This exhibition features works by Dutch and Flemish artists of the sixteenth and seventeenth centuries who were exponents of the tronie – an intriguing painting of a head. Paintings include Study of an Old Woman by Rubens, The Laughing Man, 1629-1630, by Rembrandt and The Man with the Golden Helmet, c. 1650 from the circle of Rembrandt. Vermeer’s most exquisitely detailed tronie, Girl with the Red Hat, c.1665-1667, is an exhibition highlight.
This exhibition features works by Dutch and Flemish artists of the sixteenth and seventeenth centuries who were exponents of the tronie – an intriguing painting of a head. Paintings include Study of an Old Woman by Rubens, The Laughing Man, 1629-1630, by Rembrandt and The Man with the Golden Helmet, c. 1650 from the circle of Rembrandt. Vermeer’s most exquisitely detailed tronie, Girl with the Red Hat, c.1665-1667, is an exhibition highlight.
In the 1960s, an interesting series of experiments took place under the Soviet psychologist Alfred Yarbus, who was trying to assess how the human eye processes images.
Tronies are not portraits. They’re not head studies either. They tend to be smaller, more intimate studies of heads in expression, which try to get at the essence of an emotion.