Castelli Sundell, Irwin Unger.

"L'Observatoire," Observatoire de Paris, Paris, November 30, 1988 – January 14, 1989.

Catalogue with texts by Alice Huei–Zu Yang, Francois Gundbacher. New York and Paris:

Farideh Cadot Gallery, Inc., 1988. Exhibition organized by Farideh Cadot Gallery, New

York; and Galerie Farideh Cadot, Paris.

"Identity: Representations of the Self," Whitney Museum of American Art Downtown at

Federal Reserve Plaza, New York, New York, December 14, 1988 – February 10, 1989.

Catalogue with unattributed text.

“Hybrid Images: Group Photography Exhibit," Rena Bransten Gallery, San Francisco,

California, January 13 - February.

"L.A. Hot and Cool: Selections," curated by Dana Friis-Hansen in Cooperation with MIT List

Visual Arts Center, Stux Gallery, New York, New York, March 9 – April 2.

"Photography in Art Today," Robert Koch Gallery, San Francisco, California, Mar 29 -May 7.

"Layers: Media and Culture," Hewlett Gallery, Carnegie Mellon University College of Fine

Arts Pittsburgh, Pennsylvania, March 28 - April 21.

"Southern California Summer 1988," Cirrus Gallery, Los Angeles, California, July 9 - August 13.

"The Sum of the Parts," Greg Kucera Gallery, Seattle, Washington, July 14 – August 21.

37

"Equation," Barbara Krakow Gallery, Boston, Massachusetts, September 17- October 12.

"Art of the 1980s: Artists from the Eli Broad Family Foundation Collection,” organized by

Kresge Art Museum, Michigan State University, East Lansing, Michigan, November 6 -

December 16. Catalogue.

“Photographic Truth,” Bruce Museum, Greenwich, Connecticut.

“Acceptable Entertainment,” curated by Paul Laster and Renee Riccardo, Alberta College

and Art Gallery, Calgary, Alberta, October 6 – November 3; 1988. Charles H. Scott College

of Art and Design, Vancouver, British Columbia, January 6 – February 12 1989; Los Angeles

Municipal Art Gallery, City of Los Angeles Cultural Affairs Department, Los Angeles,

California, March 21 – April 30, 1989; Everson Museum of Art, Syracuse, New York, March –

April 15, 1990.

"Los Angeles Today: Contemporary Visions," Amerika Haus, Berlin, May 2 - 30; The Los

Angeles Municipal Art Gallery, Los Angeles, California, July 1 - 26.

"Paint-Film," Bess Cutler Gallery, New York, New York, June 25 – July 31.

“Photographic Truth,” Bruce Museum, Greenwich, Connecticut.

"New York, Chicago, Los Angeles," Marianne Deson Gallery, Chicago, Illinois, May 7 - June

16.

“Photographic Work from 1974-1987," Douglas Drake Gallery, New York, New York, June 20 -

July 24.

"Highlights of California Art Since 1945: A Collecting Partnership," Newport Harbor Art

Museum, Newport Beach, California, May 29 – July 26.

"Two Exhibitions of Contemporary Southern California Art: Amerika Haus, Berlin," organized

by the Mayor's Arts Advisory Committee Berlin 750th Jubilee; Los Angeles Municipal Art

Gallery, Barnsdall Art Park, Los Angeles, California. Noriko Fujinami, guest curator, July 1 - 26.

Newport Harbor Art Museum, Newport Beach, California, May 29 – July 26.

"Pictorial Grammar," Barbara Krakow Gallery, Boston, Massachusetts, September 12 –

October 4.

"Curious Reunion - 8th Annual Benefit Art Auction," LACE, Los Angeles, California, opening

review October 16 through October 23.

“Artschwager, Baldessari, Boltanski, Broodthaers, Graham, Horn, Weiner,” Marian Goodman

Gallery, New York, New York, January 12 – 30.

1987 "Surveillance," Los Angeles Contemporary Exhibitions, Los Angeles, California, February 27 -

April 12. Catalogue with texts by Banba Miller, Gerry T. Marx, Deborah Irmas, and

participating artists.

"'Blow-Up': ZEITGESCHICHTE," Wurttembergischer Kunstverein, Stuttgart, February 19 - March

29, traveled to Haus am Waldsee, West Berlin, West Germany, April 11 – March 29;

Kunstverein Hamburg, Hamburg, West Germany; Kunstverein Hannover, Hannover, West

38

Germany, September 4 – October 25; Frankfurter Kunstverein, Frankfurt, West Germany,

December 4 – January 3, 1988; Kunstmuseum Luzern, Luzern, Switzerland, March 24 – May

29, 1988; Louisiana Museum, Humlebaek, Denmark, June 18 – July 31; Rheinisches

Landesmuseum, Bonn, West Germany, August 17 – September 25. Catalogue with texts by

Jean Fisher, Klaus Honnef, Tilman Osterwold, and Peter Weiermair.

“This Is Not a Photograph: 20 Years of Large-Scale Photography, 1966-1986," John and

Mable Ringling Museum of Art, Sarasota, Florida, March 7 - May 31; traveled to Akron Art

Museum, Akron, Ohio, Oct 31-Jan 10, 1988; The Chrysler Museum, Norfolk, Virginia, Feb 26-

May 1, 1988. Catalogue with texts by Laurence J. Ruggiero, Gordon Lewis, Joseph Jacobs,

and Marvin Heiferman.

"Made In U.S.A.," University Art Museum, University of California at Berkeley, Berkeley,

California, April 4 - June 21; traveled to The Nelson-Atkins Museum of Art, Kansas City

Missouri, July 25 -September 6; Virginia Museum of Fine Arts, Richmond, Virginia, October 7 -

December 7. Catalogue with texts by Sidra Stich, James E. B. Breslin, Thomas Schaub, Ben

H. Bagdikian; Berkeley, University of California Press, 1987.

"John Baldessari, Christian Boltanski, James Coleman, Dan Graham, Rebecca Horn, Sol

LeWitt, Giulio Paolini, Lawrence Weiner," Marian Goodman Gal ery, New York, New York,

April 7 - May 4, 1987.

"Avant-Garde In The Eighties," Los Angeles County Museum of Art, Los Angeles, California,

April 23 - July 12, 1987. Catalogue with text by Howard Fox.

"Photography and Art: Interaction Since 1946," Los Angeles County Museum of Art, Los

Angeles, California, June 4 - August 30; Museum of Art, Fort Lauderdale, Florida, October,

15 - January 24, 1988; The Queens Museum, Flushing, New York, February 16 - April 3, 1988;

Des Moines Art Center, Des Moines, Iowa, May 6 - June 26, 1988.

"Real Pictures," Wolff Gal ery, New York, New York, June 4 - 27.

"Toyama Now '87," Toyama Museum of Modern Art, Toyama, Japan, July 4 -September 3.

Catalogue with texts by Masataka Ogawa, Jo-Anne Birnie Danzker, Kyung-Sung Lee,

Richard Koshalek, Kenji Otsubo, and participating artists.

"The New Who's Who," Hoffman/Borman Gallery, Santa Monica, California, July 30 – August

30. Brochure with text by Marvin Heiferman.

"Stations," Centre International d'Art Contemporain de Montreal, Montreal, Canada,

August 1 - November 1. Catalogue with texts by M. Jacques, E. Lefebvre, Claude Gosselin,

Roger Bellemare, Roland Schaer, James D. Campbell, Barnett Newman. Published in

Montreal, 1988.

"Conceptual Languages," Galleria Schema, Florence, Italy, September – October.

"25 anos de selección y de actividad: Coleccion Sonnabend," Centro de Arte Reina Sofia,

Madrid, October 30, 1997 - February 15, 1988. Catalogue (Spanish edition) published by

the Ministerio de Cultura, 1987 with texts by Jean-Louis Froment, Michel Bourel, Michel

Ragon, Robert Pincus-Witten, Edi de Wilde, Harald Szeemann, Peter Ludwig, Giuseppe

Panza, Yvon Lambert, Grégoire Müller, Michel Guy, Sarkis, Germano Celant, Achille Bonito

Oliva. Exhibition traveled to the Musee d'art contemporain, Bordeaux, France, as "25

Annes de choix et d'activites d'Ileana et Michael Sonnabend: Collection Sonnabend," May

39

6–Aug 21, Catalogue (French edition) published in Bordeaux, 1988; Hamburger Bahnhof,

West Berlin, West Germany, as "Museum der Avantgarde Die Sammlung Sonnabend New

York," Dec 7–Feb 26, 1989. Catalogue also published in Germany. Milan: Electa, 1988;

Galleria Nazionale d'Arte Moderna Rome, as "La Collezione Sonnabend: Dalla Pop Art in

poi," April 14 – October 2, 1989. Italian catalogue published in Milan: Electa, 1989.

Exhibition organized by Musee d'Art Contemporain, Bordeaux, France.

"L.A. Hot and Cool: Pioneers,” Bank of Boston Art Center, Boston, Massachusetts, November

23-January 15, 1988. Catalogue with texts by Dana Friss-Hansen; Christopher Knight and

Howard Singerman, Cambridge: List Visual Arts Center, 1987. Exhibition organized by List

Visual Arts Center, Massachusetts Institute of Technology, Cambridge, Massachusetts.

"Nightfire," Stichting de Appel, Amsterdam, the Netherlands, December 20–January 31,

1988. Catalogue with texts by Saskia Bos, Edna van Duyn, Leonardo da Vinci, Marlene

Dumas, Abramovia/Ulay, Niek Kemps, De Vier Evangelisten, Pieter Laurens Mol, J.C.J. van

der Heyden, Tom Puckey, Fortuyn/O'Brien.

“Movietone Muse,” One Penn Plaza, New York.

“Poetics of Space,” Museum of Fine Arts, the Museum of New Mexico, Santa Fe, New

Mexico.

“Beyond the Image,” First Street Forum, St. Louis, Missouri.

“Early Concepts of the Last Decade,” Holly Solomon Gallery, New York, September 10 –

October 7, 1987.

“The Return of the Hero,” Burden Gallery, New York Aperture Foundation, New York.

1986 "An American Renaissance: Painting and Sculpture Since 1940," Museum of Art, Fort

Lauderdale, Florida, January 12-March 30. Catalogue with texts by Sam Hunter, Malcolm R.

Daniel, Harry F. Gaugh, Karen Koehler, Kim Levin, Robert C. Morgan, Richard Sarnoff. New

York: Abbeville Press, 1986.

"The Real Big Picture,” The Queens Museum, Flushing, New York, January 17-March 19.

Catalogue with text by Janet Schneider.

"Die Wahlverwandtschaften––Zitate," Stadmuseum Graz, Graz, Austria, September 21–

November 20. Catalogue with texts by Peter Pakesch, Denys Zacharopoulos, August Ruhs,

Johannes von Schlebragge, Alberto Boatto, and Elisabeth Wiesmayr–Schlebrigge.

"Individuals: A Selected History of Contemporary Art 1945-1986," The Museum of

Contemporary Art, Los Angeles, December 10-January 10, 1988. Texts by Germano Celant,

Hal Foster, Donald Kuspit, Kate Linker, Achille Bonito Oliva, Ronald J. Onorato, John C.

Welchman, Thomas Lawson. New York: Abbeville Press; and Los Angeles: The Museum of

Contemporary Art, 1986.

"The Art of Our Time,” Art Center College of Design, Pasadena, California, June 16-July 19.

"Text & Image: The Wording of American Art,” Holly Solomon Gallery, New York, New York,

December 11-January 3.

40

“Altered States,” Curated by Vikky Alexander, Procter Art Center, Bard College,

Annandale-on-Hudson, New York, April 3-30.

“Acceptable Entertainment: Television as Motif,” Bruno Facchetti Gallery, New York, New

York, May 1 - May 25.

“Theatre des Realities,” Metz Museum, Metz; Centre National de la Photographie, Paris,

France.

“Stills: Cinema and Video Transformed,” Seattle Art Museum, Seattle, Washington.

1985 "1985 Biennial Exhibition,” Whitney Museum of American Art, New York, March 13-June 9.

Catalogue with texts by Tom Armstrong, Richard Armstrong, John G. Hanhardt, Barbara

Haskell, Richard Marshall, Lisa Phillips and Patterson Sims.

"La Nouvelle Biennale de Paris," Grande Halle du Parc de la Villette, Paris, March21-May 21.

Catalogue with texts by Bernard Blistene, Georges Boudaille, Pierre Courcelles, Jean-Pierre

Faye, Alanna Heiss, Achille Bonito Oliva, Marie-Luise Syring, Gerald Gassiot-Talabot, Pierre

Courcelle and participating artists. Paris: Electa Moniteur, 1985.

"The Maximal Implications of The Minimal Line," Edith C. Blum Art Institute, Bard College,

Annandale-on-Hudson, New York, March 24-May 5. Catalogue with texts by Linda

Weintraub, Donald Kuspit, Phyllis Tuchman.

"ArtSide Out," Film in the Cities & First Banks, Minneapolis, Minnesota, May 31-August 31.

Catalogue with texts by Ricardo Block, Lynne Sowder, Richard Weise. Exhibition held in

conjunction with "An Exhibition of Photography by the Eight Commissioned Artists," First

Bank Atrium, Pillsbury Center, Minneapolis, Minnesota, May 31–June 28.

"Extending the Perimeter of Twentieth Century Photography," San Francisco Museum of

Modern Art, San Francisco, August 2-October 6. Catalogue with text by Dorothy

Vandersteel.

"Carnegie International 1985," Carnegie Institute, Museum of Art, Pittsburgh, Pennsylvania,

November 9-January 5, 1986. Catalogue with texts by John R. Lane and John Caldwell,

Rudi H. Fuchs, Jannis Kounellis, Germano Celant, Per Kirkeby, Johannes Gachnang, Bazon

Brock, Achille Bonito Oliva, Nicholas Serota, Benjamin H. D. Buchloh, Hal Foster, Donald B.

Kuspit, Mark Rosenthal, Peter Schjeldahl, Thomas McEvilley, Hilton Kramer, participating

artists.

"T.V. Generations,” Los Angeles Contemporary Exhibitions, Los Angeles.

"The Frederick R. Weisman Foundation of Art: Selected Works," Art Center College of Art

and Design, Pasadena, California.

“Contemporary European and American Graphics," Shaindy Fenton, Inc., Fort Worth, Texas.

"Systems of Response," The Art Institute of Chicago, Chicago, Illinois.

“Progressive Collecting," The Photography Gallery, La Jolla, California, October 5 -

November 23.

41

"Joe Bishop/AIDS Benefit," an exhibition organized by Howard Singerman, Richard

Kuhlenschmidt and Larry Johnson to benefit Aids Project Los Angeles at the Richard

Kuhlenschmidt Gallery, Los Angeles, California, September 10 –21.

"Benefit For The Kitchen: Exhibition and Sale," Brooke Alexander, Inc., New York, December

13 –21.

"A Southern California Collection," Cirrus, Los Angeles, December 2, 1985 - January 15, 1986.

“Funny Art,” organized by Paul McMahon, Concord Gallery, New York, New York, June 8 –

July 12.

"Representational Strategies (in Contemporary Photography),” University Museum of

Southern Illinois University, Carbondale, Illinois.

1984 "Idea," organized by Tanja Grunert and Rudiger Schottle, Tanja Grunert Gallery, Stuttgart,

West Germany, March 9-April 30. Catalogue with text by Tanja Grunert.

"Verbally Charged Images," The Queens Museum, Flushing, New York, April 28-June 10.

Traveled to University of South Florida Art Galleries, University of South Florida, Tampa,

Florida, September 21-November 2; University Art Gallery, San Diego State University,

February 2-March 2, 1985; University Art Gallery, California State College at San Bernardino,

San Bernardino, California, April 10-May 8, 1985; Blanden Memorial Art Museum, Fort

Dodge, Iowa, September 26-November 13, 1985. Catalogue with texts by Susan Solins, and

Nina Felshin. New York: Independent Curators Incorporated, 1984; reprinted in WhiteWalls

(New York), no. 10/11 (Spring/Summer 1984). Exhibition organized by Independent Curators

Incorporated, New York.

"New American Video Art: A Historical Survey, 1967-1980," Whitney Museum of American

Art, New York, June 13-July 1. Brochure with text by John G. Hanhardt. Traveled to Video

Culture Canada, Toronto, November 2-4; Mandeville Gallery, University of California at San

Diego, La Jolla, California, Jan 4-Feb 3, 1985; Institute of North American Studies, Barcelona,

Spain, January 15-31, 1985; Blaffer Gallery, University of Houston, Houston, Texas, March 5-

31, 1985; Arvada Center for the Arts and Humanities, Arvada, Colorado, June 7-July 5, 1985;

Williams College, Williamstown, Massachusetts, September 11-October 9, 1985; University

Art Gallery, University of California at Riverside, Riverside, California, January 6-27, 1986.

"Content: A Contemporary Focus, 1975-1984," Hirshhorn Museum and Sculpture Garden,

Washington, D.C., October 4-January 6, 1985. Catalogue with texts by Abram Lerner,

Howard N. Fox, Miranda McClintic.

"Sex," Cable Gallery, New York, December 8-January 14, 1985.

"Between Science & Art: Understanding Motion," Worcester Art Museum.

"Significant Others," Patty Aande Gallery, San Diego, California.

"Automobile and Culture," Museum of Contemporary Art, Los Angeles.

"Summer Group Show," Sonnabend Gallery, New York.

“Body Politic,” Curated by Steven L. Kaplan, Tower 45,West 18th Street, New York, New York.

42

1983 "1983 Biennial Exhibition," Whitney Museum of American Art, New York, March 24-May 22.

Catalogue with texts by Tom Armstrong, John G. Hanhardt, Barbara Haskell, Richard

Marshall, and Paterson Sims.

"Photography in Contemporary Art," National Museum of Modern Art, Tokyo, Japan,

October 7-December 4. Catalogue with texts by Kenji Adachi and Michiaki Kawakita,

Hisae Fujii, Yokio Kondo and Tohru Matsumoto. Traveled to National Museum of Modern

Art, Kyoto, Japan, December 13-January 22, 1984.

"Language, Drama, Source & Vision,” The New Museum of Contemporary Art, New York,

October 8-November 27.

Roger Ramsay Gallery, Chicago.

"Artists Use Photographs," Marianne Deson Gallery, Chicago, Illinois.

"The Television Show: Video Photographs," Robert Freidus Gallery, New York, New York.

"Selections from a Contemporary Collection," Herron Gallery, Indiana University and Purdue

University at Indianapolis, Indiana.

"Contemporary Photographers," Cranbrook Academy Museum, Bloomfield Hills, Michigan.

"John Baldessari/Robert Cumming," Northlight Gallery, Arizona State University, Tempe,

Arizona.

1982 "California Photography," Museum of Art, Rhode Island School of Design, Providence,

Rhode Island, January 8-February 9. Catalogue with text by Deborah J. Johnson;

symposium statements by John Baldessari, Judy Dater, Andy Grundberg, Leland Rice,

Arthur Taussig and Gary Metz.

"Post–Romance: Artists' Valentines," Windows on White, New York, February 5–28.

Catalogue. New York: Lower Manhattan Cultural Council, 1982.

"The 4th Biennale of Sydney: Vision in Disbelief," Art Gallery of New South Wales; Power

Gallery of Contemporary Art, University of Sydney; Ivan Dougherty Gallery; City Art Institute;

Australian Centre for Photography; Gallery A Courtyard Space; Roslyn Oxley Gallery,

Sydney, Australia, April 7-May 23. Catalogue with texts by William Wright, Paula Latos–

Vailer and Elwyn Lynn.

"74th American Exhibition," The Art Institute of Chicago, Chicago, Il inois, June 12-August 1.

Catalogue with texts by A. James Speyer and Anne Rorimer.

"Documenta 7," Museum Friedericianum, Kassel, West Germany, June 19-September 28.

Catalogue with texts by Rudi Fuchs, Coosje van Bruggen, Germano Celant, Johannes

Gachnang, Saskia Bos, Gerhard Storck, Walter Nikkels. Catalogue, Kassel: D + V Paul

Dierchs GmbH, 1982. (2 volumes)

"Peter Blum Edition, New York," Groninger Museum, Groningen, the Netherlands, September

4-October 10. Traveled as "Three Portfolios: John Baldessari, Jonathan Borofsky, Francesco

Clemente," Multiples, Inc., New York, December 3-31; "3 Portfolios," Roger Ramsay Gallery,

Chicago, January 15-February 13, 1983. Catalogue with texts by Bice Curiger and Peter

Blum. New York: Peter Blum Editions, 1984.

43

"Kunstlerphotographie: Momentbild," Kestner-Gesellschaft, Hannover, West Germany.

The Members' Gallery, Albright-Knox Art Gallery, Buffalo, New York.

1981 "Westkunst," Museen der Stadt Köln, Cologne, West Germany, May 30-August 16.

Catalogue with texts by Hugo Borger, Laszlo Glozer, Kaspar Koenig, Karl Ruhrberg.

Cologne: DuMont Buchverlag, 1981.

"Art in Los Angeles: The Museum as Site: Sixteen Artists," Los Angeles County Museum of Art,

Los Angeles, July 21-October 4. Catalogue with text by Stephanie Barron.

"Soundings," Neuberger Museum, State University of New York at Purchase, Purchase,

September 20-December 23. Catalogue with texts by Suzanne Delehanty, Dore Ashton,

Germano Celant and Lucy Fischer.

"US Art Now: Aktuella Tendenser i Amerikansk Konst," Nordiska Kompaniet, Stockholm,

October 20-November 7. Catalogue with texts by Jan Eric Lowenadler, Lars Peder

Hedberg. Traveled to Konsthallen, Göteborg, Sweden, January 9-31, 1982.

"5th Vienna International Biennale: Erweiterte Fotographie," Wiener Secession, Vienna,

Austria, October 22-November 22. Catalogue.

"Instant Fotografie," Stedelijk Museum, Amsterdam, December 4, 1981-January 17, 1982.

Catalogue with texts by Els Barents.

"30 Artists in a Corporate Collection: Selected by Sam Hunter,” Sidney Janis Gallery, New

York.

"Benefit Exhibition For The Kitchen," Paula Cooper Gallery, New York.

Judith Christian Gallery, New York.

"Erweiterte Fotographie, 5th Vienna International Biennale,” Vienna, Austria.

1980 “Contemporary Art in Southern California," High Museum of Art, Atlanta, Georgia, April 26 -

June 8. Catalogue with texts by Gudmund Vigtel and Clark V. Poling.

"Pier+Ocean: Construction in the Art of the Seventies," Hayward Gallery, London, May 8-

June 22. Traveled to Rijksmuseum Kruller-Muller, Otterlo, the Netherlands, July 13-

September 8. Texts by Joanna Drew and Andrew Dempsey, Gerhard von Graevenitz.

London: Arts Council of Great Britain, 1980. Exhibition organized by Arts Council of Great

Britain, London.

"Artist and Camera," Mappin Art Gallery, Sheffield, England, October 25-November 23.

Traveled to City Museum & Art Gallery, Stoke-On-Trent, England, Nov 29-Jan 3, 1981;

Durham Light Infantry Museum and Arts Centre, Durham, England, January 10-February 8,

1981; Cartwright Hall, Bradford, England, February 14-March 29, 1981. Catalogue with texts

by Joanna Drew, Miranda Strickland-Constable. London: Arts Council of Great Britain,

1980. Exhibition organized by the Arts Council of Great Britain, London.

"Visual Articulation of Idea," Visual Studies Workshop, Rochester, New York.

44

"Words and Numbers," Summit Art Center, Summit, New Jersey.

"The Photograph Transformed," Touchstone Gallery, New York, New York.

"Situational Imagery," Fine Arts Gallery, University of California, Irvine.

"Departure from the Single Image," Folkwang Museum, Essen, W. Germany.

"A Sound Selection: Audio Works by Artists," Harford Art School, Hartford, Connecticut.

1979 "Words," Museum Bochum, Bochum, West Germany, January 27-March 11. Traveled to

Genoa, Italy, Palazzo Ducale, March 28-May 4. Catalogue with text by Dorine Mignot.

"1979 Whitney Biennial," Whitney Museum of American Art, New York, February 6-April 8.

Catalogue with texts by Tom Armstrong; John G. Hanhardt, Barbara Haskell, Richard

Marshall, Mark Segal, and Patterson Sims.

"Text--Foto--Geschichten: Story Art/Narrative Art," Heidelberger Kunstverein, Heidelberg,

West Germany, June 30-August 5. Traveled to Bonner Kunstverein, Bonn, West Germany,

August 17-September 30, Krefelder Kunstverein, Krefeld, West Germany, October 7-

November 3. Catalogue with texts by Margarethe Jochimsen, Hans Gercke, Georg Jappe,

Annelie Pohlen, Marlis GrGterich. Catalogue published as Kunstforum International (Mainz,

West Germany) no. 33 (3/1979). Exhibition organized by Bonner Kunstverein, Bonn, West

Germany.

"New Aspects of Self in American Photography," Herbert F. Johnson Museum of Art, Ithaca,

New York.

"American Photography in the 1970's," Art Institute of Chicago, Chicago, Illinois.

"Concept, Narrative, Document," Museum of Contemporary Art, Chicago, Illinois.

"Altered Photography," P.S.1, Institute for Art and Urban Resources, Long Island City,

Queens, N.Y.

"Attitudes: Photographs of the 1970's," Santa Barbara Museum of Art, Santa Barbara,

California.

"Process and Sequence: A Photographic Exhibition," Roosevelt, New York.

"Word/Object/Image," Rosa Esman Gallery, New York.

1978 "A Selection of Conceptual Works by Eight Americans,” Julian Pretto Gallery, New York,

February 5-March 15.

"Narration," Institute of Contemporary Art, Boston, Massachusetts, April 18-June 18.

Catalogue with text by Michael Leja.

"Art About Art," Whitney Museum of American Art, New York, July 19-September 24.

Catalogue with text by Leo Steinberg, Jean Lipman, Richard Marshall. Traveled to North

Carolina Museum of Art, Raleigh, North Carolina, October 15-November 26; Frederick Wight

Art Gallery, University of California at Los Angeles, Los Angeles, December 19-February 11,

1979; Portland Art Museum, Portland, Oregon, March 6-April 15, 1979.

45

"Works on Videotape," Castelli-Sonnabend Tapes & Films, Leo Castelli Gallery, New York,

December 2-20.

"Frameworks," Whitney Museum Downtown, New York.

"Color Photography," Thomas Segal Gallery, Boston, Massachusetts.

"Painting and Sculpture Today," Indianapolis Museum of Art, Indiana.

Summer Group Exhibition, Sonnabend Gallery, New York.

"American Narrative/ Story Art: 1967-1977," Contemporary Arts Museum, Houston, Texas,

December 17, 1977 – February 25, 1978.

University Art Museum, Berkeley, California.

"Narration," Institute of Contemporary Art, Boston, Massachusetts, April 18 – June 18.

"Art About Art," Whitney Museum of American Art, New York.

"Kirklands International Photographic Exhibition,” Walker Art Gallery, Liverpool, England.

"Wit & Wisdom: Works by Baldessari, Hudson, Levine and Oppenheim," Institute of

Contemporary Art, Boston, Massachusetts.

"Artworks & Bookworks," Los Angeles Institute of Contemporary Art, Los Angeles.

"Works from the Collection of Dorothy and Herbert Vogel," University of Michigan Art

Museum.

"Sez Who? Language as Image," Peter M. David Gallery, Minneapolis, Minnesota.

1977 "1977 Biennial Exhibition," Whitney Museum of American Art, New York, February 15-April 3.

Catalogue with texts by Tom Armstrong, Barbara Haskell, Marcia Tucker, and Patterson

Sims.

"Words: A Look at the Use of Language in Art, 1967-1977," Whitney Museum of American Art

Downtown Branch, New York, March 9-April 13. Catalogue with unattributed text.

"Umetnost, Ironija, itd... Art, Irony etc..." Happy New Art Gal ery, Students Cultural Centre,

Belgrade, Yugoslavia, April 1-8.

"Some Color Photographs," Castelli Uptown, New York, June 4-July 2.

Castelli Graphics, New York, New York.

"A View of a Decade,” Museum of Contemporary Art, Chicago, Illinois, September 10-

November 10. Catalogue with texts by Martin Friedman, Robert Pincus–Witten, Peter Gay.

"Contemporary American Photographic Works,” Museum of Fine Arts, Houston, Texas,

November 4-December 31. Catalogue with texts by William C. Agee, Lewis Baltz and John

Upton.

