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The Impressionist Vision

The Impressionist Vision at Christopher-Clark Fine Art

As the most popular movement in the history of art, Impressionism's irresistible allure is its seductive vision of a world pulsing with color and light. By observing life's ephemeral moments and distilling their very essence, the Impressionists were able to captivate the viewer in a way that was unique and totally unexpected.

Impressionism today is a cultural touchstone of such note that it is difficult to fathom the contentious response it first received. In the early days of the movement, the sensibilities of collectors and critics alike were offended by the "unfinished" appearance of the art. It was as if the highly visible brushwork and bold, unblended colors were mocking the rigid principles of the academic tradition. The proverbial line had been drawn in the sand, forging a new trajectory that changed the course of artistic expression. The path that emerged, though narrow at first, soon opened to the broad vistas of Modern Art and the innovations of the 20th century.

The Impressionists developed an affinity for working en plein air, not only to capture the fleeting effects of light, but to infuse their art with a more dynamic energy. With the advent of photography, artists had become fearful of the potential demise of painting, so the Impressionists sought to make it relevant again. That progressive spirit also served as a potent catalyst in their approach to printmaking. Renoir, for example, aligned himself with Auguste Clot, the greatest lithographer of his day, to create original prints that reflected a painter's point of view. Their collaboration resulted in such masterworks as Enfants Jouant à la Balle and Le Chapeau Épinglé, two of the finest lithographs in the history of art. Camille Pissarro and Mary Cassatt shared in this passion for printmaking and even acquired their own presses to more fully explore the possibilities. They created exceptional works ranging from Pissarro's rare color etching Marché de Gisors, Rue Cappeville to Cassatt's sublime drypoint Tea. Manet was also deeply involved and produced an impressive array of fine prints including La Toilette, his graceful study of the draped female form. We are very fortunate to include all of these works in our special exhibition.

The enduring appeal of Impressionism has been its ultimate validation, and yet we continue to seek a better understanding of the art and philosophy of these beloved artists. It is our hope that The Impressionist Vision will enhance your insight into their remarkable accomplishments.