Sarah Lucas (British, 1962)

Solo Exhibitions

2006

200

20

2

Sarah Lucas, Frans Hals Museum, Haarlem, The Netherlands

2005

200

20

2

“GOD IS DAD”,

Barbara Gladstone Gallery, New York (cat.)

Sarah Lucas, Kunsthalle Zurich, Zurich, travelling to Kunstverein in

Hamburg, Hamburg

and Tate Liverpool, Liverpool, England (cat.)

2004

200

20

2

“In-A-Gadda-Da-Vidda” (with Angus Fairhurst and Damien Hirst),

Tate Britain (cat.)

2003

200

20

2

“Temple of Bacchus” (with Colin Lowe and Roddy Thomson),

Milton Keynes Gallery, England (cat.)

2002

200

20

2

Sarah Lucas, room installation at Tate Modern, London

Charlie George, Contemporary Fine Arts, Berlin

2001

2001

200

20

“CAKE”, Sarah Lucas at Counter Editions, London

2000

200

20

2

“The Fag Show”, Sadie Coles HQ, London

Sarah Lucas - Beyond the Pleasure Principle, The Freud Museum,

London

Sarah Lucas

Sarah Luca

Sarah Luc

Sarah Lu

Born in 1962, London
Lives and works in London

Sarah Lucas: Self Portraits and More Sex, Tecla Sala, Barcelona,

Spain (cat.)

Sarah Lucas, Tomio Koyama Gallery, Tokyo

1999

199

19

1

“Beautiness”, Contemporary Fine Arts, Berlin

1998

199

19

1

“

Odd-bod Photography” (with Angus Fairhurst), Sadie Coles HQ,

London, and Kolnischer Kunstverein, Cologne, Germany

The Old In Out, Barbara Gladstone Gallery, New York

1997

199

19

1

“The Law”, (organised by Sadie Coles), St Johns Lofts, London

Bunny Gets Snookered, Sadie Coles HQ, London

Car Park, Ludwig Museum, Cologne, Germany

1996

199

19

1

Sarah Lucas, Museum Boymans-van Beuningen, Rotterdam, The

Netherlands (cat.)

Sarah Lucas, Portikus, Frankfurt-am-Main, Germany

Is Suicide Genetic?, Contemporary Fine Arts, Berlin

1995

199

19

1

“Supersensible”, Barbara Gladstone Gallery, New York

1994

199

19

1

“Got a Salmon On”

(Prawn), Anthony d'Offay Gallery, London

Where's My Moss, White Cube, London

1993

199

19

1

“The Shop

” (with Tracey Emin), 103 Bethnal Green Road, London

From Army to Armani (with Tracey Emin), Galerie Analix, Geneva,

Switzerland

1992

199

19

1

“Penis Nailed to a Board

”, City Racing, London

The Whole Joke, Kingly Street, London

Group Exhibitions

2007

200

20

2

“

Souffl é” , Kunstraum Innsbruck, Austria

Hamster Wheel, Venice Biennale, Venice (cat.), traveling to

Printemps de Septembre, Toulouse and Centre d’Art Santa

Monica Barcelona

Held Together With Water : Art from the Sammlung Verbund,

MAK, Austria

Back to Hackney, Hackney Arts Club, London

Aftershock, Contemporary British Art 1990-2006, Guangdong

Museum of Art, Guangzhou, travelling to Capital Museum, Beijing

Global Feminisms, Brooklyn Museum, New York, traveling to

Davis Museum and Cultural Center, Wellesley (MA)

2006

200

20

2

“

This is Not For You” : Sculptural Discourses, Thyssen-

Bornemisza Art Contemporary, Vienna

All Hawaii Entrées/Lunar Reggae, Irish Museum of Modern Art,

Dublin

The Wonderful Fund: Art for the New Millenium 2000 – 2005,

Pallant House Gallery, Chichester, UK.

How to Improve the World, Hayward Gallery, London

Printemps de septembre à Toulouse, Toulouse, France

Prints, Sadie Coles HQ, London

Body Soul Face: The Position of Women from the 16th-21st

Century, Leopold Museum, Vienna

Art Car Boot Fair, The Old Truman Brewery, London

Il diavolo del focolare: The Devil of Hearth and Home, La

Triennale di Milano, Milan, Italy (cat.)