46

"American Narrative/Story Art: 1967-1977," Contemporary Arts Museum, Houston, Texas,

December 17-February 25, 1978. Catalogue with texts by James Harithas, Paul Schimmel,

Marc Freidus, Alan Sondheim; audio works by artists on LP record. Houston, 1978. Traveled

to University Art Museum, University of California at Berkeley, Berkeley, California,

September 3-October 22, 1978; Art Museum, University of California at Santa Barbara,

Santa Barbara, California, January 3-February 4, 1978.

"CLOSE Radio," Station KPFK, 90.7 Los Angeles.

"Wit and Wisdom: Works by Baldessari, Hudson, Levine and Oppenheim," Institute of

Contemporary Art, Boston, Massachusetts, December 21-February 5, 1978.

"Time," Philadelphia Col ege of Art, Philadelphia, Pennsylvania.

"Photography as Means," Center for Photographic Arts, La Jolla, California.

"American Artists: A New Decade," Fort Worth Art Center Museum, Texas, Grand Rapids Art

Museum, Michigan.

Fine Arts Gallery, California State University at Los Angeles.

Thomas Lewallen Gallery, New York.

“Das Sofortbild Polaroid,” Aktionsgalerie, Bern, Switzerland, October 19-21, 1977.

"Sequential '77," Harkness House, New York.

Visual Arts Museum, School of Visual Arts, New York.

"Painting and Sculpture in California: The Modern Era," San Francisco Museum of Modern

Art, San Francisco, California; National Collection of Fine Arts, Washington, D.C.

"Photography as Art Form," John and Mable Ringling Museum of Art, Sarasota, Florida.

"Summer Drawing Show," The Art Association of Newport, Rhode Island.

"A View of A Decade," Museum of Contemporary Art, Chicago, Illinois.

"Artists by Artists," Museum of Modern Art, New York.

"New Aspects of Self in American Photography," Herbert F. Johnson Museum of Art, Cornell

University, Ithaca, New York.

"Off the Wall," University of Western Florida, Pensacola, Florida.

1976 "New American Filmmakers Series: Text and Image," Whitney Museum of American

Art, New York, February 11–17.

"Commissioned Video Works," University Art Museum, University of California at Berkeley,

California, March 2-28. Brochure with text by James Melchert.

47

"Foto & Idea," Galleria Comunale d'Arte Moderna, Parma, Italy, April -May. Catalogue with

text by Ilaria Bignamini. Reprinted from Flash Art, no. 64/65 (Sept/Oct 1975).

"Rooms P.S. 1," P.S. 1/Institute for Art and Urban Resources, Long Island City, Queens, New

York, June 9-26. Catalogue with texts by Alanna Heiss, Linda Blumberg, participating artists,

others. New York, 1977.

"The Artist and the Photograph (II): 2nd Triennale of Photography,” Israel Museum,

Jerusalem, September-November Catalogue with text by Yona Fischer.

“Boïtes,” A.R.C.2/Musee d'art moderne de la Ville de Paris, Paris, December 16-January 30,

1977. Catalogue with texts by Françoise Chatel, Suzanne Pag, Boris Vian, Sigmund Freud,

Helene Cixous, Michel Bernard, Claudine Romeo and Jean Clair. Traveled to Le Grand Huit,

Maison de la Culture, Rennes, France, February 3–March 2, 1977.

Galaria Grada Zagreba, Zagreb, Yugoslavia.

LaMammele Art Center, San Francisco, California.

Camerawork Gallery, San Francisco.

"Serial Photography," Broxton Gallery, Los Angeles.

"Pan Pacific Biennale," Auckland City Art Gallery, Auckland, New Zealand.

"American Artists: A New Decade," Detroit Institute of the Arts, Fort Worth Art Center, and

Grand Rapids Art Museum (1976-1977).

"Painting and Sculpture in California: The Modern Era," San Francisco Museum of Modern

Art and National Col ection of Fine Arts, Smithsonian Institute, Washington, D.C.

International Museum of Photography at George Eastman House, Rochester, New York.

February – April.

"Artists Use Photography," Hallwalls, Buffalo, New York.

"Center Focus," 111 Wacker, Chicago.

"Boice-Baldessari," Miami Dade Community College, Miami, Florida.

1975 "Video Art," Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Jan 17-

Feb 28. Catalogue. Texts by David Antin, Lizzie Borden, Jack Burnham, John McHale.

Traveled to Contemporary Arts Center, Cincinnati, Ohio, March 22-May 30; Museum of

Contemporary Art, Chicago, June 28-August 31; Wadsworth Athenaeum, Hartford,

Connecticut, September 17-November 2.

"Projects: Video III," The Museum of Modern Art, New York, February 1-April 30.

"Narrative Art," Museo Progressivo d'Arte Contemporanea, Livorno, Italy, March. Catalogue

with texts by Renato Barilli, Achille Bonito Oliva, Vittorio Fagone, Lara–Vinca Masini, and

Filiberto Menna.

48

"New Media 1," Malmo Konsthall, Malmo, Sweden, March 22-May 19. Catalogue with text

by Gunter Metken.

"The Video Show," Serpentine Gallery, London, May 1-26. Catalogue with texts by Sue

Grayson, John Howkins. London: Arts Council of Great Britain, 1975.

Paula Cooper Gallery, New York, New York. December 13-January 14, 1976.

"Word/Number IMAGE," Sarah Lawrence College, Bronxville, New York.

"The Sense of Timing," Hartford Art School, University of Hartford, Connecticut.

Paul Mellon Arts Center, Wallingford, Connecticut.

"Narrative in Contemporary Art," University of Guelph, Ontario, Canada.

"Locate/Order/Measure," Fine Arts Building Gallery, University of Colorado, Boulder,

Colorado.

"The Extended Document," International Museum of Photography at the George Eastman

House, Rochester, New York.

"(photo) (photo)2 ...(photo)n," University of Maryland Art Gal ery, Baltimore, Maryland.

“Southland Video Anthology,” Long Beach Museum of Art, Long Beach, California.

Kansas City Art Institute, Kansas City.

Incontri Internasionali d'Arte, Rome, Italy.

"1st NYC Postcard Show," Contemporary Arts Gallery, New York University, New York.

Sarah Lawrence Gallery, Bronxville, New York.

1974 "Films: Vito Acconci, John Baldessari, Haxton, David Shulman," Sonnabend Gallery, New

York, January 8-12.

"Some Recent American Art," National Gallery of Victoria, Melbourne, Australia, February

12-March 10. Traveled to Art Gallery of New South Wales, Sydney, Australia, April 5-May 5;

Art Gallery of South Australia, Adelaide, Australia, May 31-June 30; West Australian Art

Gallery, Perth, Australia, July 26-August 21; City of Auckland Art Gallery, Auckland, New

Zealand, October 14-Noveber 17. Catalogue with texts by Gordon Thomson, Waldo

Rasmussen, Jennifer Licht. Melbourne: National Gallery of Victoria with permission of The

Museum of Modern Art, New York, 1973. Exhibition organized by International Council of

The Museum of Modern Art, New York.

"Demonstrative Fotografie," Heidelberger Kunstverein, Heidelberg, West Germany, February

24-March 31. Catalogue with text by Hans Gercke.

"Idea and Image in Recent Art," The Art Institute of Chicago, Chicago, Illinois, March 23-

May 5. Catalogue with texts by Anne Rorimer, A. James Speyer and participating artists.

49

"Video Tapes," Kolnischer Kunstverein, Cologne, West Germany, July 6-August 8. Catalogue

with text by Wulf Herzogenrath.

"Art on Paper," Weatherspoon Art Gallery, University of North Carolina, Greensboro, North

Carolina.

"Art Now," Kennedy Center, Washington, D.C.

Basel Museum, Basel, Switzerland.

"Collectors Video,” Los Angeles County Museum of Art, Los Angeles.

"Photokina," World Fair of Photography, Cologne, Germany.

Kunst Informatie Centrum, Stedelijk van Abbemuseum, Eindhoven, the Netherlands.

Newport Harbor Art Museum, Newport Beach, California.

Galeria MTL, Antwerp, Belgium.

"Kunst bleibt Kunst--Projekt '74--Aspekte internationaler Kunst am Anfang der 70er Jahre,"

Kunsthalle Obergeschoss, Cologne, West Germany, July 6-September 8. Catalogue with

texts by Dieter Ronte, Evelyn Weiss, Manfred Schneckenburger, Albert Schug, Marlis

Grüterich, Wulf Herzogenrath, David A. Ross, Birgit Hein, and projects by artists.

"Narrative Art," Cannaviello Studio d'Arte, Rome, November. Text by Filiberto Menna.

"Art Video/Confrontation

74," A.R.C.2/Musee d'art moderne de la Ville de Paris, Paris,

November 8-December 8. Catalogue with texts by Michel Fansten, Suzanne Page, Donald

A. Foresta, Dominique Belloir, and Yann Pavie.

"Narrative Art," Diagramma/Luciano Inga–Pin, Milan, December–January 1975. Catalogue

with texts by Achille Bonito Oliva, Filiberto Menna, and participating artists.

1973 "1973 Biennial Exhibition," Whitney Museum of American Art, New York, January 10-March

18. Catalogue with text by John I. H. Baur.

"Combattimento per un'immagine: Fotografi e Pittori," Galleria Civica d'Arte Moderna,

Turin, Italy, February –April. Catalogue with texts by Daniela Palazzoli and Luigi Carluccio.

"Story," John Gibson Gallery, New York, April 7-May 3.

"Circuit: A Video Invitational," Everson Museum of Art, Syracuse, New York, April17-May 18.

Catalogue with text by David Ross. Catalogue published as: "Circuit: A Video

Invitational." Radical Software (New York) 2, no. 5 (1973). Traveled to Henry Art Gallery,

University of Washington, Seattle, Washington, April 26-May 27; Cranbrook Academy of Art

Museum, Bloomfield Hil s, Michigan, May 1-20; Los Angeles County Museum of Art, Los

Angeles, October 30-November 25; School of the Museum of Fine Arts Gallery, School of

the Museum of Fine Arts, Boston, Massachusetts January 7-February 3, 1974.

"Tendencies 5," Galerija Savremene Umjetnosti, Zagreb, Yugoslavia, June 1-July 1.

Catalogue with text by Marijan Susovski. Exhibition organized by Galerija Grada Zagreb,

Zagreb, Yugoslavia.

50

"Indice," Galleriaforma, Genoa, Italy, June-July.

"Deurle 11/7/73," Museum Dhondt–Dhaenens, Deurle, Belgium, July 11–August 8.

Catalogue with texts by participating artists. Exhibition organized by Gallery MTL, Brussels,

Belgium.

"Southern California Attitudes," Pasadena Art Museum, Pasadena, California.

Los Angeles County Museum of Art, Los Angeles.

“Present: An Exhibition – Symposium,” The Libra Gallery, Claremont Graduate School,

Claremont, California, April 30 – May 11, 1973.

Sperone/Fischer Gallery, Rome, Italy.

Galerie Sonnabend, Paris.

Sonnabend Gallery, New York.

"Festival d'Automne: Aspects de l'art actuel," Musee Galliera, Paris, September14-October

27. Catalogue with projects by artists. Florence, Italy: Centro Di, 1973. Exhibition organized

by Galerie Sonnabend, Paris.

"Prospect '73: Painting," Kunsthalle, Dusseldorf, September 28-October 7.

"Baldessari, Burden, McCarthy, Smith: Videotapes," Newspace, Los Angeles, November.

Parcheggio di Villa Borghese, Rome, "Contemporanea." Nov 28-Feb, 1974. Catalogue.

Text by Filiberto Menna. Exhibit organized by Incontri Internazionali d'Arte, Rome.

1972 "36a Biennale di Venezia: Esposizione Internazionale d'Art," Venice, Italy, June 11–Oct 1.

Catalogue. Texts by Francesco Arcangeli, Renato Barilli, Achille Bonito Oliva, Federico

brook, Giovanni Carandente, Erberto Carboni, Francis De Lulle, E.L.L. de Wilde, Clarival

do Prado Valladares, John Elderfield, Andrew Forge, Ion Frunzetti, Roberto Guevara, Jir1

Hlusicka, Dieter Honisch, Walter Hopps, Andreas Joannou, Johannes Johannesson, Ejner

Johansson, Salah Kamel, Leo Lionni, Filippo Longo, Giuseppe Marchiori, Raoul Jean Moulin,

Daniela Palazzoli, Mario Penelope, Miodrag B. Proti, Willy Ratzler, Per Remfeldt, Avraham

Ronen, Renzo Salvadori, Caferino Moreno Sandoval, leena Savolainen, Gerry Schum,

Wilfried Skreiner, Brydon E. Smith, Albe Steiner, Toni Toniato, Yoshiaki Tono, Basilio Uribe, Lajos

Vayer, Alexsander Wojciechowski. Venice: Ente Autonomo "La Biennale di Venezia," 1972.

"'Konzept'—Kunst," Kunstmuseum Basel, Basel, Switzerland, March 18-April 23. Catalogue

with texts by Zdenek Felix, Klaus Honnef, and projects by artists.

"Encuentros 1972 Pamplona," Pamplona, Spain, June 26-July 3. Catalogue with texts by

Santiago Amon, Antonio Agundes, Luc Ferrari, Josef Anton, Fernau Hall, Maurice Fleuret,

Mauricio Kegel, Ignacio Gomez De Lia9o, Gonzalo Suarez, and others. Madrid: Grupo

Alea, 1972.

"Documenta 5: Befragung der Realitt: Bildwelten Heute –– Prozesse," Museum Fridericianum,

Kassel, West Germany, June 30-October 8. Catalogue with texts by Harald Szeemann,

Jean-Christophe Ammann, Ingolf Bauer, Bazon Brock, Walter Busse, Reiner Diederich,

51

Johannes Cladders, others. Kassel: Documenta GmbH/Verlagsgruppe Berelsmann/C.

Bertelsmann Verlag, 1972. (2 volumes)

"BITEF 6: Aspekti/Aspects/Aspetti," Galerija 212, Belgrade, Yugoslavia, September 14–

October 8. Catalogue.

"La muesetra arte de sistemas II International," El Museo de arte moderno de Buenos Aires;

and Centro de arte y comuncacion, Buenos Aires, September-October Catalogue. Text

by Jorge Glusberg.

"John Baldessari, Frances Barth, Richard Jackson, Barbara Munger, Gary Stephan,”

Contemporary Arts Museum, Houston, Texas, September 8-November 16. Catalogue with

text by Jay Belloli.

"Southern California Attitudes '72," Pasadena Art Museum, Pasadena, California, September

19-November 5. Catalogue with text by Barbara Haskell.

"Twelfth Annual October St. Jude Invitational: Videotapes," de Saisset Art Gallery and

Museum, University of Santa Clara, Santa Clara, California, October 3-29. Traveled to

Everson Museum of Art, Syracuse, New York, November 1-19.

"California Prints," Museum of Modern Art, New York.

"Los Angeles," San Francisco Art Institute, San Francisco, California.

"First 8mm International Film Festival," Nova Scotia School of Art and Design, (National Film

Board Theatre), Nova Scotia, Canada.

Kunstmarkt, Cologne, Germany (Art and Project Gallery).

"First National Videotape Festival," Minnesota College of Art and Design.

Sonnabend Gallery, New York.

"Documenta 5,” Kassel, Germany.

"13 Artists Chosen for Documenta," Sonnabend Gallery, New York.

“Spatial Poem No. 5 Open Event,” Osaka, Japan.

1971 "Situation Concepts," Galerie nchst St. Stephan, Vienna, March 15-April 3 Catalogue

with texts by Peter Weiermair, Ricky Comi, Joseph Kosuth, Sol LeWitt, and Mel Bochner.

Traveled to Galerie im Taxipalais, Innsbruck, Austria.

"Pier 18," The Museum of Modern Art, New York, June 18-August 2.

"Arte de Sistemas," El Museo de Arte Moderno de Buenos Aires, and Centro de Arte y

Comunicacion, Buenos Aires, July 19–August 22. Catalogue.

"Prospect '71--Projection, Film," Stdtische Kunsthalle, Dusseldorf, October 8–17. Catalogue

with text by Hans Strelow. Dusseldorf: Art Press Verlag, 1971. Traveled to Louisiana Museum,

Humlebaek, Denmark, as "Projektion: Udstilling p Louisiana." January 22–February14, 1972.

Catalogue with texts by Flemming Koefoed, Robert Smithson, P. Adams Sitney, François

52

Pluchart, Vito Acconci interviewed by Cindy Nemser, Vito Acconci, Stig Brügger, Per

Kirkeby, Dennis Oppenheim, and Richard Serra.

Galerie 16, Kyoto, Japan.

"Whitney Biennial," Whitney Museum of American Art, New York.

"Video Tapes," Contemporary Art Museum, and the Texas Gallery, Houston, Texas.

"420 West Broadway at the Spoleto Festival," Spoleto, Italy.

1970 "Art in the Mind," Allen Art Museum, Oberlin College, Oberlin, Ohio, April 17-May 12.

Catalogue with text by Athena T. Spear, and projects by participating artists.

"Conceptual Art, Arte Povera, Land Art," Galleria Civica d'Arte Moderna, Turin, Italy, June 6-

July 12. Catalogue with texts by Germano Celant, Lucy R. Lippard, and projects by artists.

"Information," The Museum of Modern Art, New York, July 2-September 20. Text by Kynaston

L. McShine, and projects by artists.

"Software," Jewish Museum, New York, September 16-November 8. Catalogue with texts by

Roy D. Chapin Jr., Karl Katz, Jack Burnham, James A. Mahoney, Theodor H. Nelson, and

projects by artists.

"Recorded Activities," Moore College of Art, Philadelphia, October 16-November 19.

Catalogue with text by Lucy R. Lippard.

1969 "Microcosm 69," Long Beach Museum of Art, Long Beach, California, January 12-February 9.

Catalogue with texts by Arthur Secunda and Jason D. Wong. Traveled to Tom and Ann

Peppers Art Center, University of Redlands, Redlands, California, March14-April 4; College of

Idaho, Caldwell, Idaho, September 9-October 4; Moorhead State College, Moorhead,

Minnesota, January 8-29, 1970; Illinois State University, Normal, Illinois, October 25-November

25, 1970; Linfield College, McMinnville, Oregon, April 3-24, 1971.

"The Appearing Disappearing Image Object," Newport Harbor Art Museum, Newport

Beach, California, May 11-June 28. Brochure with text by Thomas H. Gaver.

"Language III," Dwan Gallery, New York, May 24–June 18.

"Conception—Perception," Eugenia Butler Gallery, Los Angeles, July 1-25.

"Pop Art," Hayward Gallery, London, July 9-September 3. Catalogue with text by John

Russell and Suzi Gablik. Exhibition organized by Arts Council of Great Britain, London.

"557,087," Seattle Art Museum Pavilion and Seattle Civic Center, Seattle, Washington,

September 5-October 5. Traveled to Vancouver Art Gallery, Vancouver, Canada, as

"995,000,” January 13-February 8, 1970. Catalogue with texts by Lucy R. Lippard, and

projects by participating artists.

"Konzeption—Conception," Stadtischen Museum, Leverkusen, West Germany, October-

November 1969. Catalogue. Texts by Rolf Wedewer and Sol LeWitt, projects by

participating artists.

53

"Art by Telephone," Museum of Contemporary Art, Chicago, November 1-December 14.

Catalogue with text by Jan van der Marck, projects by artists on LP record.

"1969 Annual Exhibition: Contemporary American Painting," Whitney Museum of American

Art, New York, December 16-February 1, 1970. Text by John I. H. Baur.

"Space," California College of Arts and Crafts, Oakland, California.

"The Second City," Reese-Paley Gallery, San Francisco, California.

1968 "New Work/Southern California," Art Gallery, University of California at San Diego, La Jolla,

California, January 9-February 4. Catalogue with text by James Monte.

"John Baldessari, Carol Brown, David Milne, Ralph Pomeroy," Richard Feigen Gallery, New

York, October 12-November 16.

"A Few Rays of Hope," Art Gallery, University of California at San Diego, La Jolla, California,

November 8–December 14.

1967 "2nd Annual Small Images Competition," Los Angeles State College, Los Angeles,

December 4-January 11, 1968. Catalogue with text by Fidel A. Danielli.

1965 "Polychrome Sculpture," Southwestern College, Chula Vista, California, January 8-February

19. Brochure with text by John Baldessari.

"Some Aspects of California Painting and Sculpture," La Jolla Museum of Art, La Jolla,

California, February 28–April 11. Catalogue with text by Donald J. Brewer.

"3rd Annual Southern California Juried Exhibition of the Long Beach Museum of Art," Long

Beach Museum of Art, Long Beach, California, April 4–25.

"New Art In Living Space," 4040 Loma Riviera Drive, Loma Riviera, San Diego, California, July

18-August 29. Brochure with text by Louis Sander.

1964 "Snap, Crackle and Pop: A Review of Local Pop Art," Southwestern College, Chula Vista,

California, March 16–April 3.

"John Baldessari, Richard Allen Morris and Fred Cooper," San Diego Public Library, San

Diego, California, July.

1963 "Arts of Southern California––XIII: Painting," Long Beach Museum of Art, Long Beach,

California, June 2–June 30. Catalogue with text by Helen Wurdemann.

"23 Americans," i Gallery, La Jolla, California, June 30-July 28.

1962 "1962: California: South," San Diego Fine Arts Gallery, San Diego, California, March 2-April 1.

Text by Herschel B. Chipp.

"81st Annual Painting Exhibition of the San Francisco Art Institute," San Francisco Museum of

Art, San Francisco, April 20–May 20. Text by George D. Culler.

"68th Western Annual," Denver Art Museum, Denver, Colorado, August 12–September 23.

54

"The Southwest: Painting and Sculpture," Museum of Fine Arts, Houston, December 7, 1962-

January 20,1963. Catalogue with text by James Johnson Sweeny.

1961 "24th Annual Drawing, Print and Sculpture Exhibition of the San Francisco Art

Association," San Francisco Museum of Art, San Francisco, February 2-March 5. Brochure.

"Arts of Southern California: Collage," Long Beach Museum of Art, Long Beach, California,

October 1–29. Brochure.

1960 "Pacific Coast South; The Uncommon Denominator: Thirteen San Diego Painters," Art Center

in La Jolla, La Jolla, California, June 7-26. Catalogue. Traveled to Museum of New Mexico

Art Gal ery, Santa Fe, New Mexico, November 3–29.

"1960 Annual: Artists of Los Angeles County and Vicinty," Los Angeles County Museum, Los

Angeles, August 17–October 7.

"40th Exhibition of the California Water Color Society," Los Angeles County Museum, Los

Angeles, October 19–November 27. Traveled to Palace of the Legion of Honor, San

Francisco, California, December 12–January 17, 1961.

1958 "1st All Los Angeles Drawing Show," Exodus Gallery, San Pedro, California, August 18–

September 6.

"The 9th San Gabriel Valley Artist Exhibition," Pasadena Museum of Art, Pasadena,

California, October 20-November 24.

"Second Annual 1958 All–Media Membership Exhibition," Art Center in La Jolla, La Jolla,

California, November 2–December 4. Brochure with text by Donald J. Brewer.

1957 "Second Annual 1957 All–Media Membership Exhibition," Art Center in La Jolla, La

Jolla, California, October 5–November 6.

"42nd National Orange Show: Painting, Photography, Sculpture," San Bernardino, California.

Selected Articles and Reviews About the Artist

[back to table of contents]

2006

Knight, Christopher, Paris Does L.A. Proud, Los Angeles Times, Wednesday, March 15, 2006,

P. E1 continued on page E6, Two cities Linked by Art, Continued on P E7, L.A Art receives its

due, Illus. P. E7

Nugent, Jennifer and Matteson, Paul, Zoo Story, The Listings, The New York Times,

Friday January 27, 2006

2005 Bickers, Patricia, “John Baldessari: Carré d'Art, Nimes” Art Monthly, London, United

Kingdom, No. 292, December/January, 2005-06

Kampianne, Harry, “Baldessari Coups de <Cut>” Art Actuel, #41 November – December

2005.

55

Carver, Jon, “John Bladessari: Guitars” THE Santa Fe’s Monthly Magazine of the Arts,

Critical reflections, December 2005 – Jan 2006, P. 55.

Massabuau, Roland, “Exposition A Carré d’art, un scenario signé Baldessari”, Midi Libre,

Nimes, France, October 19, 2005, P. 4.

Bismuth, Julien, “John Baldessari, Hollywood Confidential”, Beaux Arts Magazine, Paris,

France, October 2005, Pp. 90 – 97.

Diaz-Guardiola, Javier, “John Baldessari: “Me Siento Como un Escritor Fracasado” ABCD

Las Artes y las Letras, ABC 711, September 17 – 23, 2005, Pp. 32 – 35.

Meyers, Terry, “John Baldessari: Prima Facie”, Modern Painters, London, United Kingdom,

September 2005, P. 110.

Tumlir, Jan, John Baldessari: Carrre d’Art, Mussee d’ Art Contemporain, Artforum, New York,

NY, September, 2005, P. 156

Heiser, Jorg, John Baldessari, Frieze, Issue 93, Durian Publications Ltd. England, September

2005, Pp. 132-133

Frank, Peter, Reviews: National, John Baldessari, Margo Leavin, Los Angeles. Artnews,

Volume 104 / Number 7, Summer 2005. P 200.

Knight, Christopher, “From 1,000 Words to One”, Los Angeles Times, Los Angeles, April15,

2005. Pp. E24 – E25

Kramer, Hilton, “Repetition and Other Rules: A Recipe for Exhaustion,” New York Observer,

April 11, 2005. New Yrok, NY. Pg. 1 continued on p. 16

Heartney, Eleanor, “Baldessari’s Hollywood”, Art in America, No. 4, April 2005, Pp 116 – 119,

illus.

Breerette, Geneviève, “Les images à l’épreuve du jaune de John Baldessari,” Le Monde,

Paris, France, March 19, 2005.

Ayers, Robert, John Baldessari, Marian Goodman, Art News, New York, NY, March 2005,

Reviews: New York, P. 115

Cotter, Holland, “Logical Conclusion, 40 Years of Rule based Art,” The New York Times,

New York, NY, March 18, 2005, pg. E42.

Harris, Jane “The Ruling Class: Seeking the Poetic Potential of Neutral Signs,” The Village

Voice, New York, NY, March 16-22, 2005, Art section pg. 8.

“Goings on About Town: Logical Conclusions: 40 Years of Rule-Based Art,” The New Yorker,

New York, New York, March 14, 2005, p.38.

Spiegler, Von Almuth, “Nie wieder fade Kunst,” Die Presse, Vienna, Austria, March 4, 2005,

p.31.

56

Cohen, David, “When the Rule-Ruled,” The New York Sun, New York, New York, March 3,

2005, p.19.

Ramonet, Ignacio, “Damaskus,” Le Monde diplomatique, Berlin, Germany, March 2005, p.1.

E xporama, “Manipulations d’images,” Palace, Paris, France, March 2005, p.38.

Stich, Sidra, “Conceptual Alchemy: A Conversation with John Baldessari,” American Art,

Spring 2005, Volume 19, Number 1, published by the University of Chicago Press in

association with the Smithsonian American Art Museum, Chicago, Illinois, 2005, pp. 61- 81,

illus. Front cover, 60, 62, 65, 66, 68, 69, 71-81.

Grissemann, Von Stefan and Nina Schedlmayer, “Bloß nicht langweilen!” Profil, Vienna,

Austria, February 2005, pp.156-157.

Burton, Johanna, “John Baldessari: Marian Goodman Gallery,” Art Forum International,

New York, New York, February 2005.

Antin, David, “Winter Preview 2005,” Artforum, New York, New York, January 2005, John

Baldessari, Museum Moderner Kunst Stiftung Ludwig, Vienna and Kunsthaus Graz, March 4 –

July 3, 2005, pp. 60-61, illus. 60.

2004 Shwendener, Martha, “John Baldessari”, Time Out New York, New York, NY, December 30,

2004 – January 5, 2005, P. 57

Davis, Nicole, “Baldessari Orange,” Artnet, www.artnet.com, December 9, 2004.

Wesseling, Janneke, “John Baldessari is zeer sensueel en prikkelt het denken,” NRC

Handelsblad, Amsterdam, Thursday, February 24, 2004.

