Natalie Dray’s work gives me joy the way I feel joy when I see a weed which, lodged within the interstices of the city, has found nutrient in seemingly hostile bricks or concrete.
A facelift is a strike against time, an attempt to reverse the effects of ageing: to smooth those wrinkles, lift that sagging jowl.
Coverage
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..Dray’s work is situated between the representational strategies of manufacturing, commerce and art, using all these fields as a common site of production...
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..Choosing the more male dominated arena of self-taught computer assembly, Dray undermines the power positions of the individuals dominating this activity and the markets which orchestrate the brands themselves...
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.. Dray’s reductionist assessment of the works and consistent refusal to bypass function is based on a stringent protocol of security and safety standards outlined by the UK’s manufacturing regulatory body...
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..Dray’s explorations aim to challenge conventions, like those of uniform engineering by hacking the hidden mechanics and functions of consumer products...
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..Issues around a product’s political currency and social value, as well as the potential impact of how material and colour can effect response resonates with Dray’s application of metal finishes, detail...
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