Dada’s Boys, The Fruitmarket Gallery, Edinburgh

Contemporary British Art for China, China Art Gallery, Beijing;

travelling to Guangdong Museum of Art, Guangzhou; Shanghai

Art Musuem, Shanghai; The Three Gorges Museum, Chongqing

2005

200

20

2

“

Empreinte Mo”i, Galerie Emmanuel Perrotin, Paris

BritPrint, National Gallery of Victoria, Melbourne, Australia

The Prop makers, MOT, London

The Wonderful Fund Collection, Arts in Marrakech Festival,

Marrakech

GOD IS BORED OF US II, FMCG, London

Rundlederwelten, Martin Gropius-Bau, Berlin

Light Art from Artificial Light, ZKM Museum, Karlsruhe, Germany

Drunk vs. Stoned 2, Gavin Brown’s Enterprise, New York

Y[oung] B[ritish] A[rtists] Criss-Crossed, Galleri Kaare Bernsten,

Oslo (cat.)

Julia Bornefeld Jimmie Durham Michael Kienzer Martin

Kippenberger Sarah Lucas Franz West Erwin Wurm sculpture,

Galerie Elisabeth & Klaus Thoman, Innsbruck, Austria (cat.)

Body: New Art from the UK, Vancouver Art Gallery, touring to

Ottawa Art Gallery, Oakville Art Galleries, Edmonton Art Gallery,

Art Gallery of Nova Scotia (cat)

Critics Choice, FACT, Liverpool

2004

200

20

2

“

Central Station”: La collection Harald Falckenberg, la maison

rouge, Paris

Part I – LAT – Living: De Leegte (the Emptiness),

Odapark, Venray, The Netherlands

Gifted, The Arts Gallery,

University of the Arts London, London

Drunk vs. Stoned, General Store in association with Gavin

Brown’s enterprise, New York

Werke aus der Sammlung Boros, ZKM, Karlsruhe, Germany

Esprit/Spirit, Galerie Nathalie Obadia, Paris

Atomkrieg, Kunsthaus Dresden, Germany

Man, Rubble, London

57th Aldeburgh Festival, Contemporary British Sculpture at Snape

(Angus Fairhurst, Damien Hirst, Sarah Lucas), Snape, England

Skulptur: Prekärer Realismus zwischen Melancholie und Komik /

Sculpture Precarious Realism between the Melancholy and the

Comical, Kunsthalle Wien, Vienna (cat)

Central Station, collection Harald Falckenberg, La Maison Rouge –

Foundation Antoine de Galbert, Paris (cat)

From Above, Georg Kargl, Vienna, Austria

2003

200

20

2

“

Just Love Me”. Post-Feminist Art of the 1990's from the Goetz

Collection, Bergen Art Museum, Bergen, Norway, traveling to

Fries Museum, Leeuwarden, The Netherlands

Narcissus: new visions of self representation, Crac Alsace,

Altkirch, France

Vier eeuwen roken in de kunst: Tabak en taboe – van Jan Steen

tot Pablo Picasso, Kunsthal Rotterdam, Rotterdam, The

Netherlands

Fourth Plinth Project, (Trafalgar Square), National Gallery, London

Cruel Fat, MOT, London

The Dead Bird Show, Whitechapel Project Space, London

Franz West and Friends, Austrian Cultural Institute, London

Plunder, Dundee Contemporary Art, Scotland (cat.)

Breathing the Water, Galerie Hauser & Wirth & Presenhuber,

Zurich, Switzerland

Sogni e Conflitti: La dittatura dello spettatore, 50. Esposizione

Internazionale d'Arte della Biennale di Venezia, Venice, Italy (cat.)

Outlook: International Art Exhibition, Athens (cat.)