Schwendener, Martha, “John Baldessari,” Time Out New York, New York, New York,

December 30, 2004.

Cohen, David, “Shock of the Old,” The New York Sun, New York, New York, December 2,

2004.

Loughnane, Andrew, ”Coming Together,” Los Angeles Times, Los Angeles, California,

October 13-19, 2004.

Roug, Louise, “The Political Canvas,” Los Angeles Times, Los Angles, California, August 25,

2004.

McFadden, Sarah, “not done! Muhka, Antwerp,” The Bulletin, London, England, August 5,

2004, p. 18.

Laureyns, Jeroen, “Kunstenaars maken boeken,” De Tijd, Antwerpen, Belgium, July 17, 2004,

p. 12.

“Het zomert in het MuHKA,” De Morgan, Brussels, Belgium, June 19, 2004, p. 36.

Speeten, Geert van der, “Lezen In Het Museum,” De Standaard, Belgium, June 16, 2004, p.

7.

57

Baker, Kenneth, “Topographies at SFAI.” San Francisco Chronicle, San Francisco, CA. May

1, 2004.

Reinders, Arjan, “John Baldessari: Raak Kiezen.” Kunstbeeld, The Netherlands, No. 2, 2004,

pp. 28 – 30.

Laubard, Charlotte, “John Baldessari.” Rebel Magazine, Paris, France. May 2004.

Number 7. pp. 152 – 155.

Flynn, Tom, “John Baldessari,” ArtReview Magazine, London, Great Britain. May 2004,

Volume LIV. p. 39.

“John Baldessari a Amsterdem,” Art Jonction Le Journal. Paris, France. January – February

2004. No. 43.

Schindelegger, Maria, “Dass die Korper sprechen, auch das wissen wir seit langem,” Eikon,

Vienna, Austria. 2004. No. 45. p. 45.

Maufras, Frederic, “La langue du geste,” L’Oeil, Paris, France. April 2004. p. 44.

Schedlmayer, Nina,”Gestenbuch,” Profil, Vienna, Austria. January 26, 2004. No. 5. p. 154.

Benzer, Christa and Nicola Hirner, “Vielgestaltige Versprechungen,” springerin, Vienna

Austria; Heft X, Band January 2004. p. 186.

“Kunstler lassen Korper sprechen,” Arztemagazin, Perchtoldsdorf, Austria, February 6, 2004.

p.6.

2003 Sanders, Mark. “John Baldessari,” Another Magazine. London, England, Autumn/Winter,

2003. pp. 378-391.

Gray, Emma. “You Haven’t Taught Until You See The Light Bulb In Their Eyes Light Up,” Art

Review Magazine, London, Great Britain. V1N09. (Fall 2003).

Zox. “Conversations and Exhibition Focusing on Dialogue between Artists Zox and John

Baldessari,” NoHoLA, Los Angeles, Ca. October 2-16, 2003, p7.

Coleman, David. “Possessed: Enchanted Swan” The New York Times, New York, NY. July 20,

2003.

Writer Unknown. “A Gift That Elevates L.A.,” The Los Angeles Times. Los Angeles, Ca. June

28 2003. F1.

Affentranger-Kirchrath, Angelika. “Auf Sommer Eingestimmt.” Neue Zurcher Zeitung, Zurich,

Switzerland. June 18, 2003.

Writer Unknown. “Mai 36 Galerie,” Handelszeitung, Zurich, Switzerland. June 18, 2003.

Lord, M.G. “A City Where Locals Are Welcome.” The New York Times, New York, NY. April

23, 2003, F1 & F12.

Lord, M.G. ‘Even the Getty Hillside Temple of Antiquities Shows a Hip side,” The New York

Times. New York, NY. April 23, 2003, F1.

58

Baker, Kenneth. “Formalist’s Informal Education.” San Francisco Chronicle: Datebook, San

Francisco, CA. Tuesday, April 29, 2003, D1, D5.

Mirapaul, Matthew. “Artists Cast a Wary but Interested Eye on the Web.” The New York

Times, New York, NY. March 31, 2003.

Imdahl, Georg. “Alles Kulissen: In Koln: Buren und Baldessari, Les Rogers und Marco Lulie.”

Samstag Franfurter Allgemeine Zeitung, Frankfurt, Germany. February 8, 2003, p 45.

Rowland, Jon. “John Baldessari: A Glimpse at the Significant Sig’s Extraordinary Art,” The

Magazine of Sigma Chi, Evanston, IL. Winter 2002-2003.

Smith, Roberta. “Video, in Its Infancy, Had to Crawl Before It Could Walk.” The New York

Times, New York, NY. Friday, January 24, 2003, p B37.

2002 Wallach, Amei. “For the Swiss in Miami Beach, a Five-Day Wingding,” The New York Times,

New York, NY, Sunday, December 22, 2002, p AR 44.

Zox. “John Baldessari’s New Art is: HOT,” NoHo LA: The Magazine, Los Angeles, Ca. vol. 5,

no. 8, December 19, 2002, p14.

Fiaschetti, Maria Egizia. “John Baldessari: The Intersection Series 2002,” LuxFlux: Zenith,

www.luxflux.net. 2002.

Hall, Jacqueline. “A View from the Cutting Edge,” The Columbus Dispatch: The arts,

Columbus, Ohio, December 1, 2002.

Yalkut, Jud. “Art Goes Pop: No Ideas Have Entered This Review,” The Impact Weekly,

Dayton, Ohio, November 14, 2002.

Knight, Christopher. “Pandora’s Box, Opened.” Los Angeles Times, Calendar: Art, Sunday,

October 27, 2002, pp E46-E47.

Harvey, Doug. “Baldesaurus Rex: Painterly conceptualist or conceptualist painter?” LA

Weekly, November 22-28, 2002, p 47. Illustration: Intersection Series: Landscape and

Chorale, 2002.

Pagel, David. “Baldessari Plays with Puzzles”. LA Times – Calendar: Art (Around the

Galleries) Friday, November 8, 2002, pE22, illustration.

Cotter, Holland. “Collectors With a Weakness for the Ornery.” New York Times, August 30,

2002, p B24.

Smith, Roberta. “The Staying Power (and It’s Not a Freeze Frame) of Paint.” The New York

Times, Art/Architecture. Sunday, July 21, 2002, AR 25, AR 27.

Slyce, John. “Douglas Huebler.” Camera Austria International, Issue 78, 2002, p 89.

Loos, Ted. “A Dealer’s Own Hoard Brought Into the Light.” The New York Times, June 30,

2002.

59

“Best Bets, Saturday 8/31: 11am: Art”, Los Angeles Times: Calendar Weekend, Thursday,

August 29, 2002, p. 4.

Conway, Ann. “Social Circuits: Art of Dining,” Los Angeles Times, Sunday, June 9, 2002, E2

[photo of John].

_________. “Pulcherrimae Strade,” Tema Celeste, Italy. 2002.

F.F. “John Baldessari: Galerie Marian Goodman, Paris.” The Art Newspaper. No. 126, June

2002.

“La Fotografia e le Altre Arti, “ CultFrame, May 2002.

_________. “ZOOM: Image.” AD Architectural Digest. May 2002.

L.B. “John Baldessari.” Telerama, May 15-21, 2002.

_________. “Artistes et galleries a travers le monde: Paris.” Le Journal des Arts, May 17-30,

2002, p 14.

Levin, Kim. “John Baldessari.” The Village Voice / Voice Choices. March 12, 2002, p 104.

Plagens, Peter. “John Baldessari.” Art Forum. February 2002. pp. 23 (Photo of John in front of

“A Painting That Is It’s Own Documentation”, 1968.)

Griffin, Tim. “At A Crossroads.” Time Out New York. February 114 –21, 2002 Issue No. 333. Pp.

60. (Photo of “Ocean/Accordion.” 2002)

Rush, Michael. “No Longer An Orphan, Video Art Gives Itself A Party.” New York Times.

February 15(?), 2002, p.

“Babylon”, Ocean Drive, February 2002, p 136.

“Art – Galleries – Uptown.” The New Yorker, March 4, 2002, pp 15-16.

Christopher Knight. “’Self-Medicated’ Is Anything but Sedate.” Los Angeles Times. Friday,

January 25, 2002. F36.

2001 Bohme, Harmut. “Global Cities, Terrorismus.” Lettre International. Winter 2001. Pp. 25 (Photo

of “Intersect: Gorilla with Group (Yellow).”

Fox, Howard N. “Dreamworks: A Concept of Concept Art in California.” Reading

California: Art. Image, and Identity, 1900-2000, University of California Press, Los Angeles,

CA, pp 272, 280 – 283.

Livingstone, Marco and Dominique Tonneau-Ryckelynck. “Le Photographisme.” 160 Ans

de Photographie En Nord – Pas de Calais. Association des Conservateurs des Musées du

Nord, 2001. P 46.

McNamara, Mary. “Arts: A shift to Serious Themes.” Los Angeles Times. Monday, December

31, 2001. A8. (Large photo of John in Studio.)

60

Myers, Holly. “This Show Is Not Just Kid’s Stuff.” Los Angeles Times. Wednesday. December

19, 2001. Sec. F.

Lambrecht, Luk. “Angsthazen Gelieve zich to Onthouden.” De Morgen. December 8/9,

2001. On Notorious: Alfred Hitchcock and Contemporary Art, Hasselt, Belgium, Dec 8, 2001

– Jan 20, 2002.

Bates, Diane. “An Artistic Playground.” Los Angeles Times. November 29, 2001. P.?

Willis, Holly. “The Films of “John Baldessari.” LA Weekly. November 16-22, 2001. Pg 68.

“Athenaeum Artists’ Books by Stuart Collection Artists.” Athenaeum. November/December

pg. 2. (photo of The Telephone Book: with pearls. 1988 on cover)

Saez, Anna. “Encadenats a Hitchcock.” Presencia, Societat. October 19-25, 2001, p 27.

Guerra, Carles. “Hitchcock Revisitat.” Avui, Barcelona. October 18, 2001.

Garcia, Josep Miquel. “Cinema/Art Contemporani.” Lectura. October 7, 2001, p 19.

“Art From the Broad Collections at Lacma. ” Venice Magazine. October 2001. p. 91. (photo

of “The Spectacle is Compelled…” 1967-1968.

“Hitchcock: Espanta Lleida.” Lectura. September 30, 2001, pp 15-17.

Solomon, Deborah. “From the Rubble, Ideas for Rebirth.” New York Times. September 30,

2001. AR37.

Fernandez, Victor. “La Fundacio La Caixa Revisa en Lleida la Obra de Alfred Hitchcock.”

La Razon, Barcelona. September 25, 2001.

“Una Exposicion Muestra el Laedo Artistico de Hitchcock.” Cordoba. September 22, 2001,

p 68.

“Una Exposicio Mostra la Influencia del Cinema d’Alfred Hitchcock en l’Art

Contemporani.” El Punt. September 22, 2001, p 38.

“L'imaginari Filmic de Hitchcock Penetra en L’obra de Tretze Artistes.” El Temps, La Galeria.

September 18, 2001, p 106.

Strick, Jeremy. Museum of Contemporary Art Quarterly. Sept – Nov. 2001. p. 2 (Photo of “Still

Life” for Digital Gallery project at digitalgallery@moca.org.)

Ollman, Leah. “Use Your Faculties: John Baldessari quietly urges

‘Read/Write/Think/Dream’,” Los Angeles Times, July 30, 2001. F1 (cover of calendar section,

photo), F6

Sonna, Birgit. “Wahr ist, was man nicht sieht: Die Galerie Spruth/Magers zeigt Werke des

amerikanischen Konzeptkunstlers John Baldessari,” Suddeutsche Zeitung, Munchner Kultur,

July 26, 2001.

Lehtonen, Steve. “New Art to Be Introduced.” The UCSD Guardian. July 16, 2001. Volume

103, Issue 7. p. 8 (Photo of installation “Read/Write/Think/Dream.”)

61

Omlin, Sibeylle. John Baldessari Und Die Dritte Zone. MAI 36 Gallerie. July 13, 2001. P.?

(Photo of John.)

?. Konzeptkunstler Baldessari. Der Finger im Mund des Mannes ohne Augen. Schweizer

Illustierte Nr. 25. July 18, 2001. (Review of Galerie Mai 36, Zurich and Photo of The Overlap

Series: Two Palm Trees, 2001.)

Newhall, Edith. Pixels of the Week. www.newyorkmetro.com. P. 65 & 66. (Write up on Digital

Printmaking Now at the Brooklyn Museum of Art Aug. – Sept.2).

Pincus, Robert. Doors of Perception, San Diego Tribune. Arts Section F4. Sunday August 5,

2001. (Color photo of Installation “Read/ Write/ Think/ Dream.” & John and Review.)

Ollman, Leah. Use Your Faculties. Los Angeles Times. Front page of Calendar section.

Monday, July 30, 2001. F6. (Photo of “Read / Write/Think/Dream.” & John.)

Alner, Jorg. “Sahne in der Torte.” Druck + Format. p. 7 (Review of exhibition at Museum fur

Moderne Kunst.) Summer 2001

Danicke, Sandra. “Kalaschnikow im Teppich, Porno im Daumen kino.” (Review of exhibition

at Museum fur Moderne Kunst.) Summer 2001.

Danicke, Sandra von. “Traume von Hosen und Haaren.” (Review of exhibition at Museum

fur Moderne Kunst.) Summer 2001.

Huther, Christian. “Jede Menge Rastel.” Mam-Echo, Aschaffenburg. Summer 2001. p. 7

(Review of exhibition at Museum fur Moderne Kunst.)

Reischke, Martin. “Gute Wol e stobt Schweib ab.” Review of exhibition at Museum fur

Moderne Kunst. Frankfurt, Germany. Summer 2001.

Rosenburg, Torge Lars. “Investmentbanker, kauft Kunst!” Dreden Banker. Frankfurt,

Germany. Summer 2001. p. 7 (Review of exhibition at Museum fur Moderne Kunst.)

McMullan, Patrick, “Sprung!” Interview Magazine. May 2001. P. 136. (Photo of Agnes Gund

with John Baldessari at Gursky opening.)

Zoom. Milano, May 9, 2001. p. 117. (Photo of “Necessary Facts” from Tetrad Series, 1999.)

Wallach, Amei. “Reassessing and Era When Excess Was the Norm.” New York Times. Sunday,

April 29, 2001.

Melten, Birgitta von. “Junge Provokation, reifer Intel ekt.” Wiesladenes Tagelblatt. March 4,

2001. (Photo of Installation “Change of Scene” at Museum fur Moderne Kunst.)

Turchetto, Francesca. Review. Tema Celeste (Milan, Italy), March-April, 2001, p. 106.

Oliveras, Jaumie Vidal. “Hitchcock: lo Bello y lo Siniestro.” El Cultural (Suplement Cultral de

El Mundo). March 10, 2001. On Notorious: Alfred Hitchcock and Contemporary Art, Lleida,

Spain, Sept 11 – November 2001.

62

Di Germano Celant. “Il Trionfo Del Banale”. L’Espresso. February 2001. p. 123.

Hierholzer, Michael. “Das Zittern des Eros zwischen den Wortern.” Museum fur Moderne

Kunst. (Photo of Necessary Facts.) Jan. 4, 2001.

2000 Antin, David. “Huit Histoires pour John Baldessari,” Contrat Maint, December 18, 2000.

French pamphlet translation of “Eight stories for John Baldessari, as published in John

Baldessari: National City, 1996.

1999 Tietenberg, Annette. “Hauptsache, die Chemie stimmt: Was einem in der amerikanischen

Kleinstadt so alles vor Augen steht: Der Fotograf John Baldessari in Hannover,” Feuilleton,

December 10, 1999, Nr. 288, seite 47.

Kimmelman, Michael. “Art Club,” The New York Times Magazine, New York, NY. October 24,

1999, p.82-83.

Richard, Frances. “ John Baldessari, “ Artforum, April 1999, p. 121

Shamash, Diane. “Circa 1968,” Art Monthly, no. 229 (September 1999), p.31.

Solomon, Deborah. “How to Succeed in Art,” New York Times Magazine, June 27, p.38-41.

(photo)

Melchart, Erwin. “ Albertina/Akademiehof: Goya & Baldessari,” Erscheinungsort: Wien

(Vienna, Austria), February 18.

Krumpl, Doris. “ Desaster aus der Steckdos,” Der Standard (Austria) February 19, p. 13.

Wesmann, H. “Dreimal in der Albertina: Das Gestern und das Heute,” Neues Volksblatt

(Austria), February 24.

Sotriffer, Kristian. “ ‘Ich habe es gesehen’: Neue Antworten auf alte Bilder des Krieges,” Die

Presse (Vienna, Austria), March 1.

Marboe, Isabella. “Drei Paar Augen sehen,” Kirchen Zeitung (Austria) February 28.

Smith, Roberta. “Conceptual Art: Over, and Yet Everywhere,” The New York Times, Arts &

Leisure section, April 25. (cover photo)

1998 Ruckkehr. “ John Baldessari Neue Austellung in der alten Heimat,” News, Sept 10.

Hofleitner, Von Johanna. “ Ausgestellt in Wien: Charim Klocker,” Die Presse, Sept 12.

Mittringer, Markus. “Mythen, Sorgen und Desaster,” Der Standard, October 16.

Klausnitzer, Isabella. “Trend-Kunstler,” Freizeit, September 26, 1998.

Johnson, Ken. “John Baldessari: The Commissioned Paintings,” The New York Times,

December 11, p. B37.

Raftl, Ro. “Baldessari & Co.: Westcoast meets Vienna,” Kurier, September 12, p. 15.

Schjeldahl, Peter. “Wonderful Cynicism: John Baldessari,” Village Voice. February 4, p.10.

63

Cho, Minjee. “Create and Destroy,” ARTnews, summer 1998, p.36.

Vidal, Jaume. “ Gary Hill, pinoero de la viderrcreasion, muestra en el Macba su obra junto

a la se Shamberg y Baldessari,” El Pais, July 15,1998.

Spiegel, Olga. “Baldessari ultima una instalacion de gran formato en el MACBA,” La

Vanguardia, July 11, p.33.

Frisach, Montse.“ Sales d’estar I laberints poetics al Macba,” AVUI (Barcelona magazine),

July 15, 1998, p.37.

Marie-Claire Uberquoi. “Dos Manipuladores de la imagen, John Baldessari y Gary Hill,

exponen en BCN,” El Mundo (Spain), July 15, 1998.

Fontova, Rosario. “Un paradis per a teleadictes, El Macba exposa les visions de tres artistes

nord-americans,” El Periodico, July 15, 1998.

_______. “L’Agenda D’Avui Installacions al Macba,” El Periodico, July 15, 1998.

Molina, Angela. “Gary Hill y Baldessari convierten el Macba en un Esoacui

Domestico,” ABC, July 15, 1998, p. 36.

Baker, Kenneth. “20 years of Art in Berkeley,” San Francisco Chronicle, March 12.

Hettig, Frank-Alexander, “Een lamp, een neus, popcorn en een oor,”Het Parool,

(Rotterdam, Holland), January 22, 1998.

_________. “Kijkkamers,” de Volkskrant, Holland, January 22, 1998.

_________.”Tapeten, Lampen, Blumentopfe: ein Projekt von John Baldessari,” Grenzpost am

Zurichsee, (Zurich, Switzerland), January 30, 1998.

_________. “Museum fur Gegenwartskunst Zurich” Teletext Schweiz 2. January 1,1998.

_________. Review. Zurichsee-Zeitung, Der Sihltaler, February 2, 1998.

Maurer, Simon. “Ohr auf Pink,” Tages Anziger, February 7, 1998.

Stefani, Guido. “Tapetenkunst,” Brukenbauer, February 10, 1998.

___________. Review. Das Magazin, February 14, 1998.

___________. “Pizza und Popcorn,” Bolero, February 18, 1998.

Herzog, Samuel. “Museum fur Gegenwartskunst Zurich: John Baldessari,” Basler Zeitung,

February 19, 1998.

_________.”John Baldessari in Zurich,” Cash, February 20, 1998.

_________. “Mit Ink-Jet auf Leinwand,”Schweizer Illustrierte, (Zurich), February 23, 1998.

Kurjakovic, Daniel. “Tauschende Einfachheit von Ohr und Brezel-John Baldessari in Zurich,”

Neue Zurcher Zeitung (Zurich), February 28, 1998.

64

Engler, Martin. “Ringsherum wutet der triviale Rapport”, Frankfurter Allegemine (Germany),

March 10, 1998.

_________. Review. Kunst-Bul etin, (Germany), Nr.3, March 1998.

_________. “Zwei eigenwillige Wegbereiter der Installationskunst,” Lengenthaler Tagblatt,

(Germany), February 19,1998.

_________.” Ohren und Brezel,” Linth Zeitung, February 13, 1998.

__________. “Baldessari und Barriere,” Neue Urner Zeitung, Neue Schwyzer Zeitung, Neue

Zuger Zeitung, Neue Luzerner Zeitung, February 2, 1998.

__________. “ Zwei Installationen,” Appenzeller Tagblatt, Ostchweizer Tagblatt, Wiler Zeitung-

Volkfreund, Bodensee Tagblatt, St. Galler Tagblatt, Der Rheintaler, February 5, 1998.

__________. “ Raun-Einsichten Installationen von Baldessari und Barriere” Tagblatt der Stadt

Zurich (Switzerland), February 3, 1998.

__________. “ Unstallationen con Baldessari und Barriere,” Zurcher Oberlander, Anzeiger von

Uster, January 1, 1998.

__________. “Vertreter der Instalionskunst,” Thurgauer Volksfreund, Volkszeitung, Thrgauer

Tagblatt, Bishofszeller Nachrichten, February 2, 1998.

_______. “Kunst im Raun-Raun als Kunstobjekt,” Beundner Tagblatt, January 1, 1998.

Kroon, Hans. “ Shamberg verdient crossover-prijs,” Trouw (Holland), February 7, 1998.

Schwartz, Ineke. “Bobte Colage van preken en Keleurentrips,” de Volkskrant, Hol and,

February 3, 1998.

Tilroe, Anna. “Lachjes van Verontschuldiging,” NRC Handelsbald, Netherlands, January 30,

1998.

1997 ________. “Dagll States con Simpatia,” Il Gattino, Italy, June 7, 1997.

Vincenzo Trione, “Barbie e’le vie dell’allegoria,” Il Gattino, Italy, July 2, 1997.

Battarra, Enzo. “Mostre estive: il gioco delle arti,” Il Gattino, Italy, 1997.

McKenna, Kristine. "Turning Grey to Black and White," Los Angeles Times Calendar, April

20,pp. 54-55.

_______. "Kunstmatkt," Frankfurter Allemeine Zeitung, (Frankfurt) July 19: Nr. 165/ Seite 35.

_________."Tips und Termine," Kolner Stadt Hunzeiger, (Köln, Germany), July 4, Nr. 154/ Seite

5.

Knight, Christopher. "An Enlightened Twist on Tradition," Los Angeles Times, April 30, pp. F1,

F5. (photo)

65

Princenthal, Nancy. "John Baldessari," On Paper The journal of Prints, Drawings, and

Photography, May-June 1997, p.38.

Lindgard, Jade. "John Baldessari," Les Inrockuptibles (Paris), April 30 – May 6, p.19 and insert.

_________."John Baldessari le Manipulateur," Le Monde (Paris), April 15, p.22.

Hüllenkremer, Marie. "Die Vergangenheit muß man zerstören," Kölner Stadt-Anzeiger (Köln,

Germany), June 10.

1996 Flor, Harald. "Kalifornisk, Fortelling," Lørdag, February 17, p.5

Eckhoff, Audun. "The Story Between the Images," Treskel, Threshold, no. 16, February, pp. 35-

43. (cover image, works by the artist and biography)

Lund, Jørgen, "The Reality of Montage," Treskel, Threshold no 16, February, pp. 60-71.

(cover image, works by the artist and biography)

Albertini, Rosanna. "John Baldessari: I Colori della Discordanzaq," Flash Art Italia, December

1995/January 1996, pp. 57-60.

Pincus, Robert L. " Mr. Baldessari's Neighborhood," The San Diego Union-Tribune, March 21,

1996.

Strickland, Carol. "California Artist Knocks Art off Its Pedestal," The Christian Science Monitor,

May 1, 1996, p. 14.

Delia, Theresa. "Painter Finds Art in Photos and Text," The Star News. April 20-21,

1996, p. A6.

1995 Meixner, Chrisjane. "Die Panik angesichts eines aufgerisseinen Wolfmauls," Kolner

Stadtanzeiger, Mittwoch, November 1, 1995.

Pincus, Robert L."In a Word, Revolutionary," The San Diego Union-Tribune. October 22, 1995.

Ilene, Susanne. "Schwarze droht zu verschlingen, " Frankfurter Allgemeine Zeitung, no. 245,

October 21, 1995.

McKenna, Kristine. "It's Art, Because They Say It's Art," Los Angeles Times Calendar, October

8, 1995, pp. 6-7, 60.

Relyea. "John Baldessari, Margo Leavin Gallery," Artforum, October, 1995,

p. 107.

Kachelrieb, Andrea. "Nie Mehr langweilige Kunst!" Nachtrich, Stuttgart,

Germany,September 21, 1995.

Hullenkremer, Marie. "Guten Mutes trotz Gegenwinds," Kolner Stadt-Anzeiger, No.

215,

September 15, 1995, p. 33.

Pagel, David. "John Baldessari," Art Issues, September/October, 1995.

_______."This Not That," This Is London, August 25, 1995.

66

Clark, Robert. "This One's on the House," The Guardian, August 22, 1995.

Kent, Sarah. "Altered Images," Time Out, August 9-16, 1995.

Searle, Adrian. "Never mind the quality," The Independent, August 8, 1995.

Hall, James. "The Great Leveller," The Guardian, July 18, 1995.

Durden, Mark. "John Baldessari: Art from the Ashes," Crane's UK, July 1995.

Feaver, William. "Art Burning the Back Catalogue." The Observer, July 16, 1995.

Billen, Andrew. "Reorder the Universe," The Observer, July 9, 1995.

Rifkin, Adrian. "How Do You Feel You Have Survived the Post-Modern?" Versus, no. 4, 1995,

pp. 22-24.

Anson, Libby. "John Baldessari: Cornerhouse Gallery, Manchester," Untitled, summer, 1995.

Durden, Mark. "John Baldessari: Art from the Ashes," Creative Camera (England), June/July

1995.

Gillick, Liam. "I Will Not Make Any More Boring Art," Art Monthly, June 1995. Pp. 3-4, 7.

Mitchell, Rob. "John Baldessari: This Not That," Exhibitions, June 6-12, 1995.

Mitchell, Rob "John Baldessari: This Not That," Big Issue (England), June 6-12, 1995.

______."John Baldessari: This Not That," Area News (England), May 19-June 1, 1995.

Vincent, Martin. "The Immaculate Conception," City Life (Manchester, England), May 25,

1995.

."Over the Tops for a Look at an Award-Winner's Work," Huddersfield Examiner, May

19, 1995.

Dorment, Richard. The Daily Telegraph (Manchester, England), May 17, 1995.

Butler, Mike. "John Baldessari: Cornerhouse," Evening News (Manchester, England), May 9,

1995

________."Danger! Artist at Work," Evening News newspaper (Manchester, England), April

4, 1995.

Knight, Christopher. "A Mysterious Place Between Paintings and Photographs," Los Angeles

Times, Review, May 10, 1995, p. F1.

_______."John Baldessari 'Books and Ephemera' 1971-1995,"The New York Times, April 7, 1995.

Steger, Pat. "At Collectors Series, The Word Is Pride," The San Francisco Chronicle, April 7,

1995.

67

Schiche, Ericka. "Abstract Divorce," Public News, February 22, 1995.

Chadwick, Susan. " Three Exhibits on Abstract Painting Worth a Visit," Houston

Post, February 2, 1995.

James, Eric. "Blaffer Gallery Goes Abstract with Latest Exhibition," The Daily Cougar,

February 1, 1995.

Johnson, Patricia C. "Pushing Past Purity," Houston Chronicle, January 30, 1995.

Shaw, Britain. "Blaffer Exhibit Puts Abstraction in Modern Light," The Houston Chronicle,

January 28, 1995.

Chadwick, Susan. "Abstracts on Abstraction," The Houston Post, January 27,1995.

1994 ______."John Baldessari: Sonnabend," ARTnews, December, pp. 136-37.

