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At Auction

Notable Lots

OLD PAINTING, WITZ FIVE PERSONS, WITZ BLACK BARREL OVER THE EYES - Hans-Peter Feldmann

OLD PAINTING, WITZ FIVE PERSONS, WITZ BLACK BARREL OVER THE EYES , 2007

By Hans-Peter Feldmann
in two parts; Untitled - Hans-Peter Feldmann

in two parts; Untitled

By Hans-Peter Feldmann
VIEW 187 ARTWORKS

Recent Auction Results

A minimalist arrangement of rectangular cards in varying shades of beige and gray, each printed with numbers and text.

Bilder, Pictures. Portfolio 1, 1968-1971 , 1968–71

By Hans-Peter Feldmann
Zwiggelaar Auctions
A black-and-white concert poster featuring a vertical stack of silhouetted figures on stage.

Between 7 , 1973

By Hans-Peter Feldmann
Zwiggelaar Auctions
VIEW 187 AUCTION RESULTS

Current Exhibitions

Inner Mornings, Or the Forms of Counterculture - Deichtorhallen Hamburg, Falckenberg Collection

Inner Mornings, Or the Forms of Counterculture

Jun 06, 2026 - Sep 13, 2026
P. K. ECHO: 12 Dialogues from the Collection - Museum Jorn

P. K. ECHO: 12 Dialogues from the Collection

Mar 20, 2026 - Aug 30, 2026

Past Exhibitions

Seriously. - Sprüth Magers, London

Seriously.

Nov 21, 2025 - Jan 31, 2026
VIEW 224 EXHIBITIONS

Articles

From the Collection at Dvir Gallery, Paris

From the Collection at Dvir Gallery, Paris  

Art Viewer Apr 30, 2026
Tehching Hsieh's radical one-year endurance piece leads new exhibition at Kunstmuseum Ravensburg

Tehching Hsieh's radical one-year endurance piece leads new exhibition at Kunstmuseum Ravensburg  

ArtDaily Apr 28, 2026
It's All About Time

It's All About Time  

e-flux Apr 27, 2026
View All Articles

Coverage

“ ..Feldmann's work from this period is rarely exhibited, in part due to his decision to retire as an artist in 1979, which led him to either give away or destroy his work... ”

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Richard Saltoun

“ ..Feldmann does not discard either mass produced or amateur photographs; on the contrary, he embraces them in his work as if they were his own and offers them equal value... ”

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Malmö Konsthall

“ ..Like most of Feldmann's work, it is disorientating in that it is not titled and it uses odd numbers rather than even... ”

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Richard Saltoun

“ ..Owing to the omnipresence of reproductions, Feldmann's authorship is not to the fore; he neither signs not limits editions of his works... ”

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Kunsthalle Düsseldorf

“ ..Feldmann's own version of appropriation art is thus consistent with a democratic attitude towards visual art, which knows no distinction between amateur and professional, private and public, other and... ”

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Kunsthalle Düsseldorf

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