Bad Behaviour from the Arts Council Collection, touring

exhibition: Longside Gallery, Yorkshire Sculpture Park, Wakefield,

England; Aberystwyth Arts Centre, Aberrystwyth, Wales; Glynn

Vivian Art Gallery, Swansea, Wales; The Hatton Gallery, University

of Newcastle, Newcastle, England; Tullie House, Carlisle, England

Flesh for Fantasy, Officina Giovani/Palazzo delle Papesse, Siena,

Italy

A Bigger Splash: Uma Seleção de Arte Britânica da Coleção da

Tate 1960-2003 / A Bigger Splash: A Selection of British Art from

Tate Collection 1960-2003, Pavilhão Lucas Nogueria Garcez – Oca

Parque Ibirapuera, São Paulo and Instituto Tomie Ohtake, São

Paulo

BIDA 2003 – Bienal Internacional del Deporte en el Arte,

Salamanca, Spain

Contemporary British Art Exhibition, Mucsarnok Kunsthalle,

Budapest, (curated by the British Council)

2002

2002

200

20

“

Face Off”: A Portrait of the Artist, Kettle’s Yard, Cambridge,

England, touring to Towner Art Gallery, Eastbourne, England

Location: UK, Gimpel Fils, London

COPY, Roth Horowitz, New York

Art Crazy Nation Show (curated by Matthew Collings), Milton

Keynes Gallery, England (cat.)

Comer o no Comer/To Eat or Not to Eat, Centro De Arte

Salamanca, Salamanca, Spain (cat.)

Campy Vampy Tacky, La Criée Centre d’Art Contemporain,

Rennes, France (cat.)

Second Skin, Henry Moore Institute, Leeds, England (cat.)

Common Days: Contemporary British Photography, American

Federation

Of Arts, New York

The Rowan Collection – Contemporary British and Irish Art, Irish

Museum of Modern Art, Dublin (cat.)

New – Recent Acquisitions of Contemporary British Art, Scottish

National Gallery of Modern Art, Edinburgh

PoT: The Liverpool Biennial of Contemporary Art – The

Independent, Liverpool, England (cat.), travelling to Galeria Fortes

Vilaca, Sao Paulo, Brazil

Archivio Pons Artxiboa, Koldo Mitxelena Kulturunea, Donostia –

San Sebastían, Spain

2001

200

20

2

“

Neon”, inaugural exhibition, Neon Gallery, London

The Colony Room Club – 2001 A Space Oddity, A22 Projects,

London (cat.)

Close Encounters of the Art Kind, Victoria and Albert Museum,

London

The Surreal Woman: Femaleness and the Uncanny in Surrealism,

Kunsthalle Bielefeld, Germany (cat.)

No World Without You – Reflections of Identity in New British Art,

Herzliya Museum of Art, Israel (cat.)

Summer Exhibition, Royal Academy of Arts, London (cat.)

Field Day – Sculpture from Britain, Taipei Fine Arts

Museum

,Taiwan (cat.)

Ohne Zögern – Without Hesitation: views of the Olbricht

Collection, Neues Museum Weserburg, Bremen, Germany (cat.)

Freestyle: Werke aus der Sammlung Boros, Museum Morsbroich,

Leverkusen, Germany (cat.)

Breaking the Mould: 20

th Century British Sculpture from Tate,

Norwich Castle Museum and Art Gallery, Norwich, England (cat.)

Public Offerings, Museum of Contemporary Art, Los Angeles (CA)

(cat.)

Century City: Art and Culture in the Modern Metropolis, Tate

Modern, London (cat)

City Racing 1988-1998: a partial account, I.C.A., London (cat.)

Uniform: Order and Disorder, Stazione Leopolda, Florence, Italy

(cat.)

Chairs, Castello di Udine, Udine, Italy

2000

200

20

2

“

Quotidiana”: the continuity of the everyday, Castello di Rivoli,

Turin, Italy (cat.)

Zona F, Espai d'Art Contemporain de Castello, Spain (cat.)

DRIVE power, progress, desire, Govett-Brewster Art Gallery, New

Plymouth, New Zealand (cat.)

Psycho (curated by Danny Moynihan), Anne Faggianato Fine Art,

London

Human Being and Gender: 2000 Kwangju Biennale, Kwangju,

Korea (cat.)

Sex and the British, Galerie Thaddeus Ropac, Salzburg and

Galerie Thaddeus Ropac, Paris (cat.)