_______."John Baldessari at Sonnabend," Art in America, December, pp. 93 – 94.

Bos, Rolf. Van Gelder, Harry. "Breda Fotografica 19 juli t/m 11 september," FOTO,

July/August, pp. 39-49.

Rodland, Torbjorn. “Baldessari Forklart for Barn,” Hyperfoto, Number 1, 1994, pp 28-29.

Nilsson, John Peter. “Sa Dumt, Men Sa Vackert – John Baldessari’s fototexter och texter pa

duk mellan 1967-68,” Hyperfoto, Number 1, 1994, pp 29-31.

Pontzen, Rutger and Bart Nienhuis. "De moralistische fotocollages van John Baldessari,”

VRIJ Nederland, July 30, pp. 53-54.

."’Breda Fotografica’ toont het ‘Californisch élan,’" Zondag, July 17, p. 3.

Straus, Cees. “Baldessari beeldt de wereld ironisch,” Trouw, July 15, p. 19.

Rooseboom, Hans. "Het gaat niet om schoonheid," De Stem, July 11, p. A-7.

Rooseboom, Hans. "De breuklijn van Los Angeles," De Stem, June 28.

. “MoMA Bits,” The New Yorker, May 2, p.25.

Schjeldahl, Peter. "Dear Barbarian," The Village Voice, April 12, p.84.

Kimmelman, Michael. "For Baldessari, de Chirico Is Just One of the Guys," The New York

Times, April 10.

Wallach, Amei. "Baldessari Opts to Play With Details," Newsday

Knight, Christopher. "A Suggestion of Cultural Edginess," Los Angeles Times, Review,

March 10, 1994, pp. F1, F11.

Jones, Welton. "Tiny Southwestern Had Huge Impact on '60's San Diego," The San Diego

Union-Tribune, February 20, pp. E-1, E-9.

Thomas, Margaret. "Defining Photography Isn't Easy," Juneau Empire, February 3, p. 9.

68

1993 Anzeiger, Tages. ”Zuri-Tip” Nr.26, (Zurich, Switzerland). June 25, 1993.

Plagens, Peter. “Making Book the Hard Way,” Newsweek, March 29, p. 64, illustration.

Frohman, Mark. “No More Boring Art,” Public News, January 13, p. 8, illustration.

Johnson, Patricia C. “More Than the Sum of its Parts,” Houston Chronicle, January 13,

section 3D, illustration.

1992 Chadwick, Susan. “Photographic Collages Offer Viewer Visual Workout," The Houston Post,

Thursday December 24, pp. D-1, D-7, illustration.

Curtis, Cathy. “When Seeing Meant Disbelieving,” Los Angeles Times / Calendar, Sunday,

October 25, 1992. Pp 5, 78.

Saltz, Jerry. "John Baldessari-The Curious Discovery of A+I(Ov.)=8, or the Smile of Reason,"

Forum International, September/October 1992, pp.68-79.

Valkonen, Markku. "Kohti runon tarkkaa kieltä," Helsingin Sanomat: Kulttuuri, September 5,

1992. p. B7.

Goldberg, Vicki. "Seven Thousand Pictures are Better than One," NY Times, Sunday, August

23,1992.

Pagel, David. "Baldessari Reinvents Himself," LA Times, Thursday, May 28, p. F4, illustration.

Wilson, William. "Devil on the Stairs’ Looks Back at the Ersatz ‘80s," LA Times, Friday, April 17,

section F pp.18-19, illustration.

Hakim, Mona. "Règle d’art," Voir, Sunday, Jan 9, 1992.

1991 Lehmann, Henry. "Baldessari: Out to Change the Art World," The Gazette, Saturday,

November 16, 1991.

Dumont, Jean. "John Baldessari, garder la Blessure Ouverte," Le Devoir, Saturday,

November 23, 1991.

Lepage, Jocelyne. "John Baldessari, juex d’images et juex de mots peints," La Presse,

Saturday, November 30, 1991.

Dumont, Jean. “Baldessari, entre le réel et l’imaginare,” Le Devoir, December 31, 1991.

Ruttan, Jack. “Onion Layers, Baldessari’s Art Works at Changing Perceptions,” Montreal

Mirror, Sunday, November 14, 1991.

Morin, Manon. “John Baldessari au Musee d’art contemporain l’expert en sinister,”

Montreal Campus, Sunday, December 14, 1991.

Wal ace, Keith. “Fast Forward,” Canadian Art, autumn.

Envisions. “John Baldessari,” Azure, Dec/Jan, 1991.

69

Avgikos, Jan. “Cerebral Showers,” Artscribe, November/December, 1991, p.91, illustration.

_________.“Multiples,” Artscribe November/December, 1991, p.126, illustration.

_________. “Ahora se leen articulos sobre arte en las Paginas de finanzas,” La

Cultura/Espectaculos, November 23, 1991, p. 26, illustration.

_________. Review. The New Yorker, August 5, 1991, p.9.

Kramer, Hilton. “Conceptual What,” Art & Antiques, October, pp.83-84.

Richard B. Woodward. “Just Who Begat Whom?” The Christian Science Monitor,

July, 1991, pp. 58-62, illustration.

Sozanski, Edward J. “In Front Lines for Conceptual Art: John Baldessari at the Whitney,” The

Philadelphia Inquirer, Sunday, July 21, 1991.

Wallach, Amei. “Baldessari, Master of Meaning,” Fanfare, Sunday, August 4, pp. 13-14,

illustration.

_______.“L.A.’s Seven most Sacred Cows; John Baldessari: Duchamp in Sandals,” Buzz

Magazine, November-December 1991, p. 56.

Blake, Robert. “The Truth of Fiction, ”Photography Center Quarterly, #47 pp. 4-9, illustration.

________.“John Baldessari,” Current Biography, pp. 6-10, v. 52, no. 6, June, 1991.

Smith, Roberta. “A California Conceptualist Prods the Viewer,” The New York Times, The

Living Arts Section, Friday, July 19, pp. C1, C22, illustration.

Larson, Kay. “Breaking the Code,” New York, August 12, 1991, pp. 72-3, illustration.

Ammann, René. “Standfestes Schwemmgut aus Hollywood,” SonntagsZeitung, May 12,

1991, p. 25, illustration.

Beck, Kurt. Luzerner Neueste Nachrichten, June 12, 1991.

Wirtschaftmagazin CASH, May 5, 1991.

Barnes, Molly. “The Painted Text: John Baldessari,” Venice Magazine, v.3 no. 1 (May), pp.

60-62.

Kunstbul etin no. 6 1991, p. 38.

Hurley, Ann. “De-Personna The Figure Detached,” The Oakland Museum, spring 1991, pp.

7-12, illustration, p. 11 Newsman/Harpsichordist, 1988.

Siegel, Jeanne. Tema Celeste, January/February 1991, p.83, illustration.

Schjeldahl, Peter. “Past Perfect,” The Village Voice, January 16, 1991.

1990 ________."The List 1980-1989," L.A. Weekly, January 5-11, p.18.

70

Lassell, Michael. "Studio Visits," Mirabella, February, pp.48-50, illustration.

Knight, Christopher. "Sharp Pencils,” Elle, March, pp. 208, 210, illustration.

Drohojowska, Hunter. "Deconstructive Criticism," Harper's Bazaar, March, p. 46, illustration.

Latempa, Susan. “John Baldessari’s Art of Surprise,” L.A. Style, March, pp. 30-32, illustration.

Wilson, Wil iam. "The Making of a Minimalist," Los Angeles Times, calendar section, March 26,

pp. F1, F12.

Glueck, Grace. "From Nobody to Somebody: John Baldessari, Artist of Ideas," The New York

Times, The Living Arts section, April 4, pp. B1, B4.

Knight, Christopher, "The Resurrection of John Baldessari," Los Angeles Times, Calendar,

Sunday, March 18, pp. 5,89.

Frank, Rose. "The Dot That Ate Modem Art", California, April, pp.56-144.

Wise, Kel y, “Responses to Nature,” Boston Globe, May/June, 1990.

Plagens, Peter. "Subverting Art With Art: The Prankish Wit and Wisdom of John Baldessari,"

Newsweek, April 23, p.70, illustration.

Rugoff, Ralph. "The Joker," L.A. Weekly, April 27 - May 3, p. 39.

Lummis, Suzanne. "Baldessari's Different Kind of Conceptual," Downtown News, April 30,

p.24.

Wei, Lilly and Cecile N. McCann. "Making Art, Making Money," Art in America,

interview, July, pp. 133,134.

Pagel, David. "John Baldessari," Arts Magazine, September, p. 83.

1989 ________. "John Baldessari," Artcoast: Contemporary Art West and East, Vol. 1, no.2,

May/June, pp. 34,35.

Clothier, Peter. "John Baldessari: Talking Pictures,” Angeles (Los Angeles), July 1989, pp. 32–

35.

Costa, J. M. "John Baldessari: 'La iron1a es necesaria para describir la complejidad de la

vida,’ " ABC (Madrid), January 11, 1989.

Donohoe, Victoria. "Art that Focuses on Photographs,” The Philadelphia Inquirer, February

11, 1989.

Frizot, Michel. "John Baldessari,” Beaux–Arts Review (Paris), no. 67 (April 1989), p. 107.

Gardner, Colin. "A Systematic Bewildering,” Artforum (New York) 28, no. 4 (Dec 1989), pp.

106–112.

_______."Goya y las nuevas tendencias art1sticas, referencias de la exposicion del

californiano John Baldessari," Ya (Madrid), January 11, 1989.

71

Gracia, Fernando. "'Me impresiona la gran profusion de enanos y de brujas en el arte

espacol', dice John Baldessari," Diario 16 (Madrid), January 12, 1989.

Grundberg, Andy. "Further Developments in the California State of Mind,” The New York

Times, July 23, 1989.

Lambrecht, Luk. Review. Flash Art (Milan), no. 145 (March/April 1989), pp. 126–127.

Miller, John. "The Deepest Cut: John Baldessari," Artscribe International (London), no. 75

(May 1989), pp. 52–56.

Muchnic, Suzanne. "Remaking Make–Believe in California," Los Angeles Times, July 21, 1989.

. "Multiples & Objects & Books." The Print Collector's Newsletter (New York) 19, no. 6

(January–February 1989), pp. 230.

Perez, Luis Francisco. "John Baldessari," Contemporanea (New York) 2, no. 3 (May 1989),

pp. 90.

Real, Olga. "John Baldessari: Oto nivel de percepcion,” Levante (Valencia, Spain), May 19,

1989.

Salvioni, Daniela. "Letter from France,” Arts Magazine (New York) 63, no. 10 (Summer 1989),

pp. 105–106.

Serraller, Francisco Calvo. "Reconstruir la mirada: John Baldessari frente a Goya," El Pais

(Madrid), January 7, 1989.

Serraller, Francisco Calvo. "Un planteamiento original y excitante," El Pais (Madrid),

January 12, 1989.

Spector, Buzz. "Folio," Artforum (New York) 27, no. 9 (May 1989), pp. 13.

Squiers, Carol. "California Conceptualism," Elle (New York) 4, no. 11 (Summer 1989), pp. 30.

Temin, Christine. "Two Artists Explore Pop Culture, Society and the Nature of Art," Boston

Globe, November 9, 1989.

Torres, Rosana. "John Baldessari: 'El arte es cuestion de fe, si no, todo seria irrelevante,'" El

Pais (Madrid), January 12, 1989.

Trenas, Miguel. "John Baldessari, la foto como pincel,” La Vanguardia (Madrid), January

12, 1989.

Woodward, Richard B. "Novel Ideas," ARTnews (New York) 88, no. 4 (Apr 1989), pp. 127.

1988 Archer, Michael. "'Staffa Project'; Immants Tillers; John Baldessari," Art Monthly (London),

no. 117 (June 1988), pp. 24–25.

Breslauer, Jan. "Collage Industry," L.A. Weekly (Los Angeles), May 6, 1988.

Curtis, Cathy. Review, Los Angeles Times, November 25, 1988.

72

Caley, Shaun. Review. Flash Art (Milan), no. 139 (March/April 1988), p. 109.

Crogan, Jim. "Another Art Attack,” L.A. Weekly (Los Angeles), June 24, 1988.

Fisher, Jennifer and Beth Seaton. "Waterworks," Parachute (Montreal), no. 52

(September/October/November 1988), pp. 57–61.

Gourmelon, Mo. "Dynamiser un espace: Entretien avec John Baldessari," Artefactum

(Antwerp, Belgium) 5, no. 23 (April/May 1988), pp. 16-19.

Knight, Christopher. "A Prophet Without Honor in California,” Los Angeles Herald Examiner,

April 10, 1988.

"Making Art." Life (New York) 11, no. 10 (Fall 1988), pp. 62–68.

Miller, John. Review. Artforum (New York) 26, no. 7 (Mar 1988), pp. 135.

Roberts, John. Review. Artscribe International (London), no. 71 (September/October1988),

p. 75.

Siegel, Jeanne. "John Baldessari: Recalling Ideas," Arts Magazine, April pp. 86-89, illustration.

Selwyn, Marc. "John Baldessari: "I think I'm well enough attuned to culture to know what will

trigger people's minds," FlashArt, p.62.

Tuchman, Laura J. "Baldessari's Multilayered Images Mirror Today's Multilayered World,"

Orange County Register (Santa Ana, California), July 20, 1988.

Wilson, Wil iam. Review. Los Angeles Times, April 15, 1988.

1987 Aletti, Vince. Review. Village Voice (New York), November 24, 1987.

Artner, Alan G. "Artist's Fresh Look Revitalizes Familiar Scenes," Chicago Tribune, May 4,

1987.

Barden, Frederick. "Poetics of Space: the Politics of Contemporary Photography," Artspace

Magazine, spring.

B., H. "L'Effet divers Baldessari," Lyon Liberation (Lyon, France), no. 203 (May 2–3, 1987), pp.

31–32.

Dagbert, Anne. Review. Art Press (Paris), no. 116 (July/August 87), pp. 72-73.

Dean, Paul. “Picture Worth a Thousand Wrong Ideas,” Los Angeles Times, View: Weekend,

Saturday, January 17, 1987 / View V.

Dobbels, Daniel. "On Trouve Tout au CNAN,” Lyon Liberation (Lyon, France), May 27, 1987.

Dragone, Angelo. "Sotto le antiche travi minsteri di parole e segni," La Stampa Torino Sette

(Turin, Italy), July 3, 1987.

73

Drohojowska, Hunter. "The Artist's Who Matter: L.A.'s New Scene Makes History,” Antiques &

Fine Art 4, no. 4 (May/June 1987), pp. 48-55.

Selwyn, Marc. "John Baldessari," Flash Art, summer, pp.62-64.

Shapiro, David. "John Baldessari: Le Dervnier des Symbolistes," Galeries Magazine (Paris),

no. 19 (June/July 1987), pp. 70-73.

Smith, Roberta. Review. The New York Times, November 27, 1987.

Stein, Donna. "An Avant-Garde in the Past Tense," Artweek, June 6, p. 1, illustration.

1986 ______."Spaces Between (One Risky), "Yellow (With On-Lookers)," Bomb Magazine, summer,

pp. 32,33, illustration.

Drohojowska, Hunter. "No More Boring Art,” ARTnews (New York) 85, no. 1 (January 1986),

pp. 62-69.

Gardner, Colin. Review. Artforum (New York) 25, no. 4 (December 1986), pp. 122-123.

Haus, Mary Ellen. Review. ARTnews (New York) 85, no. 7 (September 1986), pp. 115.

Honnef, Klaus. "Die Welt als Entwurf: Baldessari," Kunstforum International (Mainz, West

Germany), no. 84 (June/July/August 1986), pp. 118-119.

Isenberg, Barbara. "John Baldessari: The Artist As Conduit," Los Angeles Times Calendar,

December 21, 1986. (Also published in Mexico City News [Mexico City], December 28,

1986, as "Artist Baldessari Consumes the Written Word.")

Knight, Christopher. "Debut LACE Exhibition Explores Television as a Canvas for Our Times,”

Los Angles Herald Examiner, March 2, 1986.

Knight, Christopher. "Unveiling the State of L.A.'s Art,” Los Angeles Herald Examiner,

September 21, 1986.

Knight, Christopher. "Exhibit of Work by Raul Guerrero Borders on Being Retrospective,” Los

Angeles Herald Examiner, October 5, 1986.

LaPalma, Marina. "Beware the Grids," Artweek, March 29, 1986.

Lewallen, Constance. "New Photographic Works by John Baldessari," University Art Museum

Calendar (University Art Museum, University of California at Berkeley) 8, no. 10 (April 1986),

pp. 3.

Lichtenstein, Therese. Review. Flash Art (Milan), no. 129 (Summer 1986), pp. 68.

Lufkin, Liz. "Through the Aperture: Witty and Punk," San Francisco Chronicle, April 27, 1986.

McGuigan, Cathleen, and Janet Huck. "Picasso in LaLa Land," Newsweek, November 24,

pp.86-88.

Muchnic, Suzanne. Review. Los Angeles Times, October 10, 1986.

74

________."Prints & Photographs Published,” Print Collector's Newsletter (New York) 17, no. 5

(November/December 1986), pp. 181.

Relyea, Lane. "Pick of the Week," L.A. Weekly (Los Angeles), September 26, 1986.

Riddle, Mason. "Post No Bills," Stroll, Vol. 2 No. 1, winter, pp. 20,21.

Russell, John. Review. The New York Times, April 18, 1986.

Rychlik, Otmar. "Zwischen Photographien: John Baldessari in der Galerie Pakesch," Die

Presse (Vienna), December 10, 1986.

Tamblyn, Christine. "Ambiguities and Associations,” Artweek (Oakland, California) 17, no.

17 (May 3, 1986), pp. 15-16.

Welish, Marjorie. Review. Artscribe International (London), no. 59

(September/October 1986), pp. 75-76.

1985 Honnef, Klaus. "Nouvelle Biennale de Paris," Kunstforum (Mainz, West Germany), no. 2

(May/June 1985), pp. 216-232.

1984 Drohojowska, Hunter. "I Will Not Make Any More Boring Art,” L.A. Weekly (Los Angeles), July

13, 1984, Pp. 18 – 19.

Drohojowska, Hunter. "Pick of the Week," L.A. Weekly (Los Angeles), September 21, 1984.

Fisher, Jean. Review. Artforum (New York) 23, no. 3 (Nov 1984), pp. 99-100.

Gardner, Colin. "Signs in Search of a Subject," Reader (Los Angeles), October 5, 1984.

Geyrhofer, Friedrich. "Kreuzwort-Rtsel der Sinne,” Wiener (Vienna, Austria), no. 6 (June

1984), pp. 126–127.

Hoffmann, Donald. "'Intimate' Introduction to the Work of Some Area Artists," Kansas City

Star (Kansas City, Missouri), April 15, 1984.

Hugo, Joan. "Parables and Parodies," Artweek (Oakland, California) 15, no. 33 (October 6,

1984), p. 11.

________."John Baldessari: Maudites Allegories!" Art Press (Paris), no. 87 (Dec 1984), p. 9.

Kraft, Barbara. "Art Is What Artists Do," Articles (California Institute of the Arts, Valencia,

California) l, no. 2 (December/January 1984/1985), pp. 8-9.

Knight, Christopher. "Playful, Profound Baldessari,” Los Angeles Herald Examiner, October

10, 1984.

Lichtenstein, Therese. Review. Arts Magazine (New York) 58, no. 10 (June 1984), p. 44.

Pincus, Robert L. Review. Los Angeles Times, September 21, 1984.

Prodhon, Françoise–Claire. Review. Flash Art [French edition] (Milan), no. 6 (Winter

1984/1985), pp. 55.

75

Simon, Richard. "Parking Lot Gives way to a Sculpture Garden," Sacramento Union

(Sacramento, California), June 19, 1984.

Zelevansky, Lynn. Review. ARTnews (New York) 83, no. 9 (Nov 1984), pp. 174

1983 Dellabough, Robin. "High/low/roll,” CalArts Today (California Institute of the

Arts,

Valencia, California) 8, no. 4 (Mar 1983), pp. 1, 6-7.

English, Christopher. New Art Examiner, March 1983.

Knight, Christopher. "The Winner in the Olympics Poster Sweepstakes." Los Angeles Herald

Examiner, January 12, 1983.

Larsen, Kay. New York Magazine, April 1983.

Moser, Charlotte. "Ellen Lanyon Fuses Nature Images and Fantasy," Chicago Sun-Times,

June 12, 1983.

Pincus-Witten, Robert L. Los Angeles Times, July 15, 1983.

"Prints & Photographs Published," Print Collector's Newsletter (New York) 13, no. 6

(January/February 1983), pp. 216.

Smith, Roberta. "The Whitney Biennial, Taking Sonsensus," Village Voice, April 26, 1983.

1982 Crossley, Mimi. "'John Baldessari,'“ Houston Post (Houston), March 28, 1982.

Johnson, Patricia C. "Works of John Baldessari Challenge What Art Is Through Wit And

Humor,” Houston Chronicle (Houston), March 13, 1982.

Knaff, Deborah L. "Modern Art that Means Something in the Context of Art,” Rice Thresher

(Rice University, Houston), March 12, 1982.

Muchnic, Suzanne. "Mind Games Over Matter," Los Angeles Times, June 9, 1982.

Owens, Craig. "Bayreuth '82," Art in America (New York) 70, no. 8 (September 1982), pp.

132–139.

Vance, Lynn. "John Baldessari: Artist as Artist,” Dialogue: The Ohio Arts Journal (Columbus,

Ohio) 4, no. 3 (January/February 1982), pp. 34-39.

Zutter, Jorg. "Neur Subjektivismus in Malerei, Skulptur und Fotografie," Kunstforum (Mainz,

West Germany), no. 2 (February/March 1982), pp. 180–184.

1981 Bannon, Anthony. "Baldessari Is Maverick Conceptualist," Buffalo Evening News (Buffalo,

New York), April 7, 1981.

Bannon, Anthony. "Baldessari and a New Book: The Art of Language," Buffalo Evening

News (Buffalo, New York), May 2, 1981.

Casademont, Joan. Review. Artforum (New York) 19, no. 5 (January 1981), pp. 73-74.

76

Cavaliere, Barbara. Review. Arts Magazine (New York) 55, no. 5 (January 1981), pp. 35.

Groot, Paul. "Kunst van Baldessari grenst aan banaliteit," NRC Handelsblad (Rotterdam, the

Netherlands), July 12, 1981.

Heynen, Pieter. "Fotowerk Baldessari rijk aan associaties," De Volkskrant (Amsterdam), June

17, 1981.

Huntington, Richard. "Baldessari Asks Embarrassing Question: What Is Art?" Buffalo Courier

Express (Buffalo, New York), April 12, 1981.

Knight, Christopher. "Baldessari Artful 'Pointlessness' on View in New York Retrospective."

Los Angeles Herald Examiner, April 1, 1981.

Larson, Kay. "Minds and Hearts," New York Magazine, April 27, 1981, p. 72.

Levin, Kim. "Get the Big Picture?" Village Voice (New York), April 22, 1981.

Morgan, Robert C. "Conceptual Art and Photographic Installations: The Recent Outlook,"

Afterimage (Rochester, New York) 9, no. 5 (Dec 1981), pp. 8-11.

Owens, Craig. "Telling Stories," Art in America (New York) 69, no. 5 (May 1981), pp. 129-135,

cover.

Peters, Philip "Bekijk't maar," De Tijd (Amsterdam), June 12, 1981.

Perreault, John. "Storyville," Soho Weekly News (New York), Apr 15, 1981.

Peters, Philip. "Baldessari's Visuele Satire," Kunstbeeld (Amsterdam) 5, no. 8 (May 1981), pp.

11.

Pohlen, Annelie. "Spiele mit der Kunstwirklichkeit: Arbeiten von John Baldessari im

Folkwang–Museum Essen," SGddeutsche Zeitung (Munich), September 18, 1981.

1980 Cavaliere, Barbara. "John Baldessari, Sonnabend," Arts Magazine, January, p.35.

McMullen, Daniel. "Interview: John Baldessari," Artists News (Canada), October-November,

pp. 6-10.

Lifson, Ben. "Well Hung," Village Voice (New York), November 5, 1980.

Porling, Clark. "John Baldessari," Atlanta Art Papers (Atlanta) 4, no. 3 (May/June 1980), pp.

18.

Talley, Dan R. Review. Atlanta Art Papers (Atlanta) 4, no. 4 (July/August 1980), pp. 9-10.

1979 Foster, Hal. "John Baldessari's 'Blasted Allegories,'“ Artforum (New York) 18, no 2 (October

1979), pp. 52-55.

Pohlen, Annelie. Review. Kunstforum (Mainz, West Germany), no. 5 (1979), pp. 200-201.

Stimson, Paul. Review. Art in America (New York) 67, no. 2 (March/April 1979), pp. 155-156.

77

Sterritt, David. "Independent Films -- State of the Art: A Sampling," The Christian Science

Monitor, April 26, 1979, p. 23.

Artner, Alan G. "Collector Steals the new show at MCA," Chicago Tribune, March 18, 1979.

Morgan, Robert C. "Fables, Grids, and Swimming Pools: Phototexts in Perspective," Southern

Art Magazine, September-October, pp. 39-40.

Stimson, Paul. "John Baldessari at Sonnabend," Art in America, March-April, p. 155.

1978 Anderson, Alexandra. "John Baldessari," Village Voice (New York), October 16, 1978.

Baker, Kenneth. "Making Light of Heavy Art: 'Wit and Wisdom' at the ICA," The Boston

Phoenix, January 10, 1978.

Bell, Jane. Review. ARTnews (New York) 77, no. 9 (Nov 1978), pp. 184.

Carroll, Noel. "Obsession," Soho Weekly News (New York), January 5, 1978.

Failing, Patricia. "John Baldessari: Taking Visual Notes," Sunday Oregonian Northwest

Magazine (Portland, Oregon), February 5, 1978.

Garrett, Robert. "Offspring of 'Dada' Duchamp Misbehave Esthetically in Current ICA

Exhibit." Boston Herald, January 15, 1978.

Larsen, Susan C. "Los Angeles: Inside Jobs," ARTnews (New York) 77, no. 1 (January 1978),

pp. 110.

McDarrah, Fred. "Voice Choices: Photo," Village Voice (New York), October 16, 1978.

Montague, Kyra. "Color Photo Exhibit May be Too Ambitious," The Boston Ledger, January

13, 1978.

Schmidt, Dan. "Ambivalent Images Make A Strong Show," Sunday Oregonian Northwest

Magazine (Portland, Oregon), February 5, 1978.

Rubenfein, Leo. "Through Western Eyes," Art in America, September-October, pp.75-83.

Sutinen, Paul. "Baldessari Cleaver, Weak and Uneven," Williamette Week (Portland,

Oregon), February 7, 1978.

Taylor, Robert. "Cerialism--Spread the Word," Boston Globe, January 8, 1978.

Thomas, Kevin. "Two by Baldessari at the Vanguard," Los Angeles Times, March 28, 1978.

1977 Battock, Gregory. “Why Art?” Dutton (New York), illustration.

Goldin, Amy. "Narrative Art,” Art News Annual XXXVI, illustration.

Chrissmas, Dwight. "Reviews: Two Cherries and a Lemon," The Dumb Ox (Northridge,

California) 1, no. 3 (winter 1977), pp. 20-22.

78

Forgey, Benjamin. "The Whitney Biennial," ARTnews (New York) 76, no. 4 (April 1977), pp.

120-121.

Frank, Peter. Review. ARTnews (New York) 76, no. 8 (October 1977), pp. 136.

Kingsley, April. "Pictures and Picture Books," Soho Weekly News (New York), Apr 7, 1977.

List, Sandra. "Johnson Photo Exhibit Reveals Much About Artists," Ithaca Journal (New York),

December 17, 1977.

Art Rite #14, winter, 1976-77.

Glueck, Grace. "When Is A Book Not A Book?" The New York Times, March 18, 1977.

"Multiples & Objects & Artists' Books," Print Collector's Newsletter (New York) 8, no. 3

(July/August 1977), pp. 80.

Perrone, Jeff. Review. Artforum (New York) 16, no. 1 (September 1977), pp. 81.

Perrone, Jeff. “’Words’: When Art Takes A Rest,” Artforum (New York), summer, 1977, pp. 34-

37.

Weinbren, Grahame. "John Baldessari on 'Work.'" Artweek (Oakland, California) 8, no. 39

(November 1977), p. 1.

Wiegand, Ingrid. "Biennial Sleepers and Early Classics," Soho Weekly News (New York),

March 17, 1977.

