Jackson Slattery, Wrong Formalism

Jun 30, 2012 - Jul 24, 2012

Sutton Gallery is pleased to announce Wrong Formalism, an exhibition of new works by Jackson Slattery. Known for his meticulously painted watercolours, Slattery's latest body of work is fragile and visually dramatic; consciously reducing the use of imagery and narrative in order to concentrate on the surface of objects and the formal composition of painting.

The depth of Slattery's watercolour practice is brought to the fore in Wrong Formalism, with a series of paintings born out of a complex, process-orientated project. For the last year or so Slattery has been carrying multiple sheets of semi-transparent safety glass as he travels between Australia, Europe and North America. Posed with a single prop - a fake IKEA rose - Slattery photographs the sheets of glass in various countries, then paints a tromp l'oeil copy. The resulting stripped-back images are intentionally abstract: they lack any reference to the wider world, and challenge the viewer to decipher their minute detail and subtle differences. Focusing intensely on the surface of his objects, Slattery captures the various cracks, dents, scratches and remnants of packing tape the glass sheets have accumulated throughout their journey; these markings offering a sensitive, understated allusion to a sense of time passing.


Sutton Gallery is pleased to announce Wrong Formalism, an exhibition of new works by Jackson Slattery. Known for his meticulously painted watercolours, Slattery's latest body of work is fragile and visually dramatic; consciously reducing the use of imagery and narrative in order to concentrate on the surface of objects and the formal composition of painting.

The depth of Slattery's watercolour practice is brought to the fore in Wrong Formalism, with a series of paintings born out of a complex, process-orientated project. For the last year or so Slattery has been carrying multiple sheets of semi-transparent safety glass as he travels between Australia, Europe and North America. Posed with a single prop - a fake IKEA rose - Slattery photographs the sheets of glass in various countries, then paints a tromp l'oeil copy. The resulting stripped-back images are intentionally abstract: they lack any reference to the wider world, and challenge the viewer to decipher their minute detail and subtle differences. Focusing intensely on the surface of his objects, Slattery captures the various cracks, dents, scratches and remnants of packing tape the glass sheets have accumulated throughout their journey; these markings offering a sensitive, understated allusion to a sense of time passing.


Artists on show

Contact details

254 Brunswick Street Fitzroy, Australia Victoria 3065

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