The British Art Show 5, Hayward Touring Exhibitions, Scottish

National Gallery of Modern Art, Royal Botanic Gardens et al,

Edinburgh and tour to Southampton Art Gallery, John Hansard

Gallery and Millais Gallery, Southampton, England; National

Museum of Wales, Cardiff, Centre for Visual Arts and Chapter

Arts, Cardiff, Wales; Birmingham Museum and Art Gallery and

Ikon Gallery, Birmingham, England (cat.)

About Collage (curated by Peter Blake), Tate Liverpool, Liverpool,

England (cat.)

The Anagrammatical Body, ZKM Centre for Media Art and

Technology, Karlsruhe, Germany

Puerile 69: Angus Fairhurst, Michael Landy, Sarah Lucas, Gillian

Wearing, The Living Art Museum, Reykjavik , Iceland

Hoxton HQ, Sadie Coles HQ at Hoxton House, London

Intelligence: New British Art 2000, Tate Britain, Millbank, London

(cat.)

Body Beautiful, Galerie Jennifer Flay, Paris

Death Race 2000, Thread Waxing Space, New York

Hypermental, Kunsthaus, Zurich, Switzerland (cat.)

The Oldest Possible Memory, Sammlung Hauser und Wirth, St

Gallen, Switzerland (cat.)

1998

199

19

1

“

Gallery Swap, ” Sadie Coles HQ at Contemporary Fine Arts,

Berlin

This is Modern Art, three billboards by Sarah Lucas, Gavin

Turk and Martin Creed commissioned by Channel 4 for the

television series at sites across London in June

Art Lovers, Liverpool Biennial, Liverpool, England

Me Myself I, Contemporary Self Images, Haags Historisch

Museum, The Hague, The Netherlands (cat.)

The Anagrammatical Body, Neu Galerie am Landesmuseum

Joanneum, Graz, Austria (cat.) and touring to ZKM Centre for

Media Art and Technology, Karlsruhe, Germany

Sensation: Young British Artists in the Saatchi Collection,

Brooklyn Museum, New York

1998

199

19

1

Artists from the UK II, Sammlung Goetz, Munich, Germany (cat.)

Die Rache der Veronika: Fotosammlung Lambert, Deichtorhallen,

Hamburg, Germany (cat.)

Real Life: New British Art, Tochigi Prefectural Museum of Fine

Arts and tour to Fukuoka City Art Museum, Hiroshima City

Museum of Contemporary Art, Tokyo Museum of Contemporary

Art and Ashiya City Museum of Art and History, Japan (cat.)

Photography As Concept - 4 Internationale Foto-Triennale

Esslingen, Galerien der Stadt Esslingen Villa Merkel, Esslingen,

Germany (cat.)

Hungry Ghosts, Douglas Hyde Gallery, Dublin (cat.)

New Art From Britain, Innsbruck Kunstraum, Innsbruck, Austria

(cat.)

Maximum Diversity, Galerie Krinzinger in den Benger Fabrik,

Bregenz

and Academy of Arts, Vienna

Contemporary British Art, National Museum of Contemporary Art,

Korea (cat.)

Sensation: Young British Artists in the Saatchi Collection,

Hamburgerbahnhof, Berlin

Emotion: Young British and American Art from the Goetz

Collection, Deichtorhallen, Hamburg, Germany (cat.)

Maximum Diversity, Atelierhaus der Akademie der Bildenden

Kunste, Vienna (cat.)

No Sex Please We're British, curated by Dazed and Confused,

Shisedo Gallery, Tokyo

1997

199

19

1

“

Material Culture”, Hayward Gallery, London (cat.)

Assuming Positions, ICA, London (cat.)

Peripheral Visionary, De Fabrik, Eindhoven, The Netherlands

Treasure Island, Fundação Calouste Gulbenkian - Centro de Arte

Moderna, Lisbon

Package Holiday - Works from the Ophiuchus Collection, Hydra

Workshop, Hydra, Greece (cat.)

Strange Days, Claudia Gian Ferrari Arte Contemporanea, Milan,

Italy (cat.)