Zimmer, William. "Newstand Images," Soho Weekly News, April 21, 1977.

Thornton, Gene. "New Color Photography is a Blurry Form of Art," The New York Times, July

10, 1977.

Kuspit, Donald. "Art Criticism: Where's the Depth?" Artforum, September, pp.38-41,

illustration.

Tatransky, Valentin. Arts Magazine, "Group Show: Sonnabend", Oct., p.32.

1976 Auping, Michael. "Recent Work by John Baldessari," Artweek (Oakland, California) 7, no. 36

(October 23, 1976), p. 1.

Burke, Janine. Review. Melbourne Times (Melbourne, Australia), June 9, 1976.

Foote, Nancy. Review. Artforum (New York) 14, no. 5 (January 1976), pp. 63-65.

Gilchrist, Maureen. "A Californian Shows Some Amusing Work," Age (Melbourne, Australia),

June 2, 1976.

Knott, Laurie. "Artist has a Talent 'to See,'" The Sunday Times (Perth, Australia), August 1,

1976.

Mason, Murray. Review. The Western Australian (Perth, Australia), July 31, 1976.

79

O'Connor, John. "TV: Video at Whitney," The New York Times, June 3, 1976.

Robinson, Walter and Edit deAk. "Thematic Anthology," Art–Rite (New York), no. 14 (winter

1976/77), pp. 16-31.

Art International, January/February, 1976.

Transit, Kunst Informatie Centrum (Middelburg, Holland), illustration.

Burke, Janine. "John Baldessari," The Melbourne Times, June 9, 1976, p. 5.

Foots, Nancy. "John Baldessari,” Artforum, January, pp.37-45, illustration.

Jacobs, Diane. "Where's Winsor," Soho Weekly News, February 12, 1976.

Kent, Tom. "Commissioned Video Works," Artweek, March 20, 1976.

Wortz, Melinda. "Special Prints Section: New Editions," ARTnews (New York) 75, no. 7

(September 1976), pp. 68.

1975 Bourdon, David. "What Develops When Painters Pick Up Cameras," Village Voice

(New York), October 20, 1975.

Bourdon, David. The Village Voice, "Baldessari at Sonnabend," October 15, 1975.

Bourdon, David. The Village Voice, "Not Good Ain't Necessarily Bad," December 19, 1975,

illustration.

Collins, Tara. "John Baldessari," Arts Magazine (New York) 50, no. 4 (December 1975), pp. 6.

Van Garrel, Betty. "Een Onderzoek in Kijken," Hollands Diep (Amsterdam), December 6,

1975.

Von Graevenitz, Antje. "Akkorde aus Aktion und Reaktion: John Baldessari im Amsterdamer

Stedelijk-Museum," SGddeutsche Zeitung (Munich), December 27–28, 1975.

Kozloff, Max. "Pygmalion Reversed," Artforum (New York) 14, no. 3 (November 1975), pp. 30-

37.

"Prints & Photographs Published," Print Collector's Newsletter (New York) 6, no. 5

(November/December 1975), p. 135.

Alliata, Vicky. "West Coast: Nella Terra del Duemila Si Chiama Venezia la Citta Dell-Arte,"

Bolaffiearte, June/July, 1975.

Calvesi, Maurizio. "Address by Maurizio Calvesi," Art Dimension, summer, illustration.

The Print Collector's Newsletter, November-December, p. 135.

Power, Mark. "Sequential Photography," The Washington Post, March 15, 1975, Section B,

pp. 9-10.

80

Goldin, Amy. "The Post-Perceptual Portrait," Art in America, January-February, pp. 79-82.

Kutner, Janet. "The Visceral Aesthetic of a New Decade's Art," Arts Magazine, December,

pp.100-103.

Micha, Rene. "Paris," Art International, January-February, 1975, p. 65.

Forgey, Benjamin. "Wit and Talent in Sequence,” The Washington Star, March 7, 1975,

Section B, p. 2.

Wel ing, Jim. Book review. Artweek (Oakland, California) 6, no. 9 (March 1, 1975), pp. 13-

14.

Wortz, Melinda. "Going to a Restaurant and Eating the Menu," ARTnews, October, p.76.

1974 Antin, David. "Television: Video's Frightful Parent," Artforum, summer, pp. 36-45.

Brett, Guy. "The Changing Face of Chinese Art," The Times (London), May 21, 1974.

Brooks, Rosetta. Review. Studio International (London) 187, no. 967 (June 1974), pp. 13- 14.

Cameron, Eric. "NSCAD Prints," Studio International, December pp. 245-248.

Collins, James. Review. Artforum (New York) 13, no. 1 (September 1974), pp. 75-78.

Denegri, J. "Tretman fotografije u konceptualnom radu Johna Baldessarija," Spot

(Yugoslavia), no. 4 (1974), p. 48.

Gwinn, Carol. "Television Is an Art Form to Guest Artist Baldessari," The University Daily

Kansan (University of Kansas, Lawrence, Kansas), January 29, 1974.

Jochimsen, Margarethe. "Story Art: Text-Foto-Synthesen," Magazin Kunst (West Berlin) 14, no.

4 (1974), p. 43-73.

Martin, Henry. "Milan: Spring," Art International, summer, pp. 33, 60.

del Renzio, Toni. Review. Art and Artists (London) 9, no. 5, no. 101 (August 1974), p. 39.

Wilson, Wil iam. "Yes, They Cal This Art," Los Angeles Times, March 23, 1974.

1973 Collins, James. Review. Artforum (New York) 12, no. 1 (September 1973), pp. 83-87.

Collins, James. "Pointing, Hybrids and Romanticism: John Baldessari," Artforum (New York)

12, no. 2 (October 1973), cover, pp. 53-58.

Deurle, Galerie MTL, Brussels, November 7.

Davis, Douglas. "Art Without Limits," Newsweek, December 24, pp. 68-73.

Townsend, Charlotte. "The Messanine," Arts Canada, spring, illus.

Kahmen, Voker. Art History of Photography, Viking Press, New York, illus.

81

Frank, Peter. Review. ARTnews (New York) 72, no. 6 (summer 1973), p. 96.

Plagens, Peter. Review. Artforum (New York) 11, no. 6 (February 1973), pp. 89-91.

Pincus-Witten, Robert. "Theater of the Conceptual: Artobiography and Myth," Artforum,

October, pp. 40-46.

Le Grice, Malcolm. "London: Vision," Studio International, July-August, pp.38-39.

Wilson, Wil iam. Review. Los Angeles Times, November 2, 1973.

Winer, Helene. "Scenarios/Documents/Images I," Art in America (New York) 61, no. 2

(March/April 1973), pp. 42-47.

Winer, Helene. "Art News," Los Angeles Times Calendar, April 29, 1973.

1972 Butler, Susan L. "Art Circles" Houston Chronicle (Houston, Texas), Sept 17, 1972.

Townsend, Charles. Artscanada," 'Mezzanine': Nova Scotia College of Art and Design",

Spring, pp.78-81.

Lippard, Lucy. Six Years, illus.

Interfunktionen 5, illus.

Interfunktionen 8, illus.

Interfunktionen 10, illus.

Kostelanetz, Richard. Something Else Press,” Breakthroughs in Fiction”.

Assembling III, New York.

Data, Milan, Italy.

Price, Jonathan. Video Visions - A Medium Discovers Itself, Plume Books, New American

Library, N.Y.

Tisdale, Caroline. The Guardian, (London), "Baldessari", 15 Apr, illus.

Pindell, Howardena. Arts Magazine, "California Prints", pp. 32-33.

Glueck, Grace. , The New York Times, "Art: A Decade of 'California Prints'"6 May, p.45.

Frankenstein, Alfred. , San Francisco Chronicle, "Surveys on the beginning of Film" 12 Oct.

Artitudes, No. 8-9, July-Aug, Sept., Paris; illus.

"Flashback zu Kassel", Flash Art, Sept./Oct. Milan, Italy; illus. pp.16-19.

Freed, Eleanor. "The Contemporary Arts Quintet." Houston Post (Houston, Texas), Sept 17,

Tisdall, Caroline.” Arts Guardian: John Baldessari" The Guardian (London), Apr 15, 1972.

1971 Baker, Elizabeth C. "Los Angeles, 1971." ARTnews (New York) 70, no. 5 (Sept 1971): 27-39.

Frankenstein, Alfred. "Pier 18 Conceptual Project of Artists." San Francisco Examiner &

Chronicle, July 4, 1971.

82

Genauer, Emily. "Art and the Artist." New York Post, Jan 2, 1971.

Glueck, Grace. New York Times, "Surprise Catch from Pier 18", Sunday, 25 July, illus.

Meehan, Thomas. "'Non-Art,' 'Anti-Art,' 'Non-Art Art' and 'Anti-Art Art' Are Useless. If

Someone Says His Work Is Art, It's Art." Horizon (New York) 13, no. 4 (Autumn 1971): 5-15.

Restany, Pierre. "Notes de Voyage: Houston–-New York." Domus (Milan), no. 498 (May

1971): 45-50.

Internunktionen, illus.

Jappe, George, Studio International, "Projection: The New Trend at Prospect '71", Dec. il us.

Wilson, Peter. Toronto Star, "Show Dominated by Trend Setters", Oct.

Townsend, Charlotte. Studio International, "Printmaking at Halifax, Nova Scotia" Dec. illus.,

pp.263-264.

Der Spiegel, "Prospekt '71", 16 Oct., illus.

Winer, Helene. Studio International, "How Los Angeles looks today", Oct. illus., pp.126-131.

Sampson, Anthony. Der Spiegel, "Seht mich an, das genugt", 18 Oct. pp.178-180.

Westecker, Dieter. Dusseldorfer Machrichten, "Es Flimmert Ohne Pavse - Kunstler Aeigen

Projektionen Bei Prospect 71 in Dusseldorf", 9 Oct.

Jappe, George. Frankfurter Allegmeine, "Die Neve Aufmerksamkeit, Prospekt 71 Projection

in der Kunsthalle Dusseldorf", Oct. 12.

1970 Acconci, Vito. “Review”. ARTnews (New York) 69, no. 3 (May 1970): 27.

Baker, Naomi. "Cremated Art by Baldessari to Form Exhibit." Evening Tribune, San Diego,

California, Sept 8, 1970.

Forman, Nessa. "It's All on the Record But What Does it Add?" The Sunday Bulletin,

Philadelphia, Oct 25, 1970.

Goldsmith, Barbara. "Where Is The Art?" Harper's Bazaar, New York, no. 3102, May 1970:

144-147.

Goldin, Amy and Kushner, Robert. Art News, "Conceptual Art as Opera", Apr, pp.40-43.

Hess, Thomas B. "Editorial: Burning Issues." ARTnews, New York, 69, no. 4, Summer 1970: 27.

Hotaling, Ed. "Los Angeles." ARTnews, New York, 69, no. 1, Mar 1970: 24.

O'Connor, John J. "The Gallery: Gerbils and Wheelchairs." Wall Street Journal (New York),

Nov. 4, 1970.

Perreault, John. "The Action". Village Voice, New York, Mar 26, 1970.

83

Perreault, John. "Information." Village Voice, New York, July 16, 1970.

Plagens, Peter. Review. Artforum 8, no. 9 (May 1970): 82–83.

Sharp, Willoughby. "Outsiders: Baldessari, Jackson, O'Shea, Ruppersberg." Arts Magazine,

New York, 44, no. 8, Summer 1970: 42-43.

Strelow, Hans. "Der Computer oder das falsche Denken: 'Software' und Konzepte in einer

New Yorker Ausstellung." Frankfurter Allegemeine Zeitung (Frankfurt, West Germany), Oct 5,

1970.

Vinklers, Bitite. "Art and Information: 'Software' at the Jewish Museum." Arts Magazine (New

York) 45, no. 1 (Sept/Oct 1970): 46–49.

Young, Joseph E. Review. Studio International (London) 14, no. 6 (Summer 1970): 110-111.

1969 Pomeroy, Ralph. "New York: Moving Out." Art and Artists (London) 3, no. 10 (Jan 1969): 55.

Rose, Barbara. Artforum, "Problems of Criticism, VI: The Politics of Art, Part III", May, pp.46-51.

Kosuth, Joseph. Studio International, "Art and Philosophy, Part 2", Nov.

Plagens, Peter. Artforum, "557, 087: Seattle", Nov. pp.64-69.

1968 Last, Martin Review. ARTnews (New York) 67, no. 8 (Dec 1968): 14, 17.

Livingston, Jane. Review. Artforum (New York) 7, no. 4 (Dec 1968): 66.

Perreault, John. Review. Village Voice (New York), Nov 7, 1968.

Wilson, William. Review. Los Angeles Times, Oct 11, 1968.

1966 Hagberg, Marilyn. "Neglected, Under-rated, Intellectual Baldessari." San Diego Magazine

(San Diego, California) 18, no. 3 (Jan 1966): 66-68.

Hagberg, Marilyn. Review. Artforum (Los Angeles) 4, no. 9 (May 1966): 18.

Kietzmann, Armin. "Baldessari: Knowledge is Fragmentary." San Diego Union (San Diego,

California), Apr 10, 1966.

1964 Kietzmann, Armin. "Pop Gets Snap, Crackle." San Diego Union (San Diego, California), Mar

1, 1964.

Kietzmann, Armin. "At Library: An Intimate Pop." San Diego Union (San Diego, California),

July 19, 1964.

1963 Reuschel, John Review. Artforum (San Francisco) 2, no. 3 (Sept 1963): 17.

1962 Kietzmann, Armin. "Signs of Controversy: Baldessari Comes to Defense of X Exhibits." San

Diego Union (San Diego, California), July 22, 1962.

84

1957 Langsner, Jules. "Art News From Los Angeles." ARTnews (New York) 56, no. 2 (Apr 1957):

20.

Other Publications Including John

[back to table of contents]

2006 Nicolau, Ricardo, Fotografia na Arte: De Ferramenta a Paradigma, Colecção de Arte

Contemporãnea Publico Serralves, Volume 06, published by Sociedade Portuguesade

Autores, Oporto, Portugal , 2006, Pp. 62 - 64

Cantz, Hatje, Cameron Jamie, Published on the occasion of the exhibition “Jo” by

Cameron Jamie, Kunstlerhaus Graz, Graz Austria, October 10 – November 24, 2004, Neue

Galerie Graz, Graz, Austria, 2006, P. 23

Finkel, Jori, The Mall Crawl Goes Avant-Garde, The New York Times, April 9, 2006, P.4

Spiegler, Marc, The Art Market Can’t Crash, and Why it will Anyway, New York Magazine,

April 3, 2006, Pp.39 – 43, Illus. P. 43

Riding, Alan, Atypical Collectors With Art To Share, The New York Times, The Arts, February

21, 2006, P. 1 continued on P. 7, illus. P. 1

Green, Tyler, 5 Inspired Art Acquisitions of 2005, LA Weekly, January 6 – 12, 2006, Pp. 54

Princenthal, Nancy, Issues & Commentary Art Criticism, Bound to Fail, Art in America,

Brant Art publications Inc, New York, NY, January, 2006

Nugent, Bob, Imagery: Art for Wine, Edited by Natalie Hardcastle, Bryan Imelli, Foreword

by Donald Kuspit, Wine Appreciation Guild, San Francisco, CA., 2006, Pp. 16 - 17

2005 Kisman,

Max,

Word of Image: Metaphorical Thinking in Dutch Grachic Design, Nijhof & Lee

in association with Spinhex-Industries (second revised edition), Amsterdam, Netherlands

2005

Van Winkel, Camiel The Regime of Visibility, Nai Publishers, Rotterdam, Holland, 2005,

P. 115, P. 151

Spiegler, Marc, Why Experience Pays Off, The Art Newspaper, Art Basel Daily Edition,

Wednesday December 7, 2005

Art RX Coloring Book, RX Art, New York, NY, 2005,

Kraus, Chris, Jan Tumlir, Jane McFadden, LA Artland, Edited by OrianaFox, Catherine Grant,

Black Dog Publishing, London, UK. 2005, Pp. 98 - 99

Yuan, Jada, Party Lines, Why Weren’t you in Miami for Art Basel?, New York, New York, NY,

December 19, 2006, P. 20

85

At Forty, Still the Youngest of Them All” Art on Paper, New York, NY, November – December

2005, Illus. P14

Eli Broad Art Foundation, Santa Monica, CA, 2005, Illus P. 7

Klingsöhr-Leroy, Cathrin, The Pinakothek der Moderne: Painting, Sculpture, Photography,

Video, Scala Publishers Ltd. London, and Verlag C.H. Beck oHG, Munich, 2005, illus.

Frontispiece, Pp. 114 – 115

Harvey, Doug, John Baldessari, LA Weekly, October 28 – November 3, 2005, P. 20

Kinney,

Tulsa,

Art for Artists’ Sake: Collectors named Baldessari, Pittman, et al., LA Weekly,

October 28 – November 3, 2005, P. 64

John Baldesssari - Notes Moi-meme pour des oeuvres pas encore creees, Offshore #9,

October, November, December, 2005, Pp. 2-4

Martin, Lesley A. Editor, Reflex: A Vik Muniz Primer, Aperature Foundation, New York, NY,

2005, illus. Pg. 23

The Arts to the Rescue during these Troubled Times, David Patrick Columbia’s New York

Social Diary, Party Pictures, October, 14, 2005, www.newyorksocialdiary.com

Lifetime Achievement Award: John Baldessari, published on the occasion of the 2005

Americans for the Arts Awards ceremony, Tuesday, October 11, 2005, P. 5

Brougher, Kerry and Elliot, David, Hiroshi Sugimoto, Mori Art Museum, Tokyo September 17,

2006 – January 9, 2006, Hirshhorn Museum and Sculpture Garden, Washington D.C.

February 16 – May 14, 2006, Published by the Hirshhorn Museum and Sculpture Garden,

Smithsonian Instution, Washington D.C., and the Mori Art Museum, Tokyo, in association with

Hatje cantz verlag. 2005, Illus. P. 24

Kedward-Sanchez, Jessica, The return of the Avant Garde, First Draft, The Newsletter of the

Getty Research Institute, Fall 2005, no.4, illus. Pp. 7

Scrabble; Vídeo, Lenguaje y Abstracción, Liceus: El portal de las Humanidades, September

22, 2005, available online at www.liceus.com

Siete Artistas Reflexionan desde el Vídeo Sobre el Lenguaje, Masdearte – Exposiciones,

September 22, 2005, Available online at www.masdearte.com/noticia

El CAAM acoge ‘Scabble’ una muestra de videoarte sobre los juegos de mesa, La

Gaceta, Spain, September 22, 2005, P. 21

Santa Ana, Mariano de, El Centro Atlantico de Arte Moderno explora la interacción entre

video y escritura en ‘Scrabble’, Espectaculos, Cultura, Spain, September 22, 2005

P. 30

Siete artistas reflexionan desde el video sobre el lenguaje, Masdearte, Exposiciones, Spain,

September 21, 2005. Available online at www.masdearte.com

El CAAM presenta ‘Scrabble: vídeo, lenguaje y abstracción, Canarias 7, Cultura, Spain,

September 21, 2005. Available online at: www.canarias7.es

86

Alemany, Luis, Baldessari, la Pintura que Grita Palabras, El Mundo, Cultura, Tuesday,

September 20, 2005, P. 54

Jarque, Fiette, John Baldessari: No Siempre Sabemos Interpretar lo que hay detras de una

expression del rosto, El Pais, Saturday, September 17, 2005, P. 17

Serraller, Calvo F., Ciegos de Tanto Mirar, El Pais, Saturday, September 17, 2005, P. 18

Marin-Medina, Jose, Baldessari: Palabras Pintadas, El Cultural, El Mundo, Spain September

15-21, 2005, illus. Pp. 26 - 27

Griffin, Tim, Method Acting: The Artist-Interviewer Conversation, Art Journal, New York, NY

Fall 2005, Illus P. 74

Baddrell, James, Playing a Part in Art, The Pulse, South London Press, Friday, August 26, 2005,

P. 12

Bright, Betty, No Longer : Book Art in America 1960 – 1980, Granary Books New York, NY,

2005, Pg. 209, 213, illus. 214.

Fenz, Werner, OffSite Graz, Kunst im Offentlichen Raum, With text by Kulterer, Birgit, and

Martischnig, Eva, Leykam Graz, 2005 Pg. 174, illus. Pg. 168

Haddrell, James, Open Systems: Tate Modern, IC South London, August 9, 2005. Available

online at icsouthlondon.co.uk

F., D. Albiano, Omaggio A Baldessari <Il Tirolese>, Lavis e Rotaliana, August 7, 2005, Pg. 23

Cattani, Denise, Il Grande Artista enl Paese del Padre, John Baldessari <I Love Albiano>,

24ORE, Cultura & Societa, August 7, 2005, Pg. 7

Valcanover, Giovanna, Un Tributo al Benefattore <Americano>, Lavis Rotaliana, Trentino,

August 7, 2005, Pg. 24

Degasperi, Fiorenzo, John Baldessari, Torna il figlio dell’ emigrante, Trentino, August 6, 2005,

P. 50

Rossi, Mariella, Baldessari torna alle origini Il grande artista Americano per due giorni ad

Albiano, Corriere Del Trentino, Cultura & Tempo Libero, August 5, 2005, Pg. 9

Zoppello, Gigi Trona a casa, John Baldessari, l’Adige, August 4, 2005, P. 10

Dezeuze, Anna, OpenSystems: Rethinking Art c1970, Art Monthly, July – August 2005,

Pp. 33 - 34

Goodman, Allegra, Long-Distance Client, The New Yorker, July 11-18, 2005, New York, NY,

illus. pg. 82. Detail: Man Running/Men Carrying Box,1990

Kühn Malvezzi, 11 Projects, Aedes West, May 12 – June 16, 2005, Landesmuseum Berlinische

Galerie, May 12 – July 3, 2005, exhbition and catalogue by Kühn Malvezzi and Roland Züger,

published by Kristin Feireiss, Hans-Jügen Commerell, and Aedes Berlin, Galleria Gió Marconi

features John Baldessari, Blockage(Blue): With Three Persons (One With Tie (Orange)), 2005

87

Pagel, David, The Color of his Passion, Los Angeles Times, May 15, 2005, pp.E36-E37.

Haithman, Diane “A Golden State for Art Buyers,” Los Angeles Times, Los Angeles, CA.

Calendar Section: Arts Notes, July 10, 2005

Treffen der Generation, VIA Tirportjournal, July 2005, Pp 62 – 63.

Pollack, Barbara, “Just Like Courbet’s. Except For a Few Tiny Details” The New Yrok Times,

Sunday, June 5, 2005, P. AB.

Trembley, Nicolas, Oxygene, Numero, No. 63, May 2005, P. 31

John Baldessari, Life’s Balance. Werk 84-04, Vernissage, May 2005, Pp 8 – 11.

World Topic 1, John Baldessari, Wolgan Misool, Wolgan Misool Publications Incorporated,

Seoul, Korea, No. 244, May 2005, Pp. 102 - 107

Trembley, Nicolas, “Oxygène,” L’Œuvre du Mois, Numéro, May 2005, number 63, p.31.

Borchhardt-Birbaumer, Brigitte, MUMOK: John-Baldessari-Retrospektive Brandopfer der

heiligen Kuh Malerei, Observer, Wiener Zeitung.

Contaminazoini, tra arte e media. A Graz l’opera di John Baldessari, Arte, May 2005,

Fotografia, P. 34

Vuk, Vili, Vrata so meja z resnicnostjo, Vecer, may 2005

Restorff, Jorg, Wien, MUMOK, John Baldessari – A Different Kind of Order. Kunst Zer Tung,

May 2005.

Halm, Florian John Baldessari – Not any more boring art, Observer, may 2005,

Eikon, Profil Pp. 57 – 58.

Grzonka, Patricia John Baldessari Im Museum Moderner Kunst Stiftung Ludwig und im

Kunsthaus, Kunst – Bulletin, May, 2005, P. 58

16. MAI. Die Presse, Schornfenetu may, 2005

Breeertte, Genevieve, John Baldessari, le saltimbanque de l’art conceptuel, a vienne. Le

Monole, may, 2005

I Perche di John, Flash Art Italia, April / May 2005

Scheyerer, Nicole, Ich mag keinen Bullshit, Falter Verlag, No. 10, 2005, Kultur, Pp. 60 - 61

Herbolzheimer, R., Schnitzeljagd im Grazer Kunsthaus, Leibnitz Aktuell No. IV, 2005, kultur,

P. 53.

La Grange, Ashley, Basic Critical Theory for Photographers, Focal Press, Burlington, MA,

2005. Pp. 193, 198, 217.

88

John Baldessari: Life’s Balance, Die Dinge, die wir unter den Teppich kehren. Interview with

Ann Goldstein, and Christopher Williams, Kunst 21 April 2005. Pp. 6 – 13. Available online

at www.argus.ch

Loriga, Marco, Un ordine del tutto differente, Rodeo Magazine, No. 76, April, 2005, P. 23

Bonnet, Frédéric, “La Verite par L’Image,” Vogue, Paris, France, April 2005, p.76.

Chlan, Ilse, Eine andere Art Ordnung, Observer, April, 2005, Kulturtends, P. 21

Kunsthaus Graz, presented by A1, John Baldessaris Life’s Balance, Werke 84 – 04, Observer,

Handyworld, April, 2005.

Optische Unordnung, Wein und Graz prasentieren den Konzeptkunstler John Baldessari,

3sat.de, Artikel drucken, April 13, 2005 .

John Bladessari, Miradas y Conceptos, En la Coleccion Helga de Alvear, April 8 –

september 15, 2005, Museo Extremeño e Iberoamericano de Arte Contemporáneo, Illus. P.

15

Huemer, Christof, Idole, Johnny Cash, Phettberg und Nick Cave. Wanko, Peter Pakesch, ritz

Ostermeyer und John Baldessari. Vier Vorbildersprechen uber ihre Idole, Steirer Moust, April,

2005 P. 30 - 33

Kastner, Jens, Ich darf nicht langweilen, Witziger als die Kollegen: Der Konzeptkunstler John

Baldessari in Wien und Graz. Jungle World, www.jungle-world.com, No. 14 april, 2005.

Looking at Los Angeles, Edited by Marla Hamburg Kennedy, and Ben Stiller. Essay by David

L. Ulin Bellerophon Publications, Metropolis Books, New York, NY 2005. illus . 190, 191

Klingsöhr-Leroy, Cathrin, The Pinakothek der Moderne Munich: Painting, Sculpture,

Photography, Video, Scala Publishers Ltd, London, England and Verlag C.H. Beck oHG,

Munich, Germany, 2005, Pp. 114-115, illus. Frontispiece, 114-115.

Daniel, Noel ed., The Broken Screen, Conversations with Doug Aitken, Interview with John

Baldessari conducted May 2004, Santa Monica, California, published by D.A.P., New York,

New York, 2005.

Antin, David, I Never Knew What Time It Was, Regents of the University of California,

University of California Press, Berkeley and Los Angeles, California, University of California

Press, Ltd. London, England, 2005. Cover Illustration by John Baldessari, Door, 1990.

The Makeup is Wearing Off, Los Angeles Times, April 29, 2005, p.E25.

Schwanberg,

Johanna,

Keine langweilige Kunst mehr!, Die Furche, March 31, 2005

Erlebnis Museum, Kleine Zeitung, March 29, 2005

Gubisch, Elmar, Bruntes Freizeittreiben zu den Ostertagen, Chronik , Marz 25, 2005, P. 9

Austria / Vienna, Museum Moderner Kunststiftung Ludwig, International Herald Tribune, P.

11, Friday 25, march 2005.

89

Thei ss, Nora, Kunsthaus Graz / MUMOK: John Baldessari: A different Kind of Order,

Observer, Art Magazine, Marz 23, 2005.

John Baldessari, Lif’e Balance. Werke 84 – 04, Die Presse, March 12, 2005

Titz, Walter, Ich glaube nicht an das Einzelbild Kleine Zietung, Marz 4, 2005

MUMOK, John Baldessari, Euro 26 Magazine, Marz 2005

Nowak,

Rainer,

Lachen in der U-Bahn, Kunst, Comics, Zukunft, Die Presse, Marz 12, 2005.

Available online at Diepresse.com

Steiermark, Der Standard, March 11, 2005

Potpourri, Kleine Zeitung, March 11, 2005

Spiegler, Alkuth, Nie mehr langweilige Kunst, Art, March 11, 2005 P. 78.

