Core Memory: Louisiana Native American Basketry
Louisiana Native American Basketry, co-curated by Dayna Bowker Lee, Ph.D. and Teresa Parker Farris, brings together works from five Indigenous Nations: the Chitimacha, Choctaw, Coushatta, Tunica-Biloxi, and Houma; and casts light on more than thirty Native American fiber artists. Six contemporary weavers are profiled in the exhibition including Chitimacha artist John Paul Darden; Coushatta artists Marjorie Battise and Myrna Wilson; Houma artist Janie Verret Luster; Jena Choctaw artist Rose Fisher Greer and Tunica-Biloxi/Choctaw artist Elisabeth Pierite. Their remarkable creations from pine needles, river cane, cypress, and palmetto serve as important emblems – and transmit living cultural identity in dialog with tradition, from one generation to the next.
The Core Memory exhibitions, Louisiana Native American Basketry and Encoded, put into conversation two modalities of weaving: Indigenous basketry and the emergent field of systems-based textiles.
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Louisiana Native American Basketry, co-curated by Dayna Bowker Lee, Ph.D. and Teresa Parker Farris, brings together works from five Indigenous Nations: the Chitimacha, Choctaw, Coushatta, Tunica-Biloxi, and Houma; and casts light on more than thirty Native American fiber artists. Six contemporary weavers are profiled in the exhibition including Chitimacha artist John Paul Darden; Coushatta artists Marjorie Battise and Myrna Wilson; Houma artist Janie Verret Luster; Jena Choctaw artist Rose Fisher Greer and Tunica-Biloxi/Choctaw artist Elisabeth Pierite. Their remarkable creations from pine needles, river cane, cypress, and palmetto serve as important emblems – and transmit living cultural identity in dialog with tradition, from one generation to the next.
The Core Memory exhibitions, Louisiana Native American Basketry and Encoded, put into conversation two modalities of weaving: Indigenous basketry and the emergent field of systems-based textiles.
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