Rembrandt van Rijn

Dutch | 1606 - 1669

Biography

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Early Life & Education


Rembrandt Harmenszoon van Rijn (1606–1669), known mononymously as Rembrandt, was born on July 15, 1606, in Leiden, Netherlands, the youngest of at least ten children. His father, Harmen Gerritszoon van Rijn, was a miller, and his mother, Neeltgen Willemsdochter van Zuytbrouck, came from a family of bakers. Demonstrating early artistic promise, he apprenticed with the Leiden history painter Jacob van Swanenburgh, studying under him for three years. In 1624, he traveled to Amsterdam to train briefly with Pieter Lastman, a master of narrative painting, before returning to Leiden to establish a studio in partnership with Jan Lievens.

Key Life Events & Historical Context


Rembrandt moved to Amsterdam in 1631, where he swiftly became the city’s most sought-after portraitist. His 1634 marriage to Saskia van Uylenburgh, a cousin of a prominent art dealer, elevated his social standing and provided financial stability. The couple had four children, but only their son Titus survived infancy; Saskia’s death in 1642 left Rembrandt emotionally and economically adrift. The Dutch Golden Age, marked by maritime trade and cultural expansion, created a thriving art market, yet Rembrandt’s lavish lifestyle and shifting artistic tastes led to financial decline. Declared bankrupt in 1656, he spent his final years in reduced circumstances, continuing to paint with undiminished intensity until his death on October 4, 1669.

Influences


Rembrandt’s early development was shaped by his teachers: Jacob van Swanenburgh grounded him in the traditions of history painting, while Pieter Lastman exposed him to Italianate compositional techniques and the dramatic potential of chiaroscuro. These influences coalesced into a deeply psychological approach to narrative, where emotional resonance took precedence over idealized form, setting the course for his mature style.

Artistic Career


Rembrandt’s breakthrough came in 1632 with *The Anatomy Lesson of Dr. Nicolaes Tulp*, a group portrait that fused scientific inquiry with theatrical staging. He reached a professional apex in 1642 with *The Militia Company of Captain Frans Banning Cocq*—later known as *The Night Watch*—a revolutionary civic portrait that redefined the genre through dynamic movement and light. Over decades, he evolved from a fashionable portraitist into a profound interpreter of human experience, navigating shifts in patronage and public taste with unwavering artistic integrity.

Artistic Style & Themes


Renowned for his masterful use of chiaroscuro, Rembrandt imbued his works with psychological depth and spiritual gravity. He explored biblical and historical subjects not as distant spectacles but as intimate, human dramas. *The Return of the Prodigal Son* (c. 1669) exemplifies his late style—restrained palette, tender gesture, and luminous compassion—while *Bathsheba at Her Bath* (1654) reveals his ability to merge physical presence with moral introspection. His self-portraits, spanning over forty works, form an unparalleled visual autobiography.

Exhibitions & Representation


In 2023, the Rijksmuseum presented two rediscovered Rembrandt portraits—*Portrait of a Young Man with a Golden Chain* and *Portrait of a Young Woman with a Pink*—acquired from private collections, reigniting scholarly interest in his personal and artistic networks. Major retrospectives at institutions such as the National Gallery in London and the Metropolitan Museum of Art have consistently drawn global audiences, affirming his enduring presence in the museum canon.

Awards & Accolades


Though formal accolades were absent in his lifetime, Rembrandt’s posthumous recognition is unparalleled. He is regarded as the preeminent figure of Dutch Baroque painting, with his works forming cornerstones of the world’s leading collections. His name has become synonymous with artistic introspection and technical mastery.

Little Known Facts


Rembrandt was an avid collector of curiosities—armors, costumes, antiquities, and natural specimens—which he incorporated into his studio practice. He used these objects as props, enriching the authenticity and texture of his historical and biblical scenes, a testament to his immersive approach to storytelling.

Legacy


Rembrandt’s pupils, including Gerrit Dou, Carel Fabritius, and Nicolaes Maes, carried forward his emphasis on light and psychological nuance, shaping the Leiden *fijnschilder* tradition. His expressive brushwork and emotional candor prefigured the introspective depth of artists such as Goya, Courbet, and Van Gogh. Across centuries, his work has served as a touchstone for those seeking truth in representation. Rembrandt’s enduring significance lies not only in his technical innovation but in his unflinching gaze into the soul—a legacy that continues to illuminate the human condition.

Selected Solo Exhibitions

2026
2025
2024
2023
2022
2021
2020
2019
2018
2017
2016
2015
2014
2013
2012
2011
2010
2009
2008

Selected Group Exhibitions

2025
2024
2023
2022
2021
2020
2019
2018
2017
2016
2015
2014
2013
2012
2011
2010
2009
2008

Rembrandt van Rijn Record Prices

The 2024 record price for Rembrandt van Rijn was for Christ crucified between the two Thieves: 'The Three Crosses'
The 2022 record price for Rembrandt van Rijn was for Christ crucified between two Thieves: ‘The Three Crosses’
The 2021 record price for Rembrandt van Rijn was for The Adoration of the Magi - en grisaille
The 2020 record price for Rembrandt van Rijn was for SELF-PORTRAIT OF THE ARTIST, HALF-LENGTH, WEARING A RUFF AND A BLACK HAT
The 2019 record price for Rembrandt van Rijn was for A portrait of the artist
The 2018 record price for Rembrandt van Rijn was for STUDY OF THE HEAD AND CLASPED HANDS OF A YOUNG MAN AS CHRIST IN PRAYER
The 2014 record price for Rembrandt van Rijn was for The Three Trees (B., Holl. 212; H. 205; New Holl. 214)
The 2013 record price for Rembrandt van Rijn was for Man with a Sword
The 2012 record price for Rembrandt van Rijn was for A man in a gorget and cap
The 2011 record price for Rembrandt van Rijn was for JUDAS RETURNING THE THIRTY PIECES OF SILVER
The 2010 record price for Rembrandt van Rijn was for A man in a gorget and cap
The 2009 record price for Rembrandt van Rijn was for Portrait of a man with arms akimbo
The 2007 record price for Rembrandt van Rijn was for Saint James the Greater
The 2006 record price for Rembrandt van Rijn was for STUDY OF AN ELDERLY WOMAN IN A WHITE CAP
The 2005 record price for Rembrandt van Rijn was for An old man wearing a turban seated in profile to the left
The 2004 record price for Rembrandt van Rijn was for AN INN ON A DYKE
The 2003 record price for Rembrandt van Rijn was for SELF-PORTRAIT WITH SHADED EYES
The 2002 record price for Rembrandt van Rijn was for LANDSCAPE WITH A WINDMILL AND OTHER BUILDINGS
The 2001 record price for Rembrandt van Rijn was for Portrait of a bearded man, bust-length, in a red doublet
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