Debra Dawes

Australian | 1955

Debra Dawes is an Australian Postwar & Contemporary painter who was born in 1955.

How much does a Debra Dawes cost?

Debra Dawes's work has been offered at auction multiple times, with realized prices of up to 5,594 USD.

What is Debra Dawes's most expensive painting?

Since 2001 the record price for this artist at auction is 5,594 USD for Untitled, 2001, sold at Shapiro Auctioneers in 2010.

Numerous key galleries and museums such as NERAM, New England Regional Art Museum have featured Debra Dawes's work in the past.

Debra Dawes in the news

In MutualArt’s artist press archive, Debra Dawes is featured in Debra Dawes, a piece from Artist Profile in January 2020.

At Auction

Notable Lots

Break the Back of the Snake - Debra Dawes

Break the Back of the Snake , 2007

By Debra Dawes

Untitled, 2001 , 2001

By Debra Dawes

+168%

above mid-estimate

Break the Back of the Snake , 2007

By Debra Dawes

VIEW 5 ARTWORKS

Recent Auction Results

Break the Back of the Snake , 2007

By Debra Dawes

Leonard Joel, Melbourne

Break the Back of the Snake , 2007

By Debra Dawes

Leonard Joel, Melbourne

Lifting the Sky, 1999 , 1999

By Debra Dawes

-10%

below mid-estimate

Shapiro Auctioneers

VIEW 5 AUCTION RESULTS

Past Exhibitions

Vibrations: Abstract women in the collection

NERAM, New England Regional Art Museum

Armidale | Australia

Feb 07, 2025 - Apr 06, 2025

Aspects of Abstraction: Charles Nodrum Collection

Town Hall Gallery, Hawthorn Arts Centre

Hawthorn | Australia

Nov 16, 2024 - Nov 16, 2024

Debra Dawes: Skin Deep

Yavuz Gallery, Sydney (George St)

Redfern | Sydney | Australia

Jan 21, 2020 - Feb 16, 2020

VIEW 10 EXHIBITIONS

Articles

Debra Dawes

Artist Profile Jan 20, 2020

Debra Dawes’ paintings have a visceral effect on the viewer. Her work appears cerebral but derives from experience and emotion.

Coverage

“ ..Debra will be turning her normally cloistered studio practice inside out and will be working in public and interactively... ”
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Gallery Barry Keldoulis

“ ..Disrupting the structural and inherent organising parameters of the grid, Dawes instead emphasises the sensorial encounters of abstraction... ”
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Yavuz Gallery, Sydney