Kult-Schau, Die Neue Graza, March 10, 2005

Belegung Elektronischer Medien HF, Observer, Marz 10, 2005. Available online at

www.observer.at

Kunst, Falter, March 9, 2005

John Baldessari, A Different Kind of Order, Like You, Marz 8, 2005. Available online at

www.likeyou.com

John Baldessari, Life’s Balance – Eine Monographische Ausstellung, Stadt Graz, March 8,

2005. Available online at www.Kunstservergraz.at

Kunsthaus Graz – John Baldessari, Radio SoundPortal, March 8, 2005. Available online at

www.979fm.at

John Baldessari, Der Standard, March 8, 2005

John Baldessaris Lebenswerke, Steiermark ORF Magazine, Mrach 8, 2005. Available online

at www.magazin.orf.at

Vexier-Bilder:John Baldessari, TV ORF, Marz 8, 2005. Available online at tv.orf.at.

Longari, Chiara, Press Release, Kunsthaus Graz am Lanesmuseu mJoanneum, UnDo.Net-

pressrelease, March 7, 2005, available online at www.undo.net

Belegung Elektronischer Medien TV, Observer, Marz 7, 2005. Available online at

www.observer.at

Formensprache, Observer, Marz 5, 2005. P. 33, Available online at www.observer.at Sims

Kultur

Baldessari in Wien und Graz, Observer, March 5, 2005. Available online at www.observer.at

Fruhwerk, Graza Woche, March 5, 2005

90

Wieder ein Ticket fur zwei Etagen, Observer, Die Steiresche, March 5, 2005

Bilder mit analytischer Scharfe & ironischem Witz, Wirtschafts Blatt, March 5, 2005. Available

online at www.observer.at

Optische Unordnung, Observer, March 4, 2005

Titz, Walter, Ich glaube nicht an das Einzelbild, Kleine Zietung, Marz 4, 2005.

Melchart, Erwin, Museum Moderner Kunst: John Baldessari, Der Kunst-Denker, Observer,

Kronen Zeitung, March 4, 2005

Spiegler, Almuth, Nie wieder fade Kunst, Die Presse, March 4, 2005

Supermarkt der Konzepte, Observer, Salzburger Nachrichten, March 4, 2005

Mittringer, Markus, Misstrauen gegenuber der Realitat, Der Standard, March 4, 2005

KunstlerInnen, John Baldessari, Kunstaspekte, Marz 3, 2005. Available online at

www.kunstaspekte.de

Cohen, David, When the Rule Ruled, The New York Sun, Arts & Letters, March 3, 2005, P. 15.

Belegung Elektronischer medien HF, Observer, Kurzzusammenfassung Radio-Fernsehen,

Marz 3, 2005

John Baldessari im Doppelpack, Deutsche Welle, March 3, 2005. Available online at

www.dw-world.de

Graz und Umgebung, Kleine Zeitung, March 3, 2005. Available online at

www.Kleinezeitung.at

Mracek, Wenzel, Manipulationen des Blicks – John Baldessari im Kunsthaus Graz, Korso,

Marz 3, 2005. Available online at www.korso.at

John Baldessari im Doppelpack, Schwabische Zietung Onine, March 3, 2005.

John Baldessari in Wien und Graz, Observer, Inforadio, March 3, 2005

Kunsthaus Graz zeigt John Baldessari Fruhwerk, Osterreich Journal, pdf-Magazin Ausgabe

30. March 3, 2005.

Im Grazer Kunsthaus: Baldessaris neue Werk, Kronen Zietung, March 2, 2005

1 – 15 March, Europe, www.Artupdate.com, March 2005.

Schwanberg, Johanna, “No more boring Art” Uber John Baldessari, Observer, Parnass,

March 2005, P. 159

Top event, John Baldessari, Wellness Magazin, Wien, March 2005

Kunsthaus Graz & Co, Kunstzeitung, Marz 2005, P. 8

91

Maximal Art, Neue Kunst in Graz, Marz 2005, P. 8 – 9

Museum Moderner Kunst Wien: John Baldessari, Observer, Geoh1t, Marz. P. 51,

Available online at www.observer.at

Belegung Elektronischer medien TV, Observer, Kurzzusammenfassung Radio-Fernsehen,

Februar 28, 2005

John Baldessariim MUMOK: Einladung zur Pressekonferenz am 3. Marz, Observer, APA OTS,

Februar 28, 2005

Exhibition Announcement, John Baldessari, Photography-now, Februar 28, 2005. Available

online at Photography-now.com

Grisseman, Stefan and Schedlmayer, Nina, Blob nicht langweilen!, Profil, Februar 28, 2005

Aktuell… AB 3. Marz, Die Presse, Schounfenster, Februar 25, 2005, P. 28

Jetzt Hingehen: John Baldessari, Der Standard, Febuar 23, 2005

John Baldessari: A Different Kind of Order, Observer, Osterreich Journal, Februar 2, 2005

Lehrer und Kunstler, Eurocity, Januay 2005.

John Baldessari, Photography Now, January 2005.

Leibe Freunde des artmagazin, Art Magazine, KunstNEWSletter, 2005.

Augen schmaus, Good life, 2005, P. 18.

Messner, Dr. Ferdinand, Irritierte Medienbilder, Regio Kunst, 2005. Available online at

www.regio-kunst.de

2004 Combalía, Victoria, La Poética De Lo Neutro, published by Random House Mondadori,

Barcelona, Spain, 2004. P. 105-106 illus. 106.

Wye, Deborah, Artists & Prints: Masterworks from The Museum of Modern Art, with texts by

Starr Figura, Judith Hecker, Raimond Livasgani, Harper Montgomery, Jennifer Roberts, Sarah

Suzuki, Wendy Weitman, and Deborah Wye, published by The Museum of Modern Art, New

York, New York, 2004. Pp. 188, 262 illus. 188.

Hybrids 1.0-3.5: Paintings by Paul Paiement, texts by Christopher Miles, Rebecca

Neiderlander and Tyler Stallings, published by Laguna Wilderness Press in association with

Laguna Art Museum, 2005, Pp. 7, 11, illus. 8, 11.

Editions Espace Croise, Mo Gourmelon: ecrits sur l’art contemporain, 1986-2004/selection,

John Baldessari: Dynamiser un espace, En aucune facon (Ni po esas), Espace Croise

Centre d’Art Contemporain, Grand Place, Roubaix, Pp. 109-117.

Douglas, Andrea N., The Museum: Conditions & Spaces, selections from the University of

Virginia Art Museum. p. 242-243

92

American Patrons of Tate, Annual Report 2004, Tate American Fund, New York, NY

Pp. 9, 10.

Wolf, Sylvia. Ed Ruscha and Photography. Pp 128, 197, illus 128.

Coleccion de Fotografia Contemporanea de Telefonica I.Fundacion Telefonica. Madrid,

Spain, 2004, pp 67 – 75, illus.

Kisman, Max, Double Dutch: the Word of Image, published on the occasion of the AIGA

symposium, “Spaced Out. Double Dutch: the Word of Image,” on July 20, 2004 in San

Francisco and July 21, 2004 in Los Angles. Pg. 1.

Jacobson, Karen, ed., International Biennial Cuenga Mungo Thompson, published on the

occasion of the exhibition Mungo Thompson, organized by Mary-Kay Lombino for the

Eighth International Biennial in Cuenga, Ecuador, April 12 – June 11, 2004 PP 70-7, illus.

Higgs, Matthew, Easy Field Guide to Mungo Thomson, printed for the Cultural Programs

Division, U.S. Department of State, with thanks to American Traveler Press and University Art

Museum CSULB, 2004, PP 12, 18, 19, 27, illus. 12, 25.

Deumens, Johan, Catalogue nr.25, Edition Jacob Samuel (1996-2004), Editions & Artists’

Books, 2004, pg. 2.

Monat Der Fotografie: Berlin November 2004, Programm, Ausstellungen & Veranstaltungen,

Pg. 11.

Cornceptual Popstraction, Works: Chris Grant, Antonio Adriano Puleo, Nathan Mabry, Amir

H. Fallah, Rob Thom, introduction by John Baldessari, book published in conjunction with

exhibition at cherrydelosreyes gallery and made possible, in part by cherrydelosreyes

gallery and Beautiful/Decay.

Twenty: The Broad Art Foundation (Established 1984), The Broad Foundation, Santa Monica,

California, pp. 6, 24 illus. 7.

2003 The Broad Art Foundation. John Baldessari. Art and Culture Network. (website) 7/22/03

http://www.artandculture.com/arts/artist?artistId=87

“Big Deals.” Time Out London. London, (Great Britain) No. 1730. October 15-22, 2003. Pp. 23

Debbaut, Jan and Monique Verhulst, ed. Van Abbemuseum: A Companion to Modern

and Contemporary Art. Van Abbemuseum, Einhoven, Germany, 2002. Mention: p 23, illus.

p 109. Also a booklet in German, “Het nieuwe van Abbemuseum,” with illus., p 22.

Invertir en Grabado: Buenas ofertas en la Temporada Otonal, Inversion, Inversiones

Alternativas, no. 480, October 17 – 23, 2003, Pp. 70 – 72, illus. P. 72.

Pozuelo, Abel H. John Baldessari, El Cultural, Arte Madrid, September 18 – 24, 2003

Castro Florez, Fernando, Seis Proppuestas para el Nuevo Milenio, ABC Madrid, No. 606,

September 6, 2003

Hill, Jonathan. Actions of Architecture. Routledge, London, 2003, pp 111-166, 119.

93

Art | 34| Basel | 18-23 | 6 | 2003. Prolitteris, Zurich, Switzerland, 2003.

2002 Osborne, Peter, ed. Conceptual Art. Phaidon Press Limited, London, England, 2002.

Unframed: Artists Respond to Aids (A chronicle of the art sales benefiting the AIDS

Community Research Initiative of American (ACRIA) 1993 – 2002). Presented by Sotheby’s

and Rush Philanthropic Arts Foundation. PowerHouse Books, New York, NY, 2002. Illus: p 65.

Latour, Bruno and Peter Weibel. Ed. Iconoclash: Beyond the Image Wars in Science,

Religion, and Art, ZKM Center for Art and Media, Karlsruhe, Germany, 2002. Illus: p 642. On

the occasion of the exhibition, Iconoclash: Beyond the Image Wars in Science, Religion,

and Art, May 4 – August 4, 2002.

Blazejewski, Susanne, Bild und Text – Photographie in autobiographischer Literatur:

Margueritte Duras’ “L’Amant” and Michael Ondaatje’s “Running in the Family”.

Konigshausen & Neumann, Wurzburg, Germany, 2002.

Gattinoni, Christian and Yannick Vigouroux, ed. La Photographie Contemporaine. Editions

Scala, Paris, France, 2002.

Texte zur Kunst: Raum. September 2002, 12. Jahrgang Heft 47. Pp 128-129, image of

benefit print and blurb.

American Visionaries: Selections from the Whitney Museum of American Art, introduction

by Maxwell L. Anderson. Illustrated, p. 40, with blurb. A 300+ page encyclopedia-book,

one page to each artist, alphabetically arranged.

Heller, Nancy G., Why a Painting is Like a Pizza. Princeton University Press, Princeton, New

Jersey, and Oxford, England, 2002. Illustration: p. 7.

2001 Westbrook, Adele, ed. A Creative Legacy: A History of The National Endowment for the

Arts, 1966-1995. Harry N. Abrams, Inc., Publishers, New York, 2001.

Heartney, Eleanor. Postmodernism. Cambridge University Press, Cambridge, and Tate

Gallery Publishing, London, United Kingdom, 2001.

2000 De Rijken, Victoria, Ostermark-Johansen, Lene, Thomas, Helen, Nose Book:Representations

of the Nose in Literature and the Arts, Middlesex University Press, London, UK, 2000, Illus P.

265

1999 Themes Out of School: Art & Education in Los Angeles. CAArt, Los Angeles, 1999.

1998 Lachmayer, Herbert and Louis, Elenora, Work & Culture: Büro. Inszenierungvon Arbeit, Ritter

Verlag Klagenfurt, Vienna, Austria, 1998

Catalogues (One Person)

[back to table of contents]

2005 John Baldessari: From Life, Carré d’art Musée d’art contemporain de Nimes, October

94

19, 2005 – January 8, 2006, with text by Marie De Brugerolle, Robert Storr, Philippe-Alain

Michaud, John C. Welchman, Lawrence Weiner, Douglas Gordan, John Miller, Christian

Boltansky, Gary Simmons and Liam Gillick, Published jointly with L’École National supérieure

des beaux-arts de Paris, 2005

John Baldessari: Life’s Balance, Work 1984 - 2004, October 19, 2005 – January 8, 2006, Edited

by Fournier, Jean-Paul, and Valade, Daniel J., Text by Peter Packesh, Adam Budak, Klaus

Hoffer, Hans Dieter Huber, Gertrud Koch, Anne Goldstein, and Christopher Williams,

Published Verlag der Buchhandlung, Walther König, Cologne, Germany, 2005

John Baldessari: A Different Kind of Order (Works 1962-1984), March 4 – July 3, 2005, edited

by Rainer Fuchs, Museum Moderner Kunst Stiftung Ludwig Wien, texts by Rainer Fuchs, Ann

Rorimer, Winfried Pauleit, and Marie de Brugerolle, Conversation between John Baldessari,

Tracey Bashkoff, and Matt Mullican, 2005

2004 John Baldessari: Somewhere Between Almost Right and Not Quite (With Orange),

Deutsche Guggenheim, October 30, 2004 – January 16, 2005, Organized by Tracey

Bashkoff, Catalogue by The Solomon R. Guggenheim Foundation, New York, 2004. Texts by

Tracy Bashkoff, Russell Ferguson, John Hanhardt and Frederic Tuten, 2004.

2003 Drift. Texts by Delfim Sardo. Centro Cultural de Belem, Lisbon, Portugal, 2003.

2001 Baldessari: While Something is Happening here, something else is happening there: works

1965-2001. Texts by Eirikur Thorlasksson, Thomas Weski, Dave Hickey, Meg Cranston, Frank-

Alexander Hettig and Thorvaldur Thorsteinsson. Reykjavik Art Museum, Iceland, 2001.

2000 John Baldessari. Texts by Gabriella Belli, Thomas Weski, Meg Cranston, Diedrich

Diederichsen. Skira, Milan, Italy, 2000.

1999 I SAW IT: John Baldessari and Goya. Texts by Victoria Martino and Colin Gardner.

Graphische Sammlung Albertina, Wien, Austria, 1999.

John Baldessari, While Something Is Happening Here, Something Else is Happening There.

Texts by Meg Cranston, Diedrich Diederichsen and Thomas Weski. Sprengel Museum,

Hannover and Staatliche Kunstammlungen, Dresden, Germany, 1999.

John Baldessari, Tetrad Series, essay by Thomas McEvilley. Marian Goodman Gallery, New

York, N.Y., 1999.

1998 John Baldessari-RMS W VU , essay by Jeremy Gilbert-Rolfe. Museum fur Gegenwartskunst,

Zurich, Switzerland, 1998.

1996 John Baldessari: National City, Hugh Davies & Andrea Hales, published by the Museum of

Contemporary Art, San Diego, California, 1996.

John Baldessari, Martin Prinzhorn, Hochschule für angewandte Kunst in Vienna, Austria,

1996.

John Baldessari, Pyo, Pyo Gallery, Seoul, Korea. 1996

1995 This Not That, Stephen Snoddy, Cornerhouse, Manchester, England. Catalogue: This Not

That, contains articles by Alexandre Melo, Uta Nusser and Igor Zabel. Produced by

95

Cornerhouse. Also, a guide, "Guide Yourself Through the Gallery", Serpentine Gallery, June

9, 1995, printed in Art Monthly.

Cornerhouse, Manchester, “A Six Pack For John Baldessari From Glenn O'Brien. ”A small

booklet containing poems and short stories within the framework of John's exhibitions at

Cornerhouse, Serpentine, Stuttgart, Ljubljana, Oslo, and Lisbon, 1995.

1992 John Baldessari, Santos, Angel Fernandez, published by Casa da Parra, Santiago Spain,

1992.

1991 John Baldessari / Cindy Sherman, Parket No. 29, 1991

1990 John Baldessari, Coosje van Bruggen, published by Rizzoli, International Publications Inc.,

New York, NY. 1990.

1989 Ni Por Esas / Not Even So: John Baldessari, published by camc Musee d'art

contemporain de Bordeaux for exhibition traveling to: Centro de Arte Reina Sofia, Madrid,

CAPC, Musee d'Art Contemporain, Burdeos, and IVAM, Instituto Valenciano de Arte

Moderno, Valencia, 1989.

John Baldessari, Published by Kestner -Gesellschaft Hannover, 1989, text by Germano

Celant, Introduction by Carl Haenlein, 1989.

1986 John Baldessari: California Viewpoints. Santa Barbara Museum of Art, Santa Barbara, CA.,

1986

1981 John Baldessari. Essays by Marcia Tucker & Robert Pincus-Witten, and an interview by

Nancy Drew, pub. by The New Museum, New York, co-pub. with University Art Galleries,

Wright State University, Dayton, Ohio.c. The New Museum, Library of Congress #81-80231.

1981.

John Baldessari. Introduction & interview by Rudi Ruchs, pub. by Municapal Van

Abbemuseum, Eindhove, Hollane & Museum Folkwang, Essen, W. Germany. c. 1981

Municipal Van Abbemuseum, Eindhoven, Museum Folkwang, Essen & the Artist, edited by

Jan Debbaut, 1981.

Group Show Catalogs

[back to table of contents]

2006 Public Space / Two Audiences: Works and Documents from the Herbert Collection,

Inventaire, Essays by Diedrich Diedrichsen, Anne Rorimer, Hans-Joachim Müller, Manuel J.

Borja-Villel, Anton Herbert, Peter Pakesh, Museu d’Art Contemporani de Barcelona, Spain,

and Kunsthaus Graz, Austria, 2006, Pp. 84 – 89, illus. Pp. 85-89.

96

2005 Hablando Con Las Manos: Fotografías De La Colección Buhl, Essays by Jennifer Blessing

and Ralph Rugoff, Solomon R. Guggenheim Foundation New York, and Guggenheim

Bilbao Museoa, Pp. 146 – 147, 2005

The Blake Byrne Collection, July 3 – October 10, 2005, Interview with Blake Byrn with Ann

Goldstein and Paul Schimmel PP 8 - 15, and text by Michael Darling PP 16 – 25. The Museum

of Contemporary Art, Los Angeles, 2005, illus. 16, 29

Los Angeles Printmaking Society 18th National Exhibition, Armory center for the Arts, Two

Hands Press, Woddlandhills, CA. Castle Press, Pasadena, CA, 2005, Pp. 5-6

Drawing from the Modern 1975 - 2005, September 14, 2005 – January 9, 2006, Museum of

Modern Art, New York, NY, Published by the Museum of Modern Art, 2005, illus. P.27

Open Systems: Rethinking Art c. 1970, June 1 – August 29, 2005, Edited by Donna De Salvo,

with Contributions by Johanna Burton, Makr Godfrey, and Boris Groys, Tate Modern, London,

2005 illus. Pp. 45, 70 - 71, 105, 142 - 145.

Daumen Kino, The flip Book Show, May 7 – July 17, 2005, Kunsthalle Dusseldorf, Germany, illus.

57, 139

Logical Conclusions: 40 Years of Rule-Based Art, February 18 – March 26, 2005,

PaceWildenstein, New York, Texts by Marc Glimcher. PP 86-89, 168, 182, illus. 87, 89.

A Walk to Remember, Los Angeles Contemporary Exhibitions, February 9 – May 8, 2005,

Curated /Published by Jens Hoffman, 2005 Pp. 14 – 15, 34 – 35.

2004 The Eclectic Eye: Selections from the Frederick R. Weisman Art Foundation, With essays by

Rosalind Bickel, Richard Koshalek, David S. Rubin, Kimberly M. Stammer and Billie Milam

Weisman, Frederick R. Weisman Philanthropic Foundation, 2004, PP 34-35, illus. 35.

Beyond Geometry: Experiments in Form, 1940s – 70s. Los Angeles County Museum of Art, Los

Angeles, CA, and The MIT Press, Cambridge MA, 2004. P 216, illus. 176.

What’s Modern?, November 5 – December 18, 2004, Gagosian Gallery, New York, NY,

published by Gagosian Gellery, 2004, Pp. 60 – 61.

American Artists’ Books in Europe, 1960 – 2000, Musee d’Art Americain Giverny, Giverny,

France / Terra Foundation for the Arts, 2004.

PP 14-15, illus. 14.

Moss, Karen, ed. Topographies. With guest essays by Steve Dietz, Jeannene Przyblyski, and

Noah Snyder. San Francisco Art Institute, 2004.

Groos, Ulrike; Hess, Barbara; Wevers, Ursula; ed., Ready to Shoot/Fernsehgalerie Gerry

Schum/videogalerie schum, texts by Beatrice von Bismarck, Eric de Bruyn, Ulrike Groos,

Charles Harrison, Barbara Hess, and Ursula Wevers, interview with Friedrich Wolfram

Heubach, Kunsthalle Dusseldorf, 2004, English edition. PP. 236-237, illus. 237.

Singsen, Judith A., The RISD Museum, ed., On The Wall: Contemporary Wallpaper, texts by

Marion Boulton Stroud and Judith Tannenbaum, Museum of Art, Rhode Island School of

Design, Providence; The Fabric Workshop and Museum, Philadelphia, 2003, PP. 2, 4, 6, 11,

12, 26, 27, 44, 47, 50, 51, illus. 6, 11, 12, 51, front and back cover.

97

Behind the Facts. Interfunktionen 1968-1975, Joan Miro Foundation. Parc de Montjuic,

Barcelona, Spain. February 19 – May 2, 2004.

QSL 107.1 FM, A temporary radio project and audio publication. Broadcast May 30-31 2004.

Middlesbrough, Victoria Square. A project by Kelly Large hosted by Middlesbrough Institute of

Modern Art (mima). Pp. 21. Includes compact disc.

2003 Ferris, Alison, ed. Disembodied Spirit. With essays by Tom Gunning, Pamela Thurschwell and

Alison Ferris. Bowdoin College Museum of Art Brunswick, Maine. September 25 – December

7, 2003. Traveling to Kemper Museum of Contemporary Art, Kansas City, MO. March 5 - May

23, 2004 and to Austin Museum of Art, Austin, TX. September 11 – November 28, 2004

Through American Eyes: Two Centuries of American Art from the Huntington Museum of Art.

Huntington Museum of Art, Huntington, West Virginia, 2003.

Imperfect Innocence: The Debra and Dennis Scholl Collection. Contemporary Museum,

Baltimore, Maryland, 2003, illus. 44-45.

Coco Fusco and Brian Wallis, ed. Only Skin Deep: Changing Visions of the American Self.

International Center of Photography. Published by Abrams, Inc.

De Jasper Johns a Jeff Koons: cuatro decadas de arte de las colecciones Broad.

Guggenheim Bilbao, in collaboration with Henry N. Abrams, Inc., Publishers, 2003. This is

Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections, 2001,

translated into Spanish. Texts by Thomas Crow, Joanne Heyler, Pepe Karmel, and Sabine

Eckmann. Illus: pp 188-193; back cover.

2002 Biesenbach, Klaus, with Barbara London and Chistopher Eamon. Video Acts: Single

Channel Works From the Collections of Pamela and Richard Kramlich and New Art Trust.

P.S. 1 Contemporary Art Center, Long Island City, NY, 2002.

Comer o no Comer (To Eat or Not to Eat), Salamanca 2002, Centro de Arts de Salamanca,

Spain, November 23, 2002 – January 19, 2003, Pp. 348, 349, 521 illus. 349.

Limits de la Percepcio. Fundacio Joan Miro, Barcelona, Spain, 2002, catalogue essay by

Teresa Blanch, illustrations pp 28 – 33, back cover.

Conceptual Art in the Netherlands and Belgium 1965-1975. Stedelijk Museum Amsterdam,

and Nai Publishers, Rotterdam, the Netherlands, 2002.

Smith, Elizabeth A.T., Alison Pearlman, and Julie Rodrigues Widholm. Life, Death, Love,

Hate, Pleasure, Pain: Selected Works from the Museum of Contemporary Art, Chicago,

Collection. Museum of Contemporary Art, Chicago, 2002. Pp 24, 178, 182, 198-199, 241,

320. Illus.: pp198-199.

Some Assembly Required: Collage Culture in Post-War America. Everson Museum of Art,

Syracuse, NY, 2002. Illustration, p 66.

Sans Commune Mesure: Image et Texte dans l’Art Actuel. Editions Leo Scheer, Paris,

France, 2002. Illustration: pp 74-75.

98

To Be Looked At: Painting and Sculpture from The Museum of Modern Art, New York.

MoMA QNS, June 2002. Illustration, p. 108. Published on the occasion of an ongoing

installation of works from the Museum’s collection in Long Island City, while the MoMA

Manhattan location is being renovated.

A Show That Will Show That a Show is Not Only a Show. Edition Valerio, Paris/Berlin, and the

Project, Los Angeles, 2002.

Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001.

Whitney Museum of American Art and Prestel Verlag (publishers), New York, 2002.

The Shock of September 11 and the Mystery of the Other: A Documentation. Haus am

Lutzoqplatz and Lettre International, Berlin, Germany, 2002. John: p 189.

Museum Unserer Wunsche (Museum of Our Wishes). Edited by Kasper Konig, in

col aboration with Thomas Weski and Ulrich Wilmes, Museum Ludwig, Koln, Germany,

January 11 – April 28, 2002.

Pulchierrimae Strade: Contemporary Art in Historical Spaces. Edited by Gianni Salvaterra,

texts by Gianni Salvaterra and Robert Rosenblum, Edizioni Charta, Milan, Italy, 2002.

2000 The First Decade: Video from the EAI Archives. Museum of Modern Art, New York, NY.

February 26 – March 17, 2002.

Conception: Conceptual Documents 1968 to1972. Norwich Gallery, Norwich School of Art

and Design, Norwich, England, and Article Press, Birmingham, England, in an edition of

1000. 2001.

Made in California: Art, Image, and Identity, 1900-2000. University of California Press, Los

Angeles, CA, 2001, p 199. This was accompanied by a second volume, “Reading

California: Art, Image, and Identity, 1900-2000.”

Reading California: Art, Image, and Identity, 1900-2000. Edited by Stephanie Barron, Sheri

Bernstein, and Ilene Susan Fort, University of California Press, Los Angeles, CA, 2001, pp 280-

283. Anthology published on the occasion of “Made in California”.

Landmarks: Sculpture Commissions for the Stuart Collection at the University of California

San Diego. Rizzoli International Publications, Inc., New York, 2001.

Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections. Los Angeles

County Museum of Art, Los Angeles, CA, 2001.

24th International Biennial of Graphic Arts. Museum of Modern Art, Ljubljana, Slovenia, June

10 – September 16, 2001.

Noncomposition: Fifteen Case Studies. Wadsworth Athenaeum Museum of Art, Hartford,

CT, December 22, 2001 – June 23, 2002.

Tele[visions]: Kunst Sieht Fern. Kunsthalle Wein, Wein, Austria, October 18, 2001 – January 6,

2002.

Extra Art: A Survey of Artists’ Ephemera, 1960-1999. California College of Arts and Crafts,

San Francisco, CA. October 11 – December 8, 2001.

99

Peter Kneubuhler: Gut zum Druck. Helmhaus Zurich, Zurich, Switzerland, 2001.

Secession: Projekt Fassade. Texts by Matthias Herrmann, Isolde Charim, Eleonora Louis,

Secession, die Kunstlerlnnen, Sutorinnen, Fotografen, Wein, Austria.

2000 Departures: 11 Artists at the Getty. Text by Lisa Lyons, The J. Paul Getty Museum, Los

Angeles, CA, 2000.

Lynn Gamwell, ed. Dreams 1900-2000: Science, Art, and the Unconscious Mind. Texts by

Lucy Daniels, Ernest Hartmann, Donald Kuspit. Cornell University Press, New York.

Quartett: August 1968 September 2000 Baldessari, Kabakov, Kosith, Pistoletto. Schwabe &

Co. AG, and Verlag Basel Kunsthalle Basel, 2000. With texts by Peter Pakesch, John

Baldessari, Ilya Kabakov, Joseph Kosuth and Michelangelo Pistoletto.

