Collection Focus #4. The Hills: An Artists' Gathering
This exhibition offers a rare opportunity to reflect on the period in which artists in Darlington and its surrounds formed a vibrant creative community, forging new directions in art. Among the highlights of the exhibition is Brian Blanchflower’s Glimpses (An Earth History), 1986-1987, described by critic David Bromfield as the artist’s most ambitious work of the 1980s. The Janet Holmes à Court Collection, which now numbers more than four and a half thousand works, began modestly with three purchases from the 1968 Darlington Arts & Craft Exhibition. Those early acquisitions, along with many subsequent works by artists in the Perth hills, continue to form a core of the Collection today.
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This exhibition offers a rare opportunity to reflect on the period in which artists in Darlington and its surrounds formed a vibrant creative community, forging new directions in art. Among the highlights of the exhibition is Brian Blanchflower’s Glimpses (An Earth History), 1986-1987, described by critic David Bromfield as the artist’s most ambitious work of the 1980s. The Janet Holmes à Court Collection, which now numbers more than four and a half thousand works, began modestly with three purchases from the 1968 Darlington Arts & Craft Exhibition. Those early acquisitions, along with many subsequent works by artists in the Perth hills, continue to form a core of the Collection today.
Artists on show
- Bernard Tandy
- Bethamy Linton
- Betsey Currie-Linton
- Brian Blanchflower
- Brian McKay
- Doug Chambers
- George Haynes
- Guy Edward Grey Smith
- Hal Missingham
- Hans Arkeveld
- Howard Taylor
- Linda Van Der Merwe
- Mac Betts
- Madeleine Clear
- Merrick Belyea
- Michele Theunissen
- Nalda Searles
- Nigel Hewitt
- Philippa O'Brien
- Richard Woldendorp
- Robert Birch
- Robert Litchfield Juniper
- Sandra Black
- Stuart Elliott
- Vaclav Macha
- William Boissevain
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