Sensation: Young British Artists in the Saatchi Collection, Royal

Academy

of Art, London (cat.)

Work in progress and or finished, Ubermain, Los Angeles (CA)

1996

199

19

1

“

Co-operators”, Southampton City Art Gallery and Huddersfield

Art Gallery, England (cat.)

From Figure to Object: a century of sculptors' drawings, Frith

Street Gallery and Karsten Schubert Gallery, London (cat.)

Live/Life, ARC Musée d'Art Moderne de la Ville de Paris, Paris and

Belem Museum, Lisbon (cat.)

Full House, Wolfsburg Kunstmuseum, Germany (CD-rom cat.)

Masculin/Feminine, Musée National d'Art Moderne, Centre

Pompidou, Paris (cat.)

1995

199

19

1

“

Minky Manky”, South London Gallery, London (cat.)

Corpus Delicti: London in the 1990s, Kunstforeningen,

Copenhagen (cat.)

ARS 95, Museum of Contemporary Art, Helsinki (cat.)

Brilliant! New Art From London, Walker Art Center, Minneapolis

(MI) and Museum of Fine Arts, Houston (TX) (cat.)

1994

199

19

1

“

Watt”, Witte de With and Kunsthal, Rotterdam, The Netherlands

(cat.)

Football Karaoke, Portikus, Frankfurt-am-Main, Germany (cat.)

Not Self Portrait, Karsten Schubert Gallery, London

199

19

1

3

Sarah Lucas and Steven Pippin, Project Room, Museum of

Modern Art, New York (cat.)

Young British Artists II, Saatchi Collection, London (cat.)

Monika Spruth, Cologne, Germany

1992

199

19

1

Karsten Schubert Gallery, London

Lea Andrews, Keith Coventry, Anya Gallaccio, Damien Hirst, Gary

Hume, Abigail Lane, Sarah Lucas, Steven Pippin, Marc Quinn,

Marcus Taylor, Rachel Whiteread, Stein Gladstone and Barbara

Gladstone Gallery, New York

1990

199

19

1

East Country Yard Show, Surrey Docks, London (cat.)

1988

198

19

1

Freeze, PLA Building, London

1986

198

19

1

Showroom, London

Film/Television/Audio/Performance

2005

200

20

2

Self Portraits: The Me Generations, Channel 4 3 part television

series, written and presented by Mathew Collings

A Physical Dialogue, with Michael Clark & Dance Company,

Pauline Daly and Olivier Garbay, Kunstverein Hamburg, Hamburg,

Germany

2001

2001

200

20

The History of Britart, BBC Television, director Vanessa Engel

Before and After: The Fall, The Michael Clark Company: set

design for a new work performed at the Hebbel Theatre Berlin,

and tour to Teatro Argentina Rome, the Lyceum Sheffield,

Sadler’s Wells London, Her Majesty’s Theatre Aberdeen, The

Lowry Theatre Salford, Warwick University, Brighton Corn

Exchange

The Shop, film for Century City exhibition at Tate Modern, London

(with Tracey Emin)

2000

2000

200

20

Art Zone: Tate Modern, BBC2 Television, presented by Matthew

Collings

Anatomy of Disgust, Optimen TV for Channel 4

Intelligence – Tate Britain, BBC Television

London Live BBC Radio, interview with Bob Elms, 13th March

BBC Radio 4, ‘Front Row’ with Mark Lawson 16th Feb.

1999

199

19

1

This Is Modern Art, Channel 4 six part television series, presented

by Matthew Collings, June/July

1998

199

19

1

Gary Hume/Gillian Wearing, The South Bank Show, London

Weekend TV

DAZED, for Renegade TV, Channel Four, 17 Sept.

1997

1997

199

19

Audio Arts, Vol.16 Nos. 3 & 4, Sarah Lucas interviewed by Jean

Wainright

Sensation, Omnibus for BBC TV, Sept.

The Car's the Star, Top Gear, BBC2, Oct.

1996

199

19

1

Two Melons And A Stinking Fish, Illuminations for BBC TV/Arts

Council, directed by Vanessa Engel

1990

199

19

1

Sausage Film, Sarah Lucas