Graphic Pull: Contemporary Prints from the Collection
Graphic Pull: Contemporary Prints from the Collection highlights numerous printmaking techniques from the Nasher Museum’s collection with works dating from the 1970s to today. Including both traditional and unconventional printing methods, the exhibition explores how contemporary artists have continued to use this age-old graphic form while also expanding on its processes and definitions. Whether pulled from a press or printed by hand, the works on view emphasize the irresistible qualities of the medium that have made it an effective means of artistic expression for millennia.
The inherent characteristics of most prints—reproducibility, general ease of distribution, and collaborative elements—make them particularly efficient at communicating ideas to large audiences. Because of this, many prints on view in Graphic Pull address issues related to current, or recurring, social and political trends and events. Recent acquisitions, prints from the collection that have never been on view, and several loans have been included for their effectiveness in conveying such issues as well as for their ability to broaden the discussion of what a print can be. Historical prints also provide valuable source material for artists considering their relevance today.
In a world that has recently changed so rapidly and profoundly, prints have played a vital role for their ability to educate, advocate, and inspire. Their graphic pull moves makers and viewers alike to participate in addressing urgent issues around the globe. Through a range of approaches, contemporary prints continue to harness the medium’s potential in powerful and innovative ways, one pull at a time.
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Graphic Pull: Contemporary Prints from the Collection highlights numerous printmaking techniques from the Nasher Museum’s collection with works dating from the 1970s to today. Including both traditional and unconventional printing methods, the exhibition explores how contemporary artists have continued to use this age-old graphic form while also expanding on its processes and definitions. Whether pulled from a press or printed by hand, the works on view emphasize the irresistible qualities of the medium that have made it an effective means of artistic expression for millennia.
The inherent characteristics of most prints—reproducibility, general ease of distribution, and collaborative elements—make them particularly efficient at communicating ideas to large audiences. Because of this, many prints on view in Graphic Pull address issues related to current, or recurring, social and political trends and events. Recent acquisitions, prints from the collection that have never been on view, and several loans have been included for their effectiveness in conveying such issues as well as for their ability to broaden the discussion of what a print can be. Historical prints also provide valuable source material for artists considering their relevance today.
In a world that has recently changed so rapidly and profoundly, prints have played a vital role for their ability to educate, advocate, and inspire. Their graphic pull moves makers and viewers alike to participate in addressing urgent issues around the globe. Through a range of approaches, contemporary prints continue to harness the medium’s potential in powerful and innovative ways, one pull at a time.
Artists on show
- Andy Warhol
- Barbara Kruger
- Barthélémy Toguo
- Bill Fick
- Bruce Conner
- Bruce High Quality Foundation
- Camille Billops
- Colin Quashie
- David Clyde Driskell
- David Hammons
- Dmitrij Aleksandrovich Prigov
- Emma Amos
- Grayson Perry
- Guerrilla Girls
- Hurvin Anderson
- Juan Genovés
- Judy Baca
- Justin Matherly
- Kathryn Andrews
- Lubaina Himid
- Mark Bradford
- Michelangelo Pistoletto
- Nava Atlas
- Pedro Lasch
- Raymond Pettibon
- Roger Brown
- Sedrick Huckaby
- Stacy Lynn Waddell
- William Pope.L
- Xu Bing
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