This artist is not included in your list of Preferred artists. In order to receive
updates and alerts about this artist's events, auctions and news, click here or check the box below
to add to your Preferences.
Sanford Biggers is an American visual artist who was born in 1970. Sanford Biggers has had numerous gallery and museum exhibitions, including at the MASS MoCA and at the Tate Modern. Several works by the artist have been sold at auction, including 'Black Madonna' sold at Christie's New York 'Open House' in 2008. There have been Numerous articles about Sanford Biggers, including 'The Future Is African' written by Karen Rosenberg for New York Times in 2013.
Sanford Biggers (b. 1970 Los Angeles) received a BA from Morehouse College in Atlanta in 1992, studied at the Skowhegan School of Painting and Sculpture in Skowhegan, Maine, in 1997 and received an MFA from the School of the Art Institute of Chicago in 1999. Selected exhibitions include Grains of Emptiness, Rubin Museum of Art, New York (2011); Moon Medicine a solo show at the Contemporary Arts Forum in Santa Barbara, Calif. (2010); Prospect 1: US Biennial in New Orleans (2008); NeoHooDoo: Art for a Forgotten Faith at the Menil Collection in Houston Texas (2008)); Illuminations at Tate Modern in London (2008); The New Authentics at Spertus Museum in Chicago (2008); Museum of Okinawan Time at the Okinawan Prefectural Museum of Art in Naha, Japan (2007); The Somethin' Suite, curated by RoseLee Goldberg at Performa 07 in New York (2007); For Love of the Game at the Amistad Museum/Wadsworth Antheneum in Hartford, Connecticut (2007); and Blossom at Grand Arts in Kansas City, Missouri (2007). In 2011 Biggers will have a solo survey of his work at the Brooklyn Museum and a major installation at Mass. MoCA. Biggers is an affiliate faculty at the Virginia Commonwealth University Sculpture and Expanded Media program and was a visiting scholar at Harvard University’s VES Department in 2009. He is presently assistant professor at Columbia University’s Visual Arts program.
Working in two-dimensions, sculpture, installations, video art and performance, Sanford Biggers has put his mark on the conversation of identity and otherness. He intentionally complicates issues such as hip hop, Buddhism, politics and identity in order to offer new perspectives on the themes and art history itself. Biggers explores creative syncretism or the fusion of different belief systems and the part of humanity that creates a need to have things explained. Music is essential to Biggers’ work because it is an aspect of art that doesn’t need explanation. It is something that exists and makes sense without explanation. Through his art and music, Biggers touches on what it means to exist in a world where you feel different. His work draws upon the historical experiences of African-Americans, but doesn’t rest at reflecting the past. Biggers’ work also projects hopeful possibilities.