1999 Regarding Beauty: A View of the Late Twentieth Century. Neal Benezra and Olga M. Viso:

with an essay by Arthur C. Danto. Hirschhorn Museum and Sculpture Garden, Smithsonian

Institution, Washington, D.C.

Art At Ringier. Ringier AG Zurich, Switzerland.

Global Conceptualism: Points of Origin, 1950s-1980s. Queens Museum of Art, New York.

1999.

Examining Pictures: Exhibiting Paintings. The White Chapel Gallery, London; Museum of

Contemporary Art, Chicago, 1999.

Trouble Spot Painting. Museum van Hedendaagse Kunst Antwerp, Belgium, 1999. Texts by

Cyril Jarton, Wim Peeters, Hans Rudolf Reust, and Vincent Geyskens.

Tomorrow For Ever: Architektur/Zeit/Photographie. DuMont Buchverlag, Koln, 1999.

Contemporary Art in Southern California. Mark Johnstone, Craftsman House, Sydney,

Australia.

Billboard, Art on the Road. Laura Steward Heon, Peggy Diggs and Joseph Thompson.

Mass MOCA, North Adams, Massachusetts.

Notorious: Alfred Hitchcock and Contemporary Art. Kerry Brougher, Michael Tarantino and

Astrid Bowron, Museum of Modern Art Oxford, England.

1998 Artificial Figuracions Contemporanies. Museu d’Art Contemporani de Barcelona, Spain.

1998.

Big As Life: An American History of 8mm Films: Moving Out, Part Two. The Museum of

Modern Art/ San Francisco Cinematheque, February 6, 1998 – April 26, 2001.

“Edition Artelier: Originalserigraphien in limitierten Auflagen von [Art Without the Unique],

1985-1998,” Kunstlerhaus, Graz, Austria, September 26 – October 26. Catalogue with texts

by Friedrich Tietjen. Pg. 96-97, Illus. Pg. 97.

100

Freeze Frame, curated by Grita Insam, University of South Florida, Contemporary Art

Museum, August 24 – October 3, 1998. Pp. 6, 9, 14 illus. 10, 13.

1997 Sunshine & Noir Art in L.A. Louisiana Museum of Modern Art Denmark. 1997

Celant, Germano. Ed. La Biennale di Venizia XLVII Esposizione Internazionale d'Arte Future

Present Past. La Biennale di Venezia, Italy. 1997.

Thirty-Five Years at Crown Point Press: Making Prints, Doing Art. Fine Arts Museum of San

Francisco, The University of California Press, Berkeley and Los Angeles, Ca.1997.

Scene of the Crime. UCLA Armand Hammer Museum, The University of California Press, Los

Angeles, CA. 1997

Finders/Keepers. Contemporary Arts Museum, Houston, TX. 1997.

22nd Mednarodni graficni bienale international biennial of graphic art. Modern Gallery

National Museum of Slovania Tivoli Gallery.

Obrist, H.U., Rollig, S. Traveling Eye. Museum in Progress. Vienna, Austria. 1997.

1996 Sex & Crime. Von den Verhältnissen der Menschen, Sprrengel Museum, Hannover:

Germany, February 18 – May 12, 1996.

Deitch, Jeffrey. Everything That's Interesting is New: The Dakis Joannou Collection. DESTE

Foundation for Contemporary Art and Cantz Verlag, Germany. 1996.

Bonnie Clearwater. Painting Into Photography. Museum of Contemporary Art, North

Miami, Florida, 1996.

Art and Film Since 1945, Hall of Mirrors. Museum of Contemporary Art: Los Angeles, 1998.

Thinking Print, Books to Billboards, 1980-95. Museum of Modern Art, New York, Harry N.

Abrams Inc., 1996 Pp. 100-101

Collective Vision, Creating a Contemporary Art Museum. Chicago: University of Chicago

Press, 1996.

Bonnie Clearwater. Defining the Nineties: Census-making in New York, Miami, and Los

Angeles. The Museum of Contemporary Art, Miami, Florida.

1995 Public Information: Desire, Destruction, Document. San Francisco Museum of Modern Art,

California, January 18-April 30, 1995.

1994 From Minimal to Conceptual Art: Works from The Dorothy and Herbert Vogel Col ection.

National Gallery of Art, Washington,

Gemini G.E.L.: Recent Prints and Sculpture. National Gallery of Art, Washington, pgs. 10,21,

illus.

1993 Fragments de la Photo. Cahors, France illus.

101

Kunstler Bucher I, in den Museen Haus Lange und Haus Esters. Vom 28.2 .bis 12.4.1993

Krefelder Kunstmuseen und Autoren 1993. Pg. 10-37, illus. pg. 14-37.

1992 Stainback, Charles. Ausstellungen bei Konrad Fischer. Dusseldorf, Oct. 1967 - Oct. 1992,

pg. 67, illus.

Special Collections: The Photographic Order From Pop To Now, International Center of

Photography Midtown, 1992, pg.40-41

Hollywood Hollywood. Art Center College of Design, Alyce de Roulet Williamson Gallery,

Pasadena, CA., pg. 62, il us

Knowledge: Aspects of Conceptual Art, Plous/Colpitt, University Art Museum, Santa

Barbara, CA.

1991 Storr,

Robert.

Departures Photography 1923-1990. Independent Curators Council “Devil on

the Stairs; Looking Back at the Eighties”. Illus.

1990 The Times, The Chronicle, & The Observer, Kent Fine Art, Douglas Blau Other Selected

References

1988 Sandler, Irving. American Art of the 1960s. New York: Harper & Row, 1988. Pp.138, 294, 349,

350.

The Skowhegan Awards Catalogue, by Christopher Knight, Apr, p.7.

1987 Collection 1987. Lyon, France: Ville de Lyon, Musee Saint Pieree, Art Contemporain Lyon,

1987. Pp. 68–79.

1985 Cameron, Dan. Art and Its Double. Barcelona, Spain: Centre Cultural de la Fundaci; Caixa

de Pensions, 1986. p. 20.

Zutter, Jorg and John Baldessari. Basel: Museum fGr Gegenwartskunst Basel, 1986.

(Museum collection brochure with essay)

1985 Phillpot, Clive. Some Contemporary Artists and Their Books. In Artists' Books: A Critical

Anthology and Sourcebook. Ed. by Joan Lyons. Rochester, New York: Visual Studies

Workshop Press, 1985. Pp. 117–119.

1984 Green, Jonathan. American Photography: A Critical History 1945 to the Present. New York:

Harry N. Abrams, 1984. Pp. 222–226.

1983 Gruber, Bettina and Maria Vedder. Kunst und Video: Internationale Entwicklung und

Kunstler. Cologne: DuMont, 1983. pp. 79–81.

1982 Herzogenrath, Wulf. Videokunst In Deutschland 1963–1982. Cologne: Kolnischer

Kunstverein, 1982. Pp. 53, 74.

1980 Skira Annuel Art Actuel Numero Special 1970-1980. Geneva: Skira, 1980. Pp. 104–105.

1977 Battock, Gregory. Why Art? New York: E. P. Dutton, 1977. Pp. 8, 13, 14.

Crimp, Douglas. Pictures. New York: Artists Space, 1977. Pp. 8–10.

102

1976 Art Actuel Skira Annuel '76. Geneva: Skira, 1976. p. 174–A.

Gottlieb, Carla. Beyond Modern Art. New York: E. P. Dutton, 1976. Pp. 364, 368–369.

Korot, Beryl and Ira Schneider, eds. Video Art. New York: Harcourt, Brace, Jovanovitch,

1976. p. 18.

1973 Kahmen, Volker. Art History of Photography. New York: Viking Press, 1973. Pp. 34, 209.

de Wilde, Edy. De collectie van het Stedelijk Museum 1963-1973. Amsterdam: Stedelijk

Museum, 1973. p. 176.

1972 Lippard, Lucy, ed. Six Years: The Dematerialization of the Art Object from 1966 to 1972.

New York: Frederick A. Praeger, 1972. Pp. 58, 113, 243, 254.

Price, Jonathan. Video-Visions: A Medium Discovers Itself. New York: The New American

Library, Plume Books, 1972. Pp. 163–167.

1971 Meyer, Ursula. Conceptual Art. New York: E. P. Dutton, 1971. Pp. 32–33.

Tuchman, Maurice and Jane Livingston. A & T: A Report on the Art and Technology

Program of the Los Angeles County Museum of Art 1967–1971. Los Angeles: Los Angeles

County Museum of Art, 1971. p. 53.

1970 Goldin, Amy. Words in Pictures. Narrative Art: Art News Annual XXVI. New York: Newsweek,

Inc., 1970. Pp. 61–71.

1969 Gablik, Suzi, and John Russell. Pop Art Redefined. New York: Frederick A. Praeger

Publishers, 1969. p. 53.

Lectures and Panel Discussions

[back to table of contents]

2005 “Rethinking Arts Education for the 21st Century” Tate Modern, London, England, July 16, 2005.

“Conversations with Contemporary Artists,” John Baldessari, April 27, 2005, Spring Series

Programs, 2005, Guggenheim Museum, New York, New York.

“California College of the Arts Spring 2005 Lecture Series,” John Baldessari, January 27, 2005.

Lecture presented in conjunction with the exhibition I will not make any more boring art at

PLAySPACE, the CCA Graduate Gal ery.

MUMOK, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria, March 6, 2005.

Los Angeles Contemporary Exhibitions, Los Angeles, CA. February 8, 2005.

2004 “100 Artists See God: John Baldessari and Meg Cranston in Conversation,” with Jens

Hoffman, November 29, 2004.

“Reinventing Photography: A Conversation with John Baldessari,” discussion with NY Times

art critic Michael Kimmelman, MOCA Pacific Design Center, Los Angeles, July 14, 2004.

103

“Whose America: Scenes From the Road,” Aperture Lectures, New York, September 28,

2004

“Art Basel Conversations/The Curators’ Circle: Should an Artist Curate a Major Art

Exhibition?” panel discussion including John Baldessari, Roger Buergel, Ute Meta Bauer,

Catherine David and Jens Hoffman, June 20, 2004.

2003 Walker Art Center, Tuesday, November 18, 2003.

San Francisco Art Institute, Wednesday, April 30, 2003.

“An Interest in Life,” discussion with John Baldessari and Meg Cranston, Apex Art, New York,

February 6, 2003.

“John Baldessari: Learn to Paint,” Portland Art Museum, January 5, 2003, in reference to

“Embracing the Present: The USB PaineWebber Art Collection,” October 11-January 5, 2003.

2002 “Why Richter? Why Now?” SFMOMA, San Francisco, November 16, 2002. Panel discussion,

with Ann Lauterbach, Kaja Silverman, and Robert Storr.

“An Evening with John Baldessari,” Museum of Fine Arts Boston, October 16, 2002, 7PM.

Related to “Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collection,”

traveling exhibition, Museum of Fine Arts, Boston, July 28 – October 20, 2002.

“Dialogues in Contemporary Art: Kirk Varnedoe and John Baldessari,” Omni Los Angeles

Hotel, hosted by The Museum of Contemporary Art, Los Angeles, June 4, 2002.

“Photography and Conceptual Art.” Panel discussion with John Baldessari, Jan Dibbets, Ed

Ruscha, moderated by Scott Rothkopf. Harvard University Art Museum, Cambridge, MA.

April 6, 2002, 6pm.

“Art and Ideas: Conversations About Conceptual Art,” Wadsworth Athenaeum,

Connecticut, March 25, 2002.

2001

“Art and Ideas: Conversations about Conceptual Art: John Baldessari.” Sunday Afternoon

Lecture Series. The Museum Theater, Wadsworth Athenaeum, Hartford, CT. March 18, 2001,

2pm.

“John Baldessari: Early Films.” Bing Theater, Los Angeles County Museum, Los Angeles.

November 20, 2001, 6:30 pm.

“The Stuart Collection: Advanced Placement Conversations with the Artists.” Panel

discussion with Stuart Collection artists, moderated by John Walsh, with Allen, William

Wegman, Niki de Saint Phalle. Price Center Theatre, UCSD. November 3, 2001, 9am – 1pm.

Los Angeles County Museum- in reference to John’s films

Los Angeles County Museum-in reference to the Eli Broad Exhibition

Getty Center-in reference to the Departures show

2000 “Work: 1965 – 2000.” J. Paul Getty Museum Artist Series. Harold M. Williams Auditorium, The

Getty Center, Los Angeles. March 2, 2000, 7pm.

104

1999 “John Baldessari: In Conversation with Jeremy Gilbert-Rolfe.” Contemporary Artistic

Practices Lecture Series. The Getty Research Institute Lecture Hall, The Getty Center, Los

Angeles. October 7, 1999, 4pm.

1998 “For Collectors: L.A. Artists and the International Art Market.” Ahmanson Auditorium,

Museum of Contemporary Art, Los Angeles. February 17, 1998, 7pm.

Burren College of Art, Ireland

1993 Skowhegan School of Painting and Sculpture, Maine.

1990 Museum of Contemporary Art, Chicago, February 2, 1990.

“Art World Speaker Series: John Baldessari”, High Museum of Art, Atlanta, GA, April 11, 1990.

Sonoma State University, Sonoma, CA.

Museum of Contemporary Art, Los Angeles, May 8, 1990.

School of Visual Arts, New York.

1989 “Contemporary Art in Context: A Generation Apart”. Talk with Kirk Varnedoe, Director of

Dept. of Painting and Sculpture, John Baldessari and artist Tim Rollins, Museum of Modern

Art, New York, May 5, 1989.

Museum of Modern Art, New York, 1989.

Panel discussion on Man Ray, Philadelphia Museum of Art, October 28, 1989.

“The Idea of the Moral Imperative in Contemporary Art,” UC Berkeley, sponsored by the

College Art Association Conference, February 1989.

1987 “Form and Function: John Baldessari, “University of Illinois at Chicago, April 13, 1987.

Interviews with the Artist

[back to table of contents]

2006 Muchnic, Suzanne, “L.A.’s so aujour’d hui” Los Angeles Times, February 26, 2006, P. E31

continued on P. E40, E41“L.A. Artists have the run of Paris”, illus Pp. E40, E41

2005 A Film by John Carlin, Jonathan Fineburg, and Hart Perry, “Imagining America: Icons of 20th

Century American Art” Produced by Funny Garbage and University of Illinnois, 2005

Roth, Moira “An Interview with John Baldessari (1973)” with a forward by Micol Hebron,

Original interview held on January 6, 1973 at the University of California, Santa Cruz

X-tra Contemporary Art Quarterly, Los Angeles, Volume 8, Number 2, Winter 2005, Pp. 14 –

35, illus. back cover

Hatcher, David, John Baldessari, Neue Review, Issue 9 (April 2005), Interview conducted at

Deutsche Guggenheim, P. 2 – 3.

105

“It’s Alive,” John Baldessari in conversation with John Welchman on May 18, 2005, Venice,

California, published in the catalgue for the retrospective at Musee d'art Contemporain de

Nimes, France.

Hatcher, David, Neue Review, Issue 9 (March 2005), Berlin, Germany, Interview conducted

on February 16, 2005, Venice, California.

2004 Davis, Nicole, “Interview with John Baldessari,” Artnet December 9, 2004, www.artnet.com,

Interview conducted on April 12, 2004, Santa Monica, California.

“Marketplace Morning Report October 26, 2004,” interview conducted by Jeff Tyler on

Artist Pension Trust, PRI, American Public Media.

Politi, Gea. “John Baldessari: Undangerous Minds.” Flash Art, Italy, No. 246, June-July 2004,

pp100-103, illus.

Daniel, Noel ed., The Broken Screen, Conversations with Doug Aitken, Interview with John

Baldessari conducted May 2004, Santa Monica, California, published by D.A.P., New York,

New York, 2005.

Politi, Gea. “John Baldessari: Before Day Falls.” Flash Art International, July – September

2004, Vol. XXXVII No. 237, pp 80 – 84, illus. This article followed by John Baldessari’s “My Files

of Movie Stills: A Sort of Reality,” on pp 85.

Obrist, Hans Ulrich. Domus #867 (February, 2004) pp.68-71With 31 page Insert Interview.

Torres, Mario Garcia. Celeste #13 (Trimestral / Primavera 2004) pp.76-80.

Griffin, Tim “John Baldessari and Jeremy Blake in Conversation,” Artforum, March, 2004

pp.160-165

2003 Sanders, Mark. Another Magazine #5 (Bi-Annual Autumn/Winter, 2003) pp.378-391.

Sardo, Delfim, “An Interview with John Baldessari,” Interview conducted in April 2003 for

Drift.

“Paul Pfeiffer and John Baldessari in Conversation,” Paul Pfeiffer. Museum of

Contemporary Art, Chicago, 2003.

Cesteleyn, Ann, “Interview with John Baldessari,” April 17, 2003, Santa Monica, California.

2002 Hoffman, Jens. “Cityscape Los Angeles,” Flash Art International, July – September 2002.

“Contacts John Baldessari,” interviewed and directed by Jean-Pierre Krief, KS Visions, Paris,

2002.

Gopnik, Blake. “L.A. Consequential,” The Washington Post. January 20, 2002. Section G. pp.

1(Photo of “Looking East on 4th and C.” (1967-68).

Salvaterra, Gianni. “Interview with John Baldessari,” Pulcherrimae Strade, Edizioni Charta,

Milan, Italy, 2002. Catalogue for group show.

106

Felde, Kitty. “Talk of the City on Jasper Johns to Jeff Koons,” KPCC 89.3 FM, Southern

California Public Radio. November 27, 2001, 2pm.

Lazzari, Margaret R. “Artist Interview: John Baldessari”, The Practical Handbook for the

Emerging Artist, Second Edition, Harcourt College Publishers, Fort Worth, TX, 2002, Pp 8 – 11.

2001 Simon, Joan. “Interview: John Baldessari,” Landmarks: Sculpture Commissions for the Stuart

Collection at the University of California San Diego, Stuart Collection, University of

California, San Diego and Rizzoli International Publications, New York, New York. Additional

texts by Mary Livingstone Beebe, James Stuart DeSilva and Robert Storr.

Cranston, Meg. “John Baldessari: Many Worthwhile Aspects,” Baldessari: While Something is

Happening here, something else is happening there: works 1965-2000, catalogue, Reykjavik

Art Museum, Iceland, 2001.

Lazari, Margaret, “Interview: John Baldessari,” Practical Handbook for the Emerging Artist,

2001. This interview is also pinted in the second edition of this book, 2002

“John Baldessari,” during “Johns to Koons” at LACMA, June 5, 2001.

Icelandic television and radio in regards to John’s show in Reykjavik Museum of Art.

2000 Grosselli, di Renzo M. “E Partito L’Emigrant Torna il Grande Artista: Al Mart, John Baldessari,

Figlio di Antonio”, l’Adige (Trento, Italy), December 14, 2000, p 13.

1999 German television and radio in regards to John’s show in Köln

1998 Lawrence, Dianne. “John Baldessari, the Coagula interview,” Coagula, #32, (March-April),

pp. 26-30.

Tilroe, Anna. “Lachjes van verontschuldiging, Tv kijken in het museum met John Baldessari,”

NCR Handelsblad, January 30, 1998, p. CS7.

Tatay, Helena. “Romper u unir el mundo, entrevista con John Baldessari” Lapiz Revista

Internacional de Arte # 146, (October, 1998), pp.51-59.

Simmons, Gary. Flash Art #202, October 1998.

Interviews by television, radio and press in regards to John’s museum and gallery shows in

Zurich Switzerland.

1997 McKenna, Kristine. "Turning Gray to Black and White," Los Angeles Times, April 20, 1997,

(Calendar) pp. 54-55.

Turner, William, “Sunshine and Noir,” An Interview with John Baldessari and Henry Hopkins,

1997, Santa Monica, California.

1996 Fricke, Marion & Roswitha. "John Baldessari,” Art Press, special edition 69/96 (Hors-serie

Numero 17 1996), pp. 23-26.

Knight, Christopher. "Filling a Canvas With Ideas," Los Angeles Times, December 30, 1996,

pp. F1 (photo), F8.

107

Gabler, Neal. "The Reel America, the Films That Show Us Who We Are," Los Angeles Times,

June 30, 1996, p. M1.

Cross, Guy. “An interview with John Baldessari," THE Magazine, October, pp. 41-45.

1995 Gillick, Liam. "I Will Not Make Any More Boring Art," Art Monthly Magazine, June 1995, pp. 3-

7.

Bil en, Andrew. "Aiming to Reorder the Universe,"' The Observer, (Review), July 9, 1995, pp. 4-

5.

“John Baldessari interviewed by John Carson,” Interview conducted at the Institute of

Contemporary Art (ICA) at the opening of “This Not That” at the Serpentine Gallery,

London, England, July 1995.

Clarke, Steve, “Interview with John Baldessari,” July 8, 1995, Serpentine Gallery, London,

England.

Rifkin, Adrian. “How Do You Feel You Have Survived the Post-Modern?” Versus, Number 4,

1995.

1994 Gerstler, Amy. "John Baldessari," Vernacular, Vol. 1, No. 1 (Winter), pp. 14 - 21, 38.

Varnedoe, Kirk. "An Interview with John Baldessari," MoMA Magazine, winter/spring, p.10.

“John Baldessari,” Owen Electric Pictures (Z-Co), New York, NY, March 9, 1994.

“John Baldessari, Christian Boltanski: What Is Erased” (A conversation between John

Baldessari and Christian Boltanski), Blind Spot Photography, Issue Three, 1994.

1992 Lewallen, Constance. “View: John Baldessari,” Crown Point Press, San Francisco, CA, July

1992.

Knight, Christopher, “Interview with John Baldessari,” Interview conducted on April 4, 1992,

Santa Monica, California, for the Archives of American Art, Smithsonian Institution.

1990 Wei, Lilly and Cecile N. McCann. "Making Art, Making Money," Art in America, July 1990,

pp. 133-134.

Kirby, Peter. “John Baldessari: Some Stories,” 1990 (video) Produced by Media Art Services.

Run time 29min.

1989 Jarrell, Joe, “Crossing the Teachers Dotting the Eyes,” Village View (Los Angeles), Vol 4

No.36 (April 13 – 19), pp. 18-19.

Cranston, Meg. "John Baldessari: Part One," Journal of Contemporary Art (New York)

volume 2, no. 1 (Spring/Summer 1989), pp. 41–49.

Cranston, Meg. "John Baldessari: Part Two," Journal of Contemporary Art (New York)

volume 2, no. 2 (Fall/Winter 1989), pp. 51–58.

Cranston, Meg. “Seeds: Baldessari,” Interview, March 1989.

108

1988 Bakargiev, Carolyn Christov. "La foto non / soltanto foto," Il Sole––24 Ore (Rome), June 12,

1988.

Berkson, Bill. "Conversations: John Baldessari," Shift (San Francisco) volume 2, no. 3, pp. 36-

39.

Braet, Jan. "Surrogaten voor woorden," Knack Magazine (Brussels), no. 39 (Sept 28, 1988),

pp. 187–194.

Davis, Susan A. "For the Record," C Magazine (Toronto, Canada), no. 17 (March 1988), pp.

34-37, part of “The Perennial Seed” by Susan A. Davis, pp. 32-37.

Siegel, Jeanne. "John Baldessari: Recalling Ideas," Arts Magazine (New York) 62, no. 8 (Apr

1988), pp. 86-89. Also published in Artwords 2: Discourse on the Early 80s. Ann Arbor,

Michigan: UMI Research Press, 1988. (Revised from Arts Magazine)

1987 Selwyn, Marc. "John Baldessari," Flash Art (Milan), no. 135 (Summer 1987), pp. 62-64.

1986 "Talking Back to the Media." Stichting de Appel (Amsterdam) no. 3/4 (November 1985), text

published on microfiche.

1984 Guenther, Joan and Sheila Skjeie. "Art For People to Live With." State of the Arts (California

Arts Council, Sacramento, California), no. 50 (Nov/Dec 1984), pp. 4-5.

Kraft, Barbara. "An Interview With John Baldessari," Articles (California Institute of the Arts,

Valencia, California) volume 1, no. 2 (Dec/Jan 1984/1985), pp. 11-13.

1983 Poling, Clark. "New Boundaries & Black Dice: An Interview With John Baldessari," Art Papers

(Atlanta) 7, no. 6 (Nov/Dec 1983), pp. 2-3.

1980 McMullin, Daniel. "Interview: John Baldessari," Artists' News (Topanga, California) volume 3,

no. 5 (Oct/Nov 1980), pp. 6-10.

1978 Rubinfien, Leo. "Through Western Eyes," Art in America (New York) 66, no. 5

(September/October 1978), pp. 75-83.

1977 Spodarek, Diane. "Feature Interview: John Baldessari," Detroit Artists' Monthly (Detroit)

volume 2, no. 6 (June 1977), pp. 1-6.

1976 Hugunin, James. "A Talk With John Baldessari," The Dumb Ox (Northridge, California)

volume 1, no. 2 (fall 1976), pp. 11-12.

1974 “John Baldessari: An Interview,” ST/ISSUE, June-July 1974, pp 33-39.

1973 Roth, Moira. “A conversation with John Baldessari,” January 6, 1973 – University of

California, Santa Cruz, unpublished. Later Published as “An Interview with John Baldessari

(1973)” with a forward by Micol Hebron in X-tra Contemporary Art Quarterly, Los Angeles,

Volume 8, Number 2, Winter 2005, Pp. 14 – 35.

Special Projects

[back to table of contents]

109

From the Movies, Another Magazine, London, UK, 9th issue, Bi- Annual Autumn/Winter 2005,

Pp. 25 - 37

This Not That – The Artist John Baldessari, a ninety-minute film directed by Jan Schmidt-

Garre, cinematography by Thomas Bresinsky, edited by Gaby Kull-Neujahr, Pars Media

2005.

New Permanent Collection Stops 2004, The Whitney Museum of American Art, Auto Disc,

“10. Stop 239 – John Baldessari, An Artist Is Not Merely The Slavish Announcer… 1966-1968,”

The Whitney Museum of American Art & Antenna Audio, Inc., 2004.

BAM Photography Portfolio II, an edition of 40 prints by each artist including John

Baldessari, Lillian Bassman, Vanessa Beecroft, William Eggleston, Sally Mann, Sheila Metzner,

Thomas Struth and Wolfgang Tillmans

17 Reasons: Some Temporary Interventions Around the Mission District in SF, 2003

From 14th and 24th street, between Mission and Guerrero. LEARN TO READ posters affixed to

walls, November 9 – December 14, 2003. Jack Hanley Gallery, San Francisco.

There Not Here, 2003.

Poster created for Utopia Station, a collaborative project between Molly Nesbit, Hans Ulrich

Obrist, and Rirkrit Tiravanija for the 2003 Venice Biennale. B&W offset poster on matte

paper.

Secession: Projekt Fassade 28.2. – 16.10.2000, with essays by Isolde Charim, Matthias

Herrmann, Eleonora Louis, Published by Secession, Rema print, Vienna, Austria, 2001, P. 7

Work inspired by the earthquake in FriuliVenezia Giulia, 2001

Installation at Venzone, Udine (outdoor site), Friulia Venezia Giulia, Italy. Repeated red and

black pictograph printed on white paper, affixed to crumbled stonewall.

READ/WRITE/THINK/DREAM, 2001

Library entrance for the Geisel Library, University of California, San Diego. A commissioned

work for the Stuart Collection.

Still Life: Choosing and Arranging, 2001

An interactive web-based project for the Museum of Contemporary Art, Los Angeles,

Digital Gallery. Project launched on June 11,2001 for the inauguration of the Digital

Gallery. http://moca.org

Five 1968 films (New), 2000

A special installation project for “Quartett,” a group exhibition organized by Peter Pakesch

with work by John Baldessari, Ilya Kabakov, Joseph Kosuth and Michelangelo Pistoletto

Kunsthalle Basel, September 9 - November 12, Basel, Switzerland.

Specimen (After Dürer), 2000

A commissioned work for the J. Paul Getty Museum, Los Angeles, California.

Smile (with Hair and Moustache), 2000

A billboard project for the “Projekt Fassade” exhibition at Secession (February 28-October

16, 2000), Vienna, Austria. Billboard installed March 13-March 26, 2000.

110

Lamps, 1997

An outdoor installation for the inaugural exhibition at P.S.1 Contemporary Art Center,

Long Island City, New York.

Stream of Violence: From Front to Torrent (the Beginnings), 1996

An outdoor project for the exhibition "Prospect '96," Eine Internationale Ausstellung Aktueller

Kunst, March 9 – May 12, 1996. Frankfurt, Germany.

