The Nasher Sculpture Center presents a new iteration of its rotating installation of works from the Raymond and Patsy Nasher Collection. Comprising approximately 100 works installed in the Center’s indoor galleries and sculpture garden, this installation continues the investigation of several key developments in modern and contemporary sculpture. Masterworks by artists such as
Auguste Rodin,
Paul Gauguin,
Henri Matisse,
Pablo Picasso, and
Alberto Giacometti embody the modernist interpretation of the human figure, incorporating radical formal and psychological investigations. The realm of dreams and the subconscious is examined in some of the best known sculptures of the Surrealist movement by artists such as
Jean Arp,
Alexander Calder,
Max Ernst, and
Joan Miro. The installation continues with sections exploring the crucial development of Constructivism and welded metal sculpture in the twentieth century from
Naum Gabo to
Antony Gormley, including a concentration of works by masters of the torch
Julio González and
David Smith. A selection of works by
Willem de Kooning,
Roy Lichtenstein, and
Claes Oldenburg presents the opposing developments of Abstract Expressionism and Pop Art in the 1950s and 60s. And the lower level gallery features minimalist works from the 1960s and beyond by artists such as
Carl Andre,
Donald Judd,
Ellsworth Kelly, Sol Lewitt, and
Tony Smith.
In addition to the works from the Nasher Collection, the Nasher Sculpture Center is pleased to present
Isaac Witkin’s Volution (1964). Featured in the groundbreaking 1965 London exhibition, The New Generation, Volution and other works introduced an important group of young sculptors working with new materials normally associated with industrial production and creating radically new sculptural forms. A fluid, sensuous, green fiberglass column, Volution encapsulates the experimental spirit of the group and updates the organic abstractions of modernist predecessors like
Jean Arp and
Henry Moore. Volution comes to the Nasher Sculpture Center for one year courtesy of the artist’s daughter, Nadine Witkin, who has also generously lent Hawthorne Tree, Variation III (1990), on view at DFW International Airport with other works from the Nasher Sculpture Center.
Isaac Witkin, Volution, 1964, Painted fiberglass, 98 × 18 × 31 ½ in., Courtesy of Nadine Witkin