Roy Lichtenstein: Modern Paintings
Concurrent with ROY LICHTENSTEIN MODERN PAINTINGS, Richard Gray Gallery has published the first scholarly catalogue of these works, which includes a comprehensive checklist of the entire series, images of Roy Lichtenstein in his studio by photographer Ugo Mulas and text by Dave Hickey, an excerpt of which is below:
“Today, finally, even the hegemony of “culture” is dissolving into the global melting pot and we’re back to the issue of what’s good and what’s bad, regardless. This leaves paintings like Lichtenstein’s Modern Paintings alive in the eternal present as singular confrontational objects. You hang them on your wall and they set a standard. They don’t give themselves up or let you go. You only look away out of cowardice, never out of boredom."
- Dave Hickey
About the Modern Paintings Series:
In 1966, Roy Lichtenstein moved on from his much-celebrated imagery of the early 1960s, away from cartoons and brushstrokes, and began to make compositions that resist easy classification. Using his characteristic Ben Day dots and geometric shapes and lines, Lichtenstein rendered incongruous, challenging images out of familiar architectural structures, patterns borrowed from Art Deco and other subtly evocative, often sequential, motifs.
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Concurrent with ROY LICHTENSTEIN MODERN PAINTINGS, Richard Gray Gallery has published the first scholarly catalogue of these works, which includes a comprehensive checklist of the entire series, images of Roy Lichtenstein in his studio by photographer Ugo Mulas and text by Dave Hickey, an excerpt of which is below:
“Today, finally, even the hegemony of “culture” is dissolving into the global melting pot and we’re back to the issue of what’s good and what’s bad, regardless. This leaves paintings like Lichtenstein’s Modern Paintings alive in the eternal present as singular confrontational objects. You hang them on your wall and they set a standard. They don’t give themselves up or let you go. You only look away out of cowardice, never out of boredom."
- Dave Hickey
About the Modern Paintings Series:
In 1966, Roy Lichtenstein moved on from his much-celebrated imagery of the early 1960s, away from cartoons and brushstrokes, and began to make compositions that resist easy classification. Using his characteristic Ben Day dots and geometric shapes and lines, Lichtenstein rendered incongruous, challenging images out of familiar architectural structures, patterns borrowed from Art Deco and other subtly evocative, often sequential, motifs.
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