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A split-screen composition juxtaposing a long, eerie hallway with a close-up of a person in red clothing.

Josh Azzarella

Untitled #207 (Ullman’s ball)

, 2019

PhotographyDye sublimation metal print

121.9 x 139.7 см; (47.992 x 55 inches)

Signed, Limited Edition, Edition 3/3, + 1AP

Certificate of authenticity provided by gallery

Condition

GalleryMark Moore Fine Art

Ships from

Orange, CA, US

Price 5,000 USD

Inquire about the artwork without commitment

Other Works By Josh Azzarella

45 Artworks

FILTERS

A grainy vintage film still of a black convertible carrying several figures, surrounded by security personnel and spectators.

Untitled #7, 2005

Mark Moore Fine Art

A split-screen composition contrasting a desolate highway with two figures against a vast sky and a dense forest scene featuring vintage cars.

Untitled #142 (Bob Coe from Wasco), 2013

Mark Moore Fine Art

A grainy black-and-white landscape photograph capturing a distant hillside with a small structure and foreground vegetation.

Untitled #54 (Heligoland), 2009

Mark Moore Fine Art

A dark, atmospheric night scene with a blue-lit foggy street and distant building lights.

Untitled #101d (SNYNW), 2009

Mark Moore Fine Art

A dark, abstract composition featuring a faint, glowing face-like shape emerging from shadow.

Untitled #101a (SYNW), 2009

Mark Moore Fine Art

A split-screen composition juxtaposing a dimly lit interior with a grid window against a close-up of a person's torso in formal wear.

Untitled #220 (Lost Carlota),, 2019

Mark Moore Fine Art

A split-screen composition juxtaposes an upside-down portrait of a bearded man with a serene outdoor scene featuring a person reading on grass.

Untitled #216 (cigarette), 2019

Mark Moore Fine Art

Untitled #235 (Dark City), 2019

Mark Moore Fine Art

A split-screen composition juxtaposing a pale, wide-eyed figure against a dark background with a close-up of a face in shadow.

Untitled #218 (Francis Bacon), 2019

Mark Moore Fine Art

A triptych of black and white photographic plates showing textured surfaces with visible imperfections.

Untitled #49 (Christian Rath), 2008

Mark Moore Fine Art