For Indigenous peoples of the Pacific Northwest coast such as
Galanin (Tlingít and Unangax̂), the totem pole is a ceremonial object used to celebrate events, depict stories, and document family lineage. In I Think It Goes Like This (Gold), a seemingly Indigenous-made totem pole is covered in gold leaf but lies dismantled on the ground. Contrary to the viewers' original understanding of the object, this is not a cultural tool of memory-making and community. It is a carving by an Indonesian artist created to sell as a souvenir to tourists in Alaska. Through his intervention of destruction and reassembly to the original carving and application of gold leaf, Galanin creates dialogue about the economy of cultural appropriation while reclaiming the work as Indigenous art.