A Sixteenth View of Seattle at Sixteen Locations, 1991-95

An installation at the Department of Public Works commissioned by the Seattle Arts

Commission, Seattle, Washington.

War: The Appropriate Response Is An Outstretched Hand, 1993

A bil board project for KRIEG (WAR), the Austrian Triennial on Photography September 17-

October 31, 1993. Graz, Austria.

Stage Sets for The Resistible Rise of Arturo Ui by Bertolt Brecht presented by Bay Package

Productions and David Bransten at the Zephyr Theatre, 1990. San Francisco, California

If This Then That (Space Capsule and Man With Hose), 1990

An installation at The Museum of Contemporary Art, Los Angeles for John Baldessari

retrospective exhibition, March 25-June 17, 1990 and Walker Art Center, Minneapolis,

February 3-April 28, 1991.

Various (Male) Responses to Nature (Near and Far), 1990

An installation at the Photographic Research Center, Boston, Massachusetts.

Dwarf and Rhinoceros (With Large Black Shape), 1989

An installation for Centro de Arte Reina for the exhibition “Ni Por Esas/Not Even So,”

January 11-February 20, 1989. Sophia, Madrid.

Two Stories (Yellow and Blue) and Commentary (with Giraffe), 1989

An installation for “Magiciens De La Terre,” exhibition at the Centre Georges Pompidou

and Grande Halle-La Villette, May 18-August 14. Paris.

Toronto Water Works Project, 1988

An installation at The R.C. Harris Water Filtration Plant.

Commissioned by Visual Arts Ontario (VAO)-a non-profit organization for the exhibition

“Waterworks.” Toronto, Canada.

Blue Line, 1988

Hand, 1988

Installations at the Palais de Beaux Arts for “John Baldessari: Oeuvres Recents,”

September 18-November 6, 1988, Brussels, Belgium.

(Two Things) Better Experienced/Difficult to Describe, 1988

A billboard project for Edition Artelier, Graz, Austria.

Composition for Violin and Voices (Male), 1987

An installation at Magasin, Centre National D’art Contemporain de Grenoble, Grenoble,

France.

111

The Difference Between Fête and Fate, 1987

An installation at Castello di Rivoli, Museo D’Arte Contemporanea, Torino, Italy, May-June.

Space Between (24 Photographs of Middelburg Residents), 1985

An installation at De Vleeshal (a space for contemporary art), July 12-August 4, Middelburg,

the Netherlands.

Buildings=Guns=People: Desire, Knowledge and Hope (With Smog), 1985

A photomural for “Carnegie International 1985,” Carnegie Museum of Art, Pittsburgh,

Pennsylvania.

Stake: Art Is Food For Thought and Food Costs Money, 1985

An installation project for "La Nouvelle Biennale de Paris," Grande Halle du Parc de la

Villette, March 21-May 21, 1985.

Man and Woman with Bridge, 1985

A billboard project for "ArtSide Out" exhibition sponsored by Film in the Cities & First Banks

May 31-August 31, 1985, Minneapolis, Minnesota.

Bread But Roses Too (Sacramento Project), 1984

A photomural for the California Arts Commission, Department of Labor, Sacramento,

California.

Alignment Series: Cars from Movies on Four-Lane Freeway, 1984

A project for Automobile and Culture at MOCA, Los Angeles, Los Angeles, California.

MOCA Billboard, 1984

Billboard installed on the exterior entrance wall of MOCA Grand Street.

Los Angeles Olympic Games poster, 1984

Los Angeles, California.

Emma and Freud, 1984

A poster distributed in Graz, Austria and Vienna, Austria announcing a one-person

exhibition at Galerie Peter Pakesch, Vienna (June 5 -July 28) and the “Steirischer Herbst ’84”

conference in Graz.

A Model of a German Intercity Diesel Locomotive Photographed Upside Down and

Exhibited Right Side Up at the Kassel Train Station, 1982

A billboard project for Documenta 7, Kassel, W. Germany.

Two Bicycles with Riders One Painted, One Photographed, both Upside Down, 1982

A billboard project for Documenta 7, Kassel, W. Germany.

Alignment Series: Two Palms and Two Columns (for Newman), 1981

An installation for “Art in Los Angeles: The Museum as Site: Sixteen Artists,” Los Angeles

County Museum of Art, July 21-October 4, Los Angeles, California.

Shape Derived From Subject (Snake): Used As Framing Device to Produce New

Photographs, 1981

An installation at Hallwalls/Cepa, Buffalo, New York.

112

The Vienna Work: People, Places, Foods (Der Zeit ihre Kunst, Der Kunst ihre Freiheit [To the

age its art, to art its freedom]), 1981

An installation for the exterior of the Vienna Secession Building in conjunction with "5th

Vienna International Biennale: Erweiterte/Fotographie," Wiener Secession, October 22-

November 22, 1981, Vienna, Austria.

Films by the Artist

[back to table of contents]

Isocephaly, 1968 Super–8, color 3 minutes

What To Leave Out, 1968 Super–8, color 3 minutes

Cremation, 1970 16mm, black–and–white 10 minutes

New York City Art History, 1971 Super–8, color 3 minutes

New York City Postcard Painting, 1971 Super–8, color 3 minutes

Waterline, 1971 Super–8, black–and–white 3 minutes

Dance, 1971 Super–8, color 3 minutes

Minimalism, 1971 Super–8, black–and–white 3 minutes

Tabula Rasa, 1971 Super–8, black–and–white 3 minutes

Black–Out, 1971 Super–8, black–and–white 3 minutes

Easel Painting, 1972–73 Super–8 film loop (originally in 16mm), color 34 seconds

Time–Temperature, 1972–73 Super–8 film loop (originally in 16mm), color 4 minutes, 56 seconds

Water to Wine to Water, 1972–73 Super–8 film loop (originally in 16mm), color 36 seconds

The Hollywood Film, 1972–73 Super–8 film loop (originally in 16mm), color 66 seconds

Title, 1973 16mm, black–and–white and color, sound 25 minutes

Throwing Leaves Back at Tree, 1973 Super–8 film loop, color 3 minutes

Ice Cube Sliding, 1974 Super–8 film loop, color 3 minutes

Taking a Slate: Ilene and David (#1), 1974 Super–8 film loop (originally 16mm), black–and–white

20 seconds

Taking a Slate: Ilene and David (#2), 1974 Super–8 film loop (originally 16mm), color 3 minutes

Taking a Slate: David, 1974 Super–8 film loop (originally 16mm), black–and–white 48 seconds

Ted's Christmas Card, 1974 Super–8 film loop, color 3 minutes

Script, 1973 – 77 16mm, black–and–white and color, sound 25 minutes

Six Colorful Inside Jobs, 1977 16mm, color 30 minutes

Videos by the Artist

[Back to table of contents]

Folding Hat: Version 1, 1970 Black–and–white, sound 30 minutes

Folding Hat, 1970 Black–and–white, sound 29:48 minutes

Black Painting, 1970 Black–and–white 15 minutes

Black Curtain, 1970 Black–and–white, sound 15 minutes

Life Drawing, 1970 Black–and–white 30 minutes

I Will Not Make Any More Boring Art, 1971 Black–and–white 13:06 minutes

Walking Forward––Running Past, 1971 Color 12:45 minutes

I Am Making Art, 1971 Black–and–white, sound 18:40 minutes

Art Disaster, 1971 Black–and–white 32:40 minutes

Police Drawing, 1971 Black–and–white, sound 23:09 minutes

Xylophone, 1972 Black–and–white, sound 25:38 minutes

Baldessari Sings LeWitt, 1972 Black–and–white, sound 15 minutes

Inventory, 1972 Black–and–white, sound 23:50 minutes

Teaching a Plant the Alphabet, 1972 Black–and–white, sound 18:40 minutes

113

Ed Henderson Reconstructs Movie Scenarios, 1973 Black–and–white, sound 24:04 minutes

The Meaning of Various Photographs to Ed Henderson, 1973 Black–and–white, sound 15 minutes

How We Do Art Now, 1973, Black–and–white, sound, 12:54 minutes overall

Segments: How Various People Spit Out Beans

Comparing Two Sounds

A 20" Tape

The Eye Does Not Naturally Pan

Cigar Lexicon

On Making a Masterpiece

Haste Makes Waste, 1973 Black–and–white, video loop 4 minutes

Practice Makes Perfect, 1973 Black–and–white, video loop 5:10 minutes

The Way We Do Art Now and Other Sacred Tales [The Birth of Art and Other Sacred Tales], 1973,

Black–and–white, sound, 28:28 minutes overall

Three Feathers and Other Fairy Tales 1973, 31:15 minutes, Black-and-White, sound

Four Minutes of Trying to Tune Two Glasses (For the Phil Glass Sextet) 1976, 4:09 min, b&w, sound

Segments:

Some Words I Mispronounce

You Tell Me What I Do

Anna Names Animals She Has Never Seen

Taping a Stick; Lifting It from the Other End

No Dice

Talking With One Knee to Another

Examining Three 8d Nails

What Follows Is What He Liked to Do Best

For Sylvia Plath

A Riddle

Insincerely Promising a Cat a Carrot

A Sentence with Hidden Meaning

For Marcel Proust

Close–up

Flight Bag (This is a kind of interesting object...)

It is Cruel to Put a Dog on a Mirror

The Way We Do Art Now (The Birth of Abstract Art)

How Various People Spit Out Beans

The Sound Made by Kicking a Bottle, 1973 Black–and–white, sound 3 minutes

Ed Henderson Suggests Soundtracks for Photographs, 1974 Black–and–white, sound 27:51 minutes

The Italian Tape, 1974 Black–and–white, sound 8:33 minutes

Six Colorful Tales: From the Emotional Spectrum (Women), 1977, Color, sound 17:10 minutes

Two Colorful Melodies, 1977, Color, sound 5:30 minutes

Five 1968 Films, 2000, Color, sound 139 minutes

Drift (A Work by John Baldessari, Juliao Sarmento, and Lawrence Weiner), 2004

Books by the Artist

[back to table of contents]

2001 Brown and Green and Other Parables. Reykjavik, Iceland: i8 and Reykjavik Art Museum,

Iceland, 2001.

1999 The Metaphor Problem Again. Collaboration with Lawrence Weiner. Ink-Tree Kunsnacht

and Mai 35 Galerie Zurich, Switzerland.

114

1998 Zorro (Two Gestures and one Mark). Oktagon Verlag, Cologne, Germany.

1989 Lamb. Images by John Baldessari, story by Meg Cranston. Valencia, Spain: IVAM Centre

Julio Gonzlez

1988 The Telephone Book (With Pearls). Gent, Belgium: Imschoot, Uitgevers for IC.

The Life and Opinions of Tristram Shandy. Images by John Baldessari, text by Laurence

Sterne, Arion Press, San Francisco, CA.

1981 Close-Cropped Tales. CEPA Gallery and Albright–Knox Art Gallery, Buffalo, NY, 1981.

1977 Fable - A Sentence of Thirteen Parts (With Twelve Alternate Verbs) Ending in FABLE.

Hamburg, West Germany: Anatol AV und Filmproduktion

1976 Brutus Killed Caesar. Akron, Ohio: Emily H. Davis Art Gallery, University of Akron; in

cooperation with Sonnabend Gallery, New York, and Ohio State University, Columbus,

Ohio.

1975 Throwing a Ball Once to Get Three Melodies and Fifteen Chords, John Baldessari: 1973.

Berkeley, California: Regents of the University of California; and Irvine, California: Art

Gallery, University of California at Irvine

Four Events and Reactions. Florence: Centro Di; and Paris: Galerie Sonnabend.

1973 Throwing Three Bal s in the Air to Get a Straight Line (Best of Thirty-Six Attempts). Milan:

Giampaolo Prearo Editore S.r.L.; and Galleria Toselli

1972 Ingres and Other Parables. Texts in English, French, German, and Italian. London: Studio

International Publications

Choosing: Green Beans. Milan: Edizioni Toselli

Published Projects/Writings by the Artist

[back to table of contents]

2005 “How Has Art Changed?: Survey” Frieze, Issue 94, October 2005, Durian Publications Ltd.,

England, 2005, P. 160

“Letters to a Young Artist,” Art on Paper, July/August 2005, Vol. 9 No. 6, Darte Publishing LLC,

New York, NY, pg. 34

2004 Yours in Food, John Baldessari. With Meditations on Eating by Paul Auster, John Baldessari,

David Byrne, Dave Eggers, David Gilbert, Tim Griffin, Andy Grundberg, John Haskell,

Michael More, Glenn O’Brien, Francine Prose, Peter Schjeldahl, Lynne Tillman. A Blind Spot

Book, published by Princeton Architectural Press, all photographs by John Baldessari, 2004.

Crowe, Dan, ed., Zembla Magazine, autumn 2004, Art Project 1by John Baldessari: Eight

Adventures (Male): With Geometric Blockages (Orange) Arranged from Narrowest to

Widest, published by Simon Finch, 2004, PP 8, 11, 13, 15, illus. 13, 78 – 85.

115

“My Files of Movie Stills: A Sort of Reality,” Flash Art International, July – September 2004,

Vol. XXXVII No. 237, pp 80 – 85. Text originally appeared in Blasted Allegories, 1987 MIT

Press. Follows interview with Gea Politi.

Heartways: the exploits of Genny O, Edited by Rita McBride and Erin Cosgrove, with text by

John Baldessari, “Genny O’s Opening,” pp, 35-46, copublished by ArsenalAdvance, the

Whitney Museum of American Art, and Printed Matter, Inc., 2004.

“Log Cabin, Deer, and Two Figures (One with Baby Bottle), 2004,” The New Yorker, July 26,

2004, p 72. This image was created for publication. Short fiction by Annie Proulx.

“ArtBasel Conversations: Art Basel Miami Beach December 2-5, 2004/Art 35 Basel June16-

21, 2004,” includes “Art Basel Conversations/The Curators’ Circle: Should an Artist Curate a

Major Art Exhibition?” panel discussion including John Baldessari, Roger Buergel, Ute Meta

Bauer, Catherine David and Jens Hoffman, June 20, 2004, Art Basel and Hatje Cantz

Publishers, published in collaboration with BVLGARI, 2004. Pp. 139 – 149.

2003 Statement in “The Next Documenta Should Be Curated By An Artist”: http://www.e-

flux.com (online project by curator Jens Hoffman).

2002 Overleaf introduction to A Way Into India, Raghubir Singh. Phaidon Press Limited, New

York, NY, 2002.

Bow Down. Text by poet Douglas Messerli. ML & NLF editions, NuovaLitoEffe, Castelvetro

Piacentinto (Piacenza), Italy.

“Naked Came The: Night Nurse,” collaboration between John Baldessari and Erin

Cosgrove, Rita McBride catalogue, Kunstmuseum Liechtenstein, Germany, 2002, Edition

1000. Also in German, “Nackt kamder Fremde,” edition 1000.

“John Baldessari: Intersection Series.” Blind Spot, Issue 20, Spring 2002.

“Fish and Crowd. In Four Parts (For Gustinet),” From #5, Witte de With. 2001. P 74.

2001 “Intersect: Gorilla With Group (Yellow).” Lettre International, Heft 55, IV/2001, A 5821, p. 24.

Bars de Recontres et Montaigne. Contrat Main, December 20, 2001. French translation of

a text published in 1994 in conjunction with the 1994 MOMA exhibition.

2000 “From love to pot-lids: Twenty-four Icelandic proverbs.” X-Tra, Volume 3, No. 5, September

2000, p. 31.

1996 Obrist, Hans Ulrich, do it, Kjarvalsstadir Listansafn Reykjavikur, The Reykjavik Municipal Art

Museum, 1996.

“Seven Drinks / One Drink,” Random Access 2: Ambient Fears, ed. Pavel Buchler and Nikos

Papastergiadis, Rivers Oram Press, London, 1996.

Gott, Richard "Red Gold", Versus no 5, 1995-96. p. 30/31.

Gabler, Neal, “The Reel America,” Los Angeles Times, Sunday, June 30, 1996, Section M, p1.

Responses elicited from various people, including John.

116

1995 Nannucci, Maurizio. Bookmakers. Payss-Paysage, France. 1995.

1994 “John Baldessari: Prosject for Hyperfoto number 1 1994,”Hyperfoto, Number 1, 1994, pp 19-

27.

1989 Statement in: McKenna, Kristine. "You're a Pop Artist –– The Museum Says So." Los Angeles

Times Calendar, 23 Apr 1989.

“Some Notes on Recent Work,” Special Affects, Gaincarlo Politi Editore, Milan, Italy, 1989, p

166.

Statement in: "The State of California." Artcoast 1, no. 2 (May/June 1989): 34–35. Projects

for Periodicals and Books by the Artist

"Special Project for Tema Celeste: Two Elephants (from pink to blue with conflict between),

1989." Tema Celeste (Siracusa, Italy), no. 22–23 (Oct–Dec 1989): 58–61.

1988 Statement. Flash Art News (Flash Art Supplement) (Milan), no. 142 (Oct 1988): 15.

"Two Viewpoints (Blue) On Red Horizon." C Magazine (Toronto, Canada), no. 17 (Spring

1988): 38-43.

"2 Smiles." MAG Magazine (Santa Monica, California) 1, no. 1 (Apr 1988): cover.

"Return of the Hero." Aperture (New York), no. 110 (Spring 1988): 9–15.

l987 Statement. "John Baldessari." Artfinder (New York), April/June 1987, pp. 66-67.

Statement. Artsreview (National Endowment for the Arts, Washington, D.C.) 4, no.3 (Spring

1987): 41-42.

"A Text by John Baldessari." Spazio Umano/Human Space (Milan), no. 1/87 (Jan 1987): 68.

"My Files of Movie Stills." Blasted Allegories: An Anthology of Writings by Contemporary

Artists. New York: The New Museum of Contemporary Art; and Cambridge, Massachusetts:

MIT Press, 1987. (Reprinted from Carnegie International 1985. Pittsburgh: Carnegie Institute,

1985).

"Two Men (One With Vertical Lines; One With Radiating Lines)". Picture This: Films Chosen by

Artists Ed. by Steve Gallagher. Buffalo, New York: Hallwalls, 1987.

"Athletes (Study for Olympic Poster Design)" New Observations (New York), no. 46 (March

1987): 13.

"Back To Back Is Not The Same As Side By Side." Parkett (Zurich), no. 7 (1987): insert.

"If Not About Money, It's Not About Much." Artists' Statements. Ed. by Richard Kriesche.

Graz, Austria: Richard Kriesche, 1987.

"Disneyworld In France." Lyon Liberation (Lyon, France), no. 203 (May 2–3, 1987): 32.

1986 Exhibition About TV and Art––Have Any Artists Withstood It? Perhaps A Counter/Parallel

Show of Such Artists? The Numbers Would Be Few." Also

117

"Notebook Entries to Myself for Work That Is Not Yet." TV Generations. Los Angeles: Los

Angeles Contemporary Exhibitions, 1986.

'Yellow, (With On Lookers)';'Spaces Between (One Risky)’Bomb (New York), no.16 (Summer

1986): 32-33.

"Crowds With Shape of Reason Missing” Zone (New York), no. 1/2 (1986): 32-39.

1985 "Black Dice." Aperture, no. 100 (Fall l985): 22-25.

Lecture notes. Camera Austria (Graz, Austria), no. 19/20 (1985/1986): 4-15.

"Two Crowds With Shape of Reason Missing." Journal: A Contemporary Art Magazine (Los

Angeles) 5, no. 42 (Fall 1985): cover, 47.

Postcard: The reason why are no more because. Stichting de Appel (Amsterdam), no. 3/4

(Nov 1985): loose post card.

“A Six Pack For John Baldessari From Glenn O’Brien.” A small booklet containing poems

and short stories within the framework of John's exhibitions at Cornerhouse, Manchester,

Serpentine, Stuttgart, Ljubljana, Oslo, and Lisbon.

1984 "John Baldessari: maudites allegories!" Art Press (Paris), no. 87 (Dec 1984): 9-14.

1982 Statement. Dialogue: The Ohio Arts Journal (Columbus, Ohio) 4, no. 3 (Jan/Feb 1982): 38–

39.

"A Four-Sided Story--Part One: A Four Sided Story--Part Two." Views Beside.... Berlin, West

Germany: Ed Vogelsang, 1982.

"Learn to Read, Learn to Write." Art Journal (New York) 42, no. 2 (Summer 1982): 134-136

1979 "Make Sense. I Too Have Sinned. I'll Do It For Money...” 1970-1979. Ed. by Melody Sumner.

Oakland, California: Burning Books, 1979.

"Artist/Saw/Legs...", Unmuzzled Ox (New York) 4, no. 4, vol. 5 (1979): 129-194.

"L Three Leers / W Three Whys." Journal: A Southern California Art Magazine

(Los

Angeles), no. 23 (June/July 1979): 48-49.

1978 "Attempts to Throw a Straight Line With 3 Balls." Domus (Milan), no. 583 (June 1978): 48.

(Reprinted from Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six

Attempts). Milan: Giampaolo Prearo Editore S.r.L.; and Galleria Toselli, 1973).

Statement in: "Ask Not What Our Country Can Do For Us, But When Wil We Realize That We

Are The Country--Or--What's On The Menu." Umbrella (Glendale, California) 1, no. 5 (Sept

1978): 100-102.

l977 "I Suppose So." LAICA Journal (Los Angeles), no. 16 (Oct/Nov 1977): cover.

Statement in: "White in Art is White?" Print Collectors Newsletter (New York) 8, no.1 (Mar/Apr

1977): 2.

118

l976 "The Bra Story." Unmuzzled Ox (New York) 4, no. 1, no. 13 (1976): 25.

"Sentence 1. Sentence 2. Sentence 3." Transit. Beuningen, Holland: Stichting Brummense

Uitgevers, 1976, pp. 233–235.

l975 "I Will Not Make Any More Boring Art." Essaying Essays: Alternative Forms of Exposition. Ed.

by Richard Kostelanetz. Out of London Press: New York, Sept 1975.p. 177.

"Boxed Thinking." Journal of Los Angeles Institute of Contemporary Art (Los Angeles), no. 6

(June/July 1975): 11.

"Retouch Portrait." Tri-Quarterly (Northwestern University, Evanston, Illinois) no. 32 (Winter

1975): two unpaginated pages.

"Three Ways to Measure Los Angeles." AQ (Dudweiler, West Germany), no. 15 (1975): cover,

and four unpaginated pages.

1974 Cover illustration. Stooge (Oconomowoca Lake, Wisconsin), no. 11 (1974).

"John Baldessari: 'Easel Painting' 1972–73." Il Corpo Come Linguaggio (La "Body–Art" e storie

simili). Ed. by Lea Verigine. Milan: Giampaolo Prearo Editore, four unpaginated pages.

"TV Like 1. A Pencil 2 Won't Bite Your Leg." Art-Rite (New York), no. 7 (Autumn 1974): 22-23.

(Reprinted in Essays, Statements, and Videotapes Based on "Open Circuts: An International

Conference on the Future of Television". Cambridge, Massachusetts: MIT Press, 1977).

l973 "Choosing .71." Interfunktionen (Cologne), no. 10, (1973): 126-130.

"Police Portraits." In Breakthrough Fictioneers. Ed. by Richard Kostelanetz. West Glover,

Vermont: 1973. p. 336.

1972 "Two Artists." Artweek (Oakland, California) 3, no. 42 (9 Dec 1972): 16. (Reprinted from

Ingres and Other Parables. London: Studio International Publications Ltd., 1972).

"John Baldessari: Parabole." Data (Milan), no. 4 (May 1972): 47-50. (Reprinted from Ingres

and Other Parables. London: Studio International Publications Ltd., 1972).

"Story Art." Interfunktionen (Cologne), no. 9 (1972): 66-73. (Reprinted from Ingres and Other

Parables. London: Studio International Publications Ltd., 1972).

"Art Disasters." Third Assembling: A Collection of Otherwise Unpublishable Manuscripts. Ed.

by Richard Kostelanetz, Henry Korn, and Mike Metz. New York: Assembling Press, 1972. Pp.

15–16.

l97l

"Informationen." Interfunktionen (Cologne), no. 8 (1971): 105-108.

1970 "Boundary." Interfunktionen (Cologne), no. 5 (1970): 30.

"Affidavit." San Diego Union (San Diego, California), 10 Aug 1970.

"John Baldessari." Studio International (London) 180, no. 924 (July/Aug1970): 3.

119

1968 “On Bruce Nauman’s Sculpture: An Explanation,” transcript of a talk at Southwestern

College, 1968.

1965 “Polychrome Sculpture and Donald Duck.” Catalogue forward for "Polychrome Sculpture,"

Southwestern College, Chula Vista, California, January 8-February 19.

Curatorial Exhibitions

[back to table of contents]

2004 “Art Works for Hard Money.” Selection committee also including Matthew Barney, Cecily

Brown, Laura Owens, Elizabeth Peyton, Richard Prince, and Charline von Heyl. Gavin

Brown’s Enterprise at Passerby, New York, June 29 – July 10, 2004.

“100 Artists See God,” co-curated with Meg Cranston, traveling exhibition organized and

circulated by INDEPENDENT CURATORS INTERNATIONAL (ICI), New York, The Contemporary

Jewish Museum, San Francisco, California, March 4, - June 27, 2004, Laguna Art Museum,

Laguna Beach, California, July 31 – October 3, 2004, Institute of Contemporary Arts (ICA),

London, England, November 19, 2004 – January 9, 2005, Contemporary Art Center of

Virginia, Virginia Beach, June 9 – September 4, 2005, Albright College Freedman Art Gallery,

Reading, Pennsylvania, September 29, 2005 – January 8, 2005, Cheekwood Museum of Art,

Nashville, Tennessee, February 4 – April 16, 2006. Catalogue.

2003 “An Interest in Life,” co-curated with Meg Cranston, Apex Art, New York, February 2003.

1994 "Artist's Choice: John Baldessari," The Museum of Modern Art, New York, New York, March 17

- May 10.

1992 "Not Painting: Some Views from the Permanent Collection,” The Museum of

Contemporary Art, Los Angeles, October 10 - January 9.

1987 “2001 1/2,” Loughelton Gallery, New York, March 28, 1987.

Teaching

[back to table of contents]

University of California, Los Angeles, Professor of Art 1996-present.

California Institute of the Arts, Valencia, California, September 1, 1970-July 14, 1988

Awards

[back to table of contents]

2005 Americans for the Arts, Lifetime Achievement Award, New York, October 11, 2005

Rolex Mentor and Protégé' Arts Initiative, Honoring, New York, November 7, 2005.

2003 “2nd Place Best Show Commercial Gallery National by US Art Critics Association for exhibit

at Margo Leavin, 2003

2002 “Best Web-Based Original Art,” AICA USA Best Show Awards, 2001/2002 Season.

120

Los Angeles Institute for the Humanities Fellow, sponsored by the University of Southern

California.

2000 Artist Space, New York

1999 Spectrum-International Award for Photography of the Foundation of Lower Saxony,

Germany

Col ege Art Associations Lifetime Achievement Award.

1997 Governor’s Award for Lifetime Achievement in the Visual Arts, California.

1996 Oscar Kokoschka Prize, Austria.

1988 Guggenheim Fellowship

Scholarly and Professional Societies

[back to table of contents]

Board of Trustees- Museum of Contemporary Art, Los Angeles

Board of Overseers- California Institute of the Arts

Board of Trustees- Americans for the Arts, Washington D.C

Board of Trustees- Anhiel Foundation, Miami Beach, Florida

Jury for the John Simon Guggenheim Foundation, New York

Jury for the Lucelia Artist Award, Smithsonian American Art Museum, Washington, D.C.

Guest curator- Independent Curators Incorporated, New York

Fellow of the American Academy of Arts & Sciences, Boston, MA.

Education

[back to table of contents]

1949-53 B.A., San Diego State College, California.

1954-55 University of California at Berkeley.

1955 University of California at Los Angeles.

1955-57 M.A., San Diego State College, California.

1957-59 Otis Art Institute, Los Angeles.

Chouinard Art Institute, Los Angeles.

Honorary Degrees

[back to table of contents]

2006 Doctor of Fine Arts, National University of Ireland, Burren College of Art.

2003 Doctor of Fine Arts, San Diego State University and the California State University.

2000 Doctor of Fine Arts, Otis Art Institute of Parsons School of Design of the New School of Social

Research.

121