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USA / New York / Chelsea : Exhibition

Tony Brown

Feb 9, 2010 - Mar 6, 2010
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Tony Brown - George Billis Gallery, New York
My work comes mostly from found or discarded materials taken from my immediate environment and transformed from objects into images. I am particularly interested in the natural weathering and dilapidation that occurs on wood and metal surfaces...  Read More
 

Presenting Artists

Tony Brown

Area Map and Address

555 West 25th Street, 2nd Floor, New York, New York, USA

While in New York

USA / New York / Chelsea : Opening
John McCracken - Opening Event
David Zwirner
Sep 16, 2010
Roman Opalka - Yvon Lambert, New York
USA / New York / Chelsea : Exhibition
Roman Opalka
Yvon Lambert, New York
Sep 9, 2010 - Oct 16, 2010
USA / New York / Chelsea : Exhibition
John McCracken
David Zwirner
Sep 16, 2010 - Oct 23, 2010

About the Event

My work comes mostly from found or discarded materials taken from my immediate environment and transformed from objects into images. I am particularly interested in the natural weathering and dilapidation that occurs on wood and metal surfaces that have been ignored. This record (or history) of activity seems to transcend human concerns and address larger issues of nature in which we are nearly an inconsequential element. These built-up layers seem to have a distinctly "realistic" and elemental appearance - sometimes looking like wind-swept landscapes or weatherscapes. It seems almost as if the objective presentation of this kind of surface, in a format that resembles painting, represents representation itself.

I feel that making art is like dreaming on purpose, and involves a rigorous search for beauty amidst materials that have been cast aside. It is a physically engaging, organic process of creating, and an opportunity to present myself with something paradoxically strange and familiar that does not restrict contemplation. My work allows me to view my environment in a way that is poetic rather than dismissive. It is my hope that the work has a similar effect on those who view it, perhaps also altering the way they see their world.

The work is deliberately left open-ended and unexplained, allowing viewers (as well as myself) to read it through the richness of their own experiences. Although I cannot entirely list the intuitive, self-imposed rules that govern the production of my work, or all the reasons for making it, I know without doubt that